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The Authentic Guide to Santa Fe

Posts Tagged ‘summer in santa fe’

Santa Fe Opera Marathon

Monday, August 15th, 2011 by Santa Fe Red

The Santa Fe OperaHighway US 84/285

For tickets: Box Office 505-986-5900 and 800-280-4654, or by email boxoffice@santafeopera.org

Truth be told, my outing was actually a trifecta, rather than a marathon, but perhaps you’ll get the idea. Over the years, I have wondered what it would be like to attend multiple performances in a single week at our wonderful Santa Fe Opera, so I took finally took the opportunity to learn for myself.

John Crosby's Brilliant Idea

Every year, the opera offers subscription rates that are a good 20% lower than standard prices, and these options include a trio, quartet or quintet of performances. Since the box office is both intelligent and understanding, these performance blocks always take place in August, when the curtain time drops down to 8:30pm for the first two weeks and then to 8:00pm for the last two weeks. If you know you’re up for a full dose of grand music, then this is definitely the way to go!

With my faithful opera companion in tow, I started this opera trifecta with The Last Savage, Gian Carlo Menotti’s forgotten opera buffa, premiered in 1963 at the Opera Comique in Paris. Aided by the able stagecraft of all departments, Director Ned Canty has boldly brought this neglected gem back to life. Simply put, entertainment in spades! Fluffy, yes, but stuffed with characters and ideas that make one think and so beautifully sung. In fact, we loved it so much, we went back again, bringing an 11-year-old for her first SFO experience, as this production is a perfect introduction to the joys of opera.

Let's Look at the Story

I make a point of not reading the program before I see the performance, but even without seeing the credits, as the lights went down and the sprigtly sounds floated up, years of attendance at SFO told me immediately that the talented George Manahan was in the pit for The Last Savage.  Baritone Daniel Okulitch was alternately touching and tough (and buff!) in the role of Abdul, the aforementioned Savage, who learns the difference between the savagery of the jungle and that of the city, discovering that he wants “no more of your false light that so deceived me.” Listening to Anna Christy, the soprano who “tames” this savage, one is simply awed by the big voice coming out of this single-minded little package.  Kevin Burdette gave an amusing performance as Kitty’s father, Mr. Scattergood, evincing both perception and distraction as an American millionaire and over-indulgent father. Jamie Barton and Thomas Hammons made a convincing royal couple as the Maharanee and her Maharajah, while tenor Sean Pannikkar sang ardently as their son, Kodanda, secretly in love with the sweet-voiced Jennifer Zetlan as Sardula. And oh, those hilarious dancing servants; choreographer Sean Curran, we thank you!

Savage Loose in the City!

The Savage and His Mate

Our next outing brought us to Antonio Vivaldi’s Griselda, representing SFO’s commitment over the years to mixing the baroque with the lyric, the early centuries of opera with the more recent past.  With director Peter Sellars, one always knows that there will be a surprise, and indeed, this staging was no exception. Framed with a massive backdrop painted by L.A. artist Gronk, and with the firm hand of Grant Gershon guiding the orchestra (including a theorbo!), a stellar cast brought this challenging and somewhat cruel story to life in a distinctly modern setting.  As the lowly-born but truly loving Queen Griselda, contralto Meredith Arwady kept her innate majesty intact throughout the series of trials and tribulations imposed by her husband King Gualtiero, sung by tenor Paul Groves. Soprano Isabel Leonard was sweetly innocent as their long-lost daughter Costanza, and in her Santa Fe Opera debut and first ever pants-role as Griselda’s would-be lover, Ottone, Amanda Majeski was silken and persuasive. The embarrassment of vocal riches in this baroque piece includes the rarity of two, yes two, counter-tenors, David Daniels and Yuri Minenko, both ably demonstrating their unusual gifts. The story line and libretto offer concepts of love, loyalty and leadership to ruminate upon, with Griselda’s comment that “the wise helmsman knows the proud fury of the waves” seeming quite apt in these highly-charged political times.

The Royal Family

And a Regal Cast

Our opera week came to a denouement with Alban Berg’s powerful and sorrowful Wozzeck. A revival of the 2001 production mounted by SFO, this season’s production felt fresh and fit the story perfectly, with scenic design that was claustrophobic and crazy by turns. With the terrific Richard Paul Fink embodying the title role, it was impossible not to grieve for this tormented character and his seemingly inevitable fate. Nicola Beller Carbone gave an intense performance as his unfaithful lover, who reaps the nasty consequences of her actions, leaving an orphaned son behind. (As an aside, I take this moment to note how terrific all the child actotrs have been this season; as the opera folk say “Toi, Toi, Toi! to all the kiddies.) Supporting characters were well-cast, with the ever-so-slightly menacing Eric Owens as The Doctor, Stuart Skelton as the self-satisfied Drum Major, and Robert Brubaker as the unnervingly hysteric Captain, who expresses the timely sentiment that he’s “scared for the world when I think of eternity.” Indeed!

Good Soldier Wozzeck and His Captain

Say a Prayer for Doomed Marie

Yes, a marathon of performances is doable, I did it and so can you, since there is still time in which to do it. Although the summer is waning, the Santa Fe Opera season runs through August 27, and rumor has it that tickets are still available. Curtain time for these last two weeks is a very reasonable 8:00pm, and that means you can go to sleep to hear beautiful music in your dreams and still wake up early enough to enjoy the great Santa Fe weather. The soaring chorus may tell us in song that “In this world, all things must change…,” but the glorious musical theater that the Santa Fe Opera brings us every year changes only for the better.

Images by Ken Howard, courtesy of the Santa Fe Opera, all rights reserved.

The Santa Fe Show Pulls into the Railyard Santa Fe

Tuesday, August 9th, 2011 by Santa Fe Red

The Santa Fe Show takes place August 12-15 and August 18-21 at El Museo Cultural, 555 Camino de la Familia, Santa Fe, NM, 505-660-4701

Such a simple title for what is surely a much more complex endeavor! Adding another major art show to the summer, in a town already full of art, is a brave and worthy endeavor. We salute producers Kim Martindale and John Morris, the organizers of the The Santa Fe Show, Objects of Art, for mixing up another color on the palette of art oppportunities for Santa Fe art lovers to enjoy! A group of prestigious partners also deserves commendation for their vision and support, especially in times when wallets are so tight. And best of all, for those suffering a bit from a surfeit of visual stimulation over the last few artistic weeks, this show sticks around for two weekends rather than just one, so there’s no need to fret about the possibility of missing the experience!

Abundance, Image courtesy El Museo Cultural

Taking place at El Museo Cultural de Santa Fe, the rambling space that over the years has welcomed a panoply of local and regional arts organizations to the City Different, The Santa Fe Show brings a thoughtfully curated group of more than 60 vendors presenting unique arts and antiques, and in the process, serves as a handsome and informative complement to the City Different’s traditional Ethnographic Art and Indian Market weekends. This is truly an embarrassment of riches for us to enjoy!  By casting a wide net to capture outstanding examples of work in a variety of media and eras, the show highlights the union of aesthetic importance and design significance of the participating galleries, artists and designers. And as befits a two-weekend show, there will be two opening events as well. The first is a preview party, taking place on Friday, August 12 from 6-9pm, and it benefits the Santa Fe Animal Shelter and Humane Society, a cause dear to pet-lovers, be they local or out-of state. A special event for the second weekend will take place on Thursday, August 18, also from 6-9pm, benefitting El Museo Cultural itself, an institution venerated by local patrons for its support of art, theater and community events, all accomplished on a veritable shoestring budget.

Cowboys & Indians Booth

Theodore Casey Gallery Booth

Sissoko Tribal Arts Booth

Exhibitors at The Santa Fe Show have been vetted as specialists in their fields and encompass a broad swath of the USA, ranging from the urban coasts of  New York and Florida to our Texas neighbors and out to the sunny western shores of California. Huber Primitive Art, specialists in pre-Columbian works will be on hand for those who like to look way back to a more primitive era, as will local favorite, Economos Works of Art, one of America’s most noted Native American galleries.  The eyes can feast on museum-quality works from ancient civilizations presented by Cassera Premieres, and respected expert, Robert L. Parsons Fine Art will be showing antiques, textiles and jewelry, and furnishings and decorative arts from around the globe. And those are just a taste of the treats to be savored by or sold to discerning collectors!

Acoma Jar, Westside Trading Post

Bracelet: Antonio Pineda, Maestros de Taxco

Admission to The Santa Fe Show is $12 per person or $16 for the run of the show (a bargain for those who like to ruminate and return), with children under 16 admitted free. Visitors to downtown Santa Fe can ride the free “Santa Fe Pick-Up” shuttle service to The Santa Fe Show, and the New Mexico Rail Runner Express train’s Santa Fe Depot stop is just a block from the venue. Ample parking is available at the Railyard’s nearby underground garage, and refreshments will be available at The Santa Fe Show’s Café. The location of El Museo also offers a choice of many Santa Fe restaurant options scattered throughout the Railyard area for those who want to turn the images they’ve just seen into a lively discussion over a leisurely dinner. Need a hint? Just contact the Inn’s concierge and let us help you decide where to dine!

Riding the Railyard

You Know It by the Water-Tower!

Railyard Walkers

The appreciation of art is not a luxury, not in any economy…it feeds our souls and our imaginations and makes this world a better place. So make your Santa Fe vacation a better memory – and maybe even go home with an actual memento – by taking time to enrich your sensibilities at The Santa Fe Show.

Images courtesy of The Santa Fe Show and the Railyard Corporation, and all usage rights are reserved.

SOFA Santa Fe

Monday, August 1st, 2011 by Santa Fe Red

SOFA West Santa Fe 2010 takes place at the Santa Fe Community Convention Center located on the northeast corner of West Marcy and Grant Avenue from August 4-7.

No, no, not a seating arrangement…it’s an acronym for Sculptural Objects and Functional Art! And this exciting art fair returns this year to Santa Fe in August to add to the rich panoply of art that summer brings to us every year.

SOFA West returns to Santa Fe!

Taking place at our spacious Community Convention Center from August 4 through 7, SOFA West: Santa Fe is an opportunity for westerners and their art-loving visitors to see what other large art markets (read Chicago in November 2011 and New York in April 2012) deem as praise-worthy representations of the new and unusual in three-dimensional art objects. Last year’s outing was obviously a hit, since the show is up in dealer participation from last year’s 28 to this year’s 35 exhibitors.

The exhibit actually opens on the evening of Wednesday, August 3, 2011, with a frisson of exclusivity, an invitation-only “First Look” private preview for supporters of the Museum of New Mexico Foundation from 5-6:30 pm and SOFA VIPs beginning at 6:30 pm. The invite-only reception will be followed by a new Opening Night Public Preview which begins at 7 pm. Tickets are $50 and will be available on sofaexpo.com or at the door, and the Opening Night festivities continue until 9 pm. General admission to the fair begins on Thursday, August 4 and runs through Sunday, August 7, 2011, from 12 noon to 6pm daily. Tickets are $15 for a single day pass and, for those who just can’t get enough of a good thing, die-hard art aficionados can pay only $25 for the four-day run of the show.

Carol Naylor: Te Mata Peak, ZeST Contemporary Gallery

Jimin Kim: Tracks, Charon Kransen Arts

This year, the Art Fair Company also hosts an exciting addition to SOFA West, by welcoming the Intuit Show of Folk and Outsider Art, which partnered with SOFA Chicago last fall. Outsider art continues to grow audiences with each exposure, and in a town like Santa Fe, with a historic folk art tradition, this show is sure to be of interest to viewers and collectors alike. The Museum of International Folk Art had a stunning outside art show several years ago, which included the work of Martin Ramirez and was a big local hit. The presence of  Intuit brings the leading dealers and galleries of self-taught art and outsider art, non-traditional folk art and visionary art to the exciting artistic mix that SOFA visitors already appreciate.

Martin Ramirez: Caballero on Horseback, Carl Hammer Gallery

Deborah Barrett: Stitched Portrait, The Ames Gallery

In conjunction with the exhibit, SOFA continues its tradition of informative lectures and artists’ demonstrations. There are also a number of special public events that sound quite inviting! On Tuesday, August 2, 2011, at an all-day affair from 8:30 am to 6:30 pm, Dr. Bruce Bernstein, the Executive Director of SWAIA (the Southwestern Association for Indian Arts, host organization of the annual Santa Fe Indian Market) will be leading a tour of the gorgeous Acoma Pueblo, 1 and 1/2 hours southwest of Santa Fe. While the $300 per person cost of the day trip may seem a bit pricey, combining the beauty and rich cultural history of Acoma with a erudite guide like Dr. Bernstein makes this a truly one-of-a-kind experience. For more information or to register, contact Recursos/Royal Road Tours at 505.577.9659.

Acoma, the Sky City

On Friday morning, August 5, 2011, a there will be a private  backstage tour of one of Santa Fe’s cultural mainstays, the Santa Fe Opera. You’ll visit the busy costume shop and props shop, and peer into the inner workings of the talented Opera staff first-hand. The tour begins with a 9:15 am coffee klatsch at SOFA West: Santa Fe, in the lobby of the Convention Center, and transportation to the Opera grounds is provided. This private event is limited to just 40 people, and tickets are $25 per person, obtained by contacting Julie Oimoen at  julie@theartfaircompany.com.

The Crosby Theatre, Santa Fe Opera: Photo Robert Reck

Also on Friday, August 5 at 2pm, gallery clients who have been fortunate enough to receive VIP cards can drop in to the VIP Lounge, where SOFA West welcomes Victoria Price, designer and art historian, for a lively talk about the adventures of collecting art. The daughter of actor Vincent Price and long-term resident of Santa Fe, Ms. Price’s past includes a stint appraising and selling art from various estates and collections, so she has a wealth of entertaining information to share.

SO, now that you know…get off your sofa or out of your hotel room and head to the SOFA West Santa Fe Expo, where your mind and your eyes will be treated to some cutting-edge art that can easily hang above your sofa, adorning your home and showing your art cred, when you get back home.

Gallery photos of artists’ works courtesy of the Press Room page of SOFA West: Santa Fe

Spanish Market = Timeless Santa Fe Travel

Monday, July 25th, 2011 by Santa Fe Red

Summer in Santa Fe is the time of year when we celebrate the deep Hispanic roots of La Ciudad Diferente. It’s a satisfying experience to encounter a place that honors its traditional arts and, at the same time, celebrates the ingenuity of those artistic descendants who are drawn to more contemporary expressions of the heritage.

Spanish Town, Spanish Names!

Spanish Market means many things to many people. For some, it’s enough to enjoy the festive appearance of the Plaza, dressed up to remind us of the enduring legacy of the conquistadors and settlers who braved the ardors of the New World. For others, it may be the food, rich and spicy, tantalizing the taste buds with the thought of fresh green chile yet to come. For most, however, especially steadfast Santa Fe visitors who return annually at this time, it’s the opportunity to see how the artistic heritage of the past lives on today through the hands and the talents of over 200 artists. Delicate straw applique and colcha embroidery are crafts may have waxed and waned through the years, but thanks to a number of dedicated artisans, one can still encounter these humble traditional art-forms today. Painstakingly painted retablos and hand-carved bultos never go out of style, as befits an aesthetic so thoroughly entwined with its religious roots. And the weavers will be there to remind us that the heat of summer will soon enough be followed by the appeal of soft, warm wool.

Intricate Colcha Embroidery: Museum of New Mexico Collection

Presented by the Spanish Colonial Arts Society, Spanish Market is making its 60th anniversary appearance on the Santa Fe Plaza over the weekend of July 30-31.  Market hours on Saturday are 8:00 a.m. to 5:00 p.m.; on Sunday, the Market runs from 9:30 a.m. to 4:00 p.m. In conjunction with the Arts Market itself, chock-a-block with both familiar and new faces, a special Market Mass will be celebrated at our gorgeously renovated St. Francis Cathedral Basilica at 8:00 a.m. on Sunday morning, July 31, at which time the public is invited to the join in the blessing of the Spanish Market art and its artisans.  After the blessing, a procession begins at the Cathedral and winds around the Plaza, led by a cheerful Mariachi band.

The Beautiful Reredo at St. Francis Cathedral

There are a few informative events celebrating the Spanish heritage that will also take place over the weekend. On Thursday, July 28 at 5:30 p.m., a free “Layman’s Lecture About the Saints” will take place at the historic Santuario de Guadalupe, located at 100 South Guadalupe Street.  Lecturer Marina Ochoa, curator and archivist for the Office of Historic-Artistic Patrimony, Archives, and Museum of the Archdiocese of Santa Fe will discourse on the particularly meaningful saints depicted in many of the retablos and bultos one is likely to encounter at the Market.

Santa Fe’s purveyor of  ”todas cosas Espanolas,” The Spanish Table, located at 109 North Guadalupe Street, complements the weekend with two flavorful themed events to honor the Market. On Friday, July 29 at 12 noon, a Spanish sausage sampling complete with a lecture on how to make and cure your own Spanish-style sausages will be presented by Robert Fettig, with Flamenco guitarist Joaquin Gallegos on hand to provide an appropriate musical background. On Saturday, July 30, also at 12 noon, the staff at the Table will cook a gigantic Paella in front of the store.  This is a great time to learn how to make this signature Spanish dish, and you can receive a recipe, ask questions and enjoy!  Best of all, these events are also free to the public!

Paella? Muy Sabrosa!

Spicy Chorizo!

To enhance this rewarding arts weekend, Santa Fe also welcomes the 25th appearance of the Contemporary Hispanic Market, held adjacent to the Plaza on Lincoln Avenue and mirroring the hours of the Traditional Market. With 134 different booths, each featuring a different twist on the Hispanic arts, this is a multitude of riches in and of itself! Those who are drawn to use their talents in newer art forms appreciate this opportunity to exhibit, and both casual and serious collectors enjoy the chance to converse with some of New Mexico’s well-respected Hispanic artists. This display of contemporary Hispanic works showcases individual expression in the mediums of painting, printmaking, sculpture, photography, furniture, jewelry, ceramics, weaving and much, much more. In other words, this weekend is an artistic two-fer!!

Glorieta: Painting by Robb Rael

As with all of the summer Santa Fe Plaza events, the sun will likely be a constant visitor, so pay attention to our summer weather and dress accordingly. That’s the only caveat though, the rest of the weekend is yours to enjoy…or as we say aqui, bienvenidos y disfrutele mucho!

Santa Fe Art This Summer

Tuesday, June 28th, 2011 by Santa Fe Red

Santa Fe richly deserves its artistic reputation, and summer is a season that brings many opportunities to learn why. Free Friday evenings at the museums, First Friday Artwalks at the Railyard and Last Friday Artwalks in the West Palace and GALA Arts District, right off the historic Santa Fe Plaza, may be at the end of the week, but they are just the beginning of an arts experience!

The Santa Fe Plaza: Green Heart of our Town

ART Santa Fe

Now in its eleventh year, ART Santa Fe brings contemporary artists from around the nation and the world to the attractive and welcoming Santa Fe Community Convention Center. At 72,000 square feet, with state-of-the-art amenities, what a change this venue has brought to this particular art scene! Taking place from July 7-10, the broad schedule of events includes a gala opening night Vernissage, as well as the informative and entertaining Art Santa Fe Presents lecture series that features noted art-world critics and cognoscenti.

Art Santa Fe Returns to the City Different

International Folk Art Market

Santa Fe is already renowned for the fantastic collection at the Museum of International Folk Art, and the weekend of July 9-10 brings the International Folk Art Market to the Milner Plaza on Museum Hill. The goals of economic stability and cultural sustainability for global folk arts combine to create a positive inter-cultural exchange that unites artisans and aficianados from around the world. During this festive two-day event, more than 120 select folk artists from more than 45 countries will travel to Santa Fe, where fortunate fans can peruse and purchase unique folk art direct from these diverse artisans.

Santa Fe International Folk Art Market from David Moore on Vimeo.

Spanish Market

No summer in La Ciudad Real de Santa Fe de San Francisco de Asis (Santa Fe’s official moniker) would be complete without this annual celebration of traditional and contemporary Spanish arts. Celebrating its 60th anniversary, the Spanish Market has grown to include far more than the beautiful retablos and straw applique of yester-year; today, collectors can encounter La Guadalupana rendered in computer circuitry or find a pair of far-out bottle-cap earrings. Held on July 30-31, this event is a consistent contributor to the lively Plaza scene.

Santa Fe's Spanish Heritage

SOFA West

Many art-lovers are already aware of the annual SOFA (Scultpure Objects & Functional Art) shows that take place in New York and Chicago, and three years ago, SOFA arrived in Santa Fe seeking western exposure. Taking place from August 4-7, SOFA West brings international, gallery-curated exhibitions of work that present the very best in contemporary fine art and design. This year, the Intuit Show of Folk and Outsider Art will come along for the ride with SOFA West, adding the leading dealers of outsider and non-traditional folk art to this exciting artistic mix.

Indian Market

If you haven’t already made your reservations, attendance at the 89th annual Santa Fe Indian Market will require some timely effort on your part and could even necessitate a stay in Albuquerque, as Santa Fe hotels frequently sell out! There is nothing quite like seeing the diverse Native faces from around the nation, all gathered in one place to celebrate their arts and culture. Silver jewelry flashes, beads jingle, and lots and lots of wampum changes hands in a very short period of time. This year’s market takes place on the weekend of August 20-21, and if you already have all your travel plans in place, include making advance dinner reservations as part of your planning – we can help!

The Many Faces of Indian Market: Photo SWAIA

The Houser Compound

If you have a car, we encourage a visit to the Houser Compound, the home of the noted Apache artist, Allan Houser. Located about 20 minutes south of downtown Santa Fe, this pristine plot showcases a treasure trove of works by the late sculptor in a gorgeous landscape setting. And it can even be reserved for private events, such as weddings and birthdays!

We Sing the Praises of the Houser Compound

Shidoni

For sculpture closer to town, just seven miles north in Tesuque, you’ll find the Shidoni Sculpture Garden, which holds work by many local and national artists, all arrayed in a petite river valley just minutes from the Plaza. The Shidoni Foundry also invites visitors to observe bronze pourings, typically on Saturdays, although the schedule is not always firmed up until the Friday before.

We invite you to enjoy an artistically engaging stay in the City Different!

Santa Fe Summer Music

Monday, June 20th, 2011 by Santa Fe Red

Santa Fe Sunsets are Sublime

As the days grow longer, the brilliant blue skies are laced with clouds, and the sunsets grow more dramatic. This means summer is here, and there’s more to do in the City Different! We know that one of the things visitors enjoy most about our unique little city is the relaxed pace of life, the feeling that whatever does not get accomplished today can always wait until manana. Santa Fe embodies a lifestyle that allows one to thrill to glowing skyscapes and enjoy morning strolls in the cool morning weather…..but as summer arrives, so does the diverse musical scene for which the city is known. Here are a few ideas of how to create a aurally awesome vacation!

The Santa Fe Opera

Renowned for good reason, this outdoor theater brings great music and theater to life in Santa Fe from July 1 through August 27 this year. A mixture of classics and premieres guarantees that there will be something from the opera repertoire for everyone to enjoy at the beautiful Crosby Theatre. Chief conductor Fredric Chaslin opens the Santa Fe Opera season on July 1, with a new production of Charles Gounod’s Faust, and Giacomo Puccini’s perennially popular La Bohemeopens on July 2. Renowned director Peter Sellars comes back to Santa Fe to direct the first American staging of Antonio Vivaldi’s Griselda, and audiences will be entertained with a new production of Gian-Carlo Menotti’s grand opera buffa The Last Savage. Completing the schedule will be Alban Berg’s Wozzeck,returning to the Santa Fe Opera stage for the first time since 2001. For guests without a vehicle, the Opera shuttle will pick guests up at the Inn and return them after the performance (reservations required with a credit card). The Opera Guild hosts a buffet dinner before the performances (again, reservations are required), with an entertaining lecture to prepare for the ensuing performance, and those who prefer the casual nature of tailgating can reserve a picnic to pick up right at the Opera grounds. Daily backstage tours take place Monday through Saturday (a mere $5 Monday-Friday and free on Saturday) until August 27 and depart from the Box Office at 9 a.m. And when the Opera brings down its curtain at the end of August, the stage belongs to the one and only Willie Nelson, appearing there in concert for one night only, September 17.

Tailgating at the Opera

The Santa Fe Chamber Music Festival

Now in its 38th season, the Santa Fe Chamber Music presents a roster rich with concerts of depth and intimacy each week from July through August. These are performed in the Lensic Performing Arts Center and the St. Francis Auditorium. The inspired artistic leadership of composer/pianist Marc Neikrug brings both distinguished musicians and emerging young talents to the City Different during the 6-week Santa Fe season. The Composer-in-Residence program, inaugurated in 1976, encourages a free flow of communication among composers, musicians, and audiences through premieres of commissioned works and concert performances of a composer’s other works. In 2010, the Festival also inaugurated an exciting new Artist-in-Residence program to showcase the special talents of specific artists, and this year’s honored guest artist is the fantastic soprano, Dawn Upshaw, a familiar voice from her Santa Fe Opera performances in the past. By offering open rehersals, the Festival provides a wonderful opportunity to see how a particular performance takes shape before it is presented to the concert-going public. Many performers return year after year, and local favorites like the Orion String Quartet and pianist Ceclie Licad will be on the stage again this summer. That Santa Fe music fans truly value the Festival is evidenced by the many committed volunteers who spend their evenings ushering, pouring coffee or handing out tickets.

People + Plaza + Performers = Pleasure!

Summerscene on the Plaza

If a more casual musical scene is appealing, the ever-popular Santa Fe Bandstand concerts offer free mid-day and evening performances from early July through the middle of August, right downtown on the historic Santa Fe Plaza. Concerts take place Monday, Tuesday, Wednesday and Thursday evenings at 6pm, and on Monday and Wednesday afternoons at noon. Local and national performers run the gamut of musical genres from Native American to world music, and you might even see some swing dancers strutting their stuff. You can bring a lawn chair or a blanket, with your own picnic or with food from vendors on and around the Plaza area. Music-loving locals will be out in force, and this is a great time to see the range of residents, young and old, all drawn to the City Different for different reasons.

Music on the Hill at St. John’s College

Yet another popular outdoor musical experience is the St. John’s College Wednesday evening music series, running from early June into July, with a 6pm concert time. Experience suggests an early arrival since parking is minimal, although Santa Fe Rapid Transit will run shuttles from Museum Hill every 15 minutes from 5-9pm. Walter Burke Catering will be selling food, but you can also just bring your own picnic!

The Lensic: One of Santa Fe's Real Gems!

The Lensic Performing Arts Center

And let’s not forget the Lensic! As if we could…Santa Fe is so grateful for the panoply of events that take place in our beautifully restored Performing Arts Center. In between chamber music concerts and readings, individual performers and groups will hold sway throughout the summer, with the New Mexico Jazz Festival and the Santa Fe Desert Chorale appearing in July and the Santa Fe Concert Association celebrating its 75th anniversary season with a gala concert in August.

Music lovers love Santa Fe, and we love to have them enjoy with us the many melodies made here! Feel free to call us here at the Inn for more information about events this summer; it’s our pleasure to help you make sweet music out of a Santa Fe vacation!

Santa Fe History, Living and Thriving

Wednesday, June 8th, 2011 by Santa Fe Red

El Rancho de las Golondrinas, 334 Los Pinos Rd, Santa Fe 505-471-2261

http://golondrinas.org/Museum_Info/Driving_Directions/index.html

El Rancho de las Golondrinas

Just south of the city of Santa Fe, visitors can find a beautiful and unique place that seems almost unchanged by the winds of time. At the same location for over 300 years, El Rancho de las Golondrinas, the “Ranch of the Swallows,” is one of the most historic ranch properties in the entire southwest. An official rest stop on historic El Camino Real, which led from Mexico City through the desert of Chihuahua to the provincial capital of Old Santa Fe, Golondrinas welcomed and comforted many a weary traveler taken with the charms and challenges of the New World. In 1710, the massive ranch was subsequently acquired by Miguel Vega y Coca, and as his daughters intermarried with La Familia Baca, the property was passed down through the years to their descendants.

In its present-day incarnation, El Rancho de las Golondrinas came into being as a vision of the Curtin-Paloheimo family, who acquired the property in the early 1930s. Their dream of bringing the history of New Mexico alive to the descendants of the people who created it led to the renovation of existing historic buildings,  the construction of historically accurate structures  on old foundations, and the transfer of related buildings from other New Mexican sites. On encountering Golondrinas today, visitors will find an 18th century placita house complete with defensive tower, a 19th century home with all of its outbuildings, a morada, a molasses mill, a threshing ground, several primitive water mills, a blacksmith shop, a wheelwright shop, and a winery and vineyard, all combined to create an intriguing and authentic depiction of the many elements essential to a frontier life in early New Mexico.

Penitente Morada at las Golondrinas

At its heart, the mission of Golondrinas is to create a respectful understanding of the language, culture, traditional arts and proud history of Spanish Colonial, Mexican and Territorial New Mexico. In short, la herencia, heritage! Particular emphasis is placed on its use as an educational facility, and teachers and students are welcomed throughout the year for tours, workshops, seminars and unique learning experiences. The many events held at the ranch provide visitors with an unrivaled sense of Santa Fe’s past, along with satisfying the western dreams we all seem to have at one time or another.

The Acequia - NM's Lifeblood

New Mexico Farming, the Acequia Way

This week, the Authentic Guide is delighted to feature an interview with one of Santa Fe’s truly knowledgeable and dedicated museum professionals, John Berkenfield, Executive Director of El Rancho de Las Golondrinas.

John A. Berkenfield, Executive Director of El Rancho de las Golondrinas

How did you find your way to Las Golondrinas, and what keeps you there?

I came here for the first time in 1984. I had spent my whole life vacationing in exotic places, since I worked in the international offices of IBM and was able to combine business trips with pleasure. Based in Paris, I was responsible for the public face of IBM abroad, with responsibility for how the company appeared in 167 different countries. I knew the U.S. on the coasts, but didn’t know anything about the SW. We took a trip to visit my nephew, who was a park ranger at the Grand Canyon, and we hiked down to the bottom of the canyon and camped. He said if you like this, you have to go to Santa Fe, so we came out and just fell in love with it. We came in April 1984, after leaving the cold of the east and we walked onto the Plaza where there were kids on skateboards in light jackets and mountains that still had snow. I said to myself, am I hooked, and from that point on I just plotted how I could get out here permanently. At the time, my last child was finishing college, and IBM offered me a retirement package that I could not refuse. I knew that as of June 1989, we would be free to pursue our Santa Fe dream. But I am a person who has to work! I have to have some purpose, and I love it when people depend on me. Since Mrs. Paloheimo had Colorado roots, the ad that Las Golondrinas placed for a Director of Development appeared in the Aspen Bugle, as well as the Wall Street Journal, the New York Times and the L.A. Times. A friend living in Aspen saw the ad and sent it to me. I’m a lifelong art collector with an advertising and promotional background, and this sounded perfect to me, so I applied and got a call back from Rex Arrowsmith, a noted Indian art dealer who was on the search committee. I came out for an interview, and I wasn’t on the property more than 100 yards before I was hooked. It was February, and yet I came home with a sunburn! Probably 120 people had applied for the job, but I was fortunate in that I didn’t need benefits (which Las Golondrinas could not provide at the time but has rectified now) or the higher salary that the other 119 other people apparently required.

Our Lovely Santa Fe Plaza Turns Visitors into Residents!

I had 10 years to get to know Mrs. Paloheimo, and her views still have enormous weight on how we do things at Las Golondrinas. She always said, “Never make it so expensive that poor people can’t afford to come.” and that still motivates us. We have tried to think on a par with the local museum system, but, with Mrs. Paloheimo’s words of advice in mind, we offer free admission to kids under 13, which makes it easier for whole families to visit.

Las Golondrinas is perfect for me, because I love places where I don’t really understand what is going on, places where the face is not the same as the interior. There are still depths and complexity that I find fabulously interesting.

IBM was like a giant ship. If you equated my job there to that of a helmsman, when the captain said “turn left,” I would take the wheel and after several years, the ship would finally be headed off to the left. I could plant lots of seeds, but they didn’t grow for 3 years or so. At Las Golondrinas, the boat turns immediately to the left at the helm’s action, and the results are immediately known. When an ad runs, we see attendance jump the very next weekend. Lowering entrance fees gives an instant response.  It’s a changing palette every day, and I love that. I’m never bored, and I get to meet an awful lot of nice people.

We’re an event-oriented institution, and I like those extravaganzas. When I first arrived, we had only 3 events per year, now we have 11 annually. We were only open 16 days/year when I came, now we have 7 months to show our stuff, thanks to our tenured staff and dedicated volunteers. The combination of short-term gratification and program-driven events, the ability to make change and see that change quickly have a profound impact on the health and vibrancy of the organization – I like that.

What are some of your favorite annual events at Las Golondrinas?

Asking that is like asking me to choose my favorite child! The latest event generally tends to be my favorite. I enjoy the traditional events, helping to make the event meet the demands of the mission statement, which is basically “Don’t turn Las Golondrinas into a Disneyland.” Even the wine festival has to fit. The wine event is memorable, because grape-growing was one of the earliest agricultural crops brought to New Mexico by the Europeans. Harvest fest I love because we make our own wine, and that time of year is richly steeped in traditions. I love the Renaissance Faire because I love to see the happy children.  But if I had to choose one, I really do love Viva Mexico, because I like Mexico and the brightness and the color and the vibrancy of their arts and culture, and it shows so well up here.

Renaissance Faire Fun

Toasting Golondrinas!

Que Viva Mexico!

What events would you develop at Las Golondrinas if you had unlimited funds?

If  money was not limited, I would not put it into more programs, because I don’t feel we are limited in events, we are limited only by our imagination. What I would like to see which we don’t have now is a “Casa de los Ricos.” We are very good at interpreting how poor people lived in the 1700’s and 1800s, but I’d love to have a way to show how wealthy people lived in the 1800s.  Of course, at today’s prices, it would be very easy to spend half a mil to build the kind of impressive house that would demonstrate how the wealthier people lived.

Home on the Range: Not Exactly the High Life!

In terms of infrastructure, I’d also like to have a better stage for performances! I would also love to pull all the animals into a pasture that is more accessible to our visitors. Of course, we would need to add trees for shade for the animals and the visitors!

Is there a particular talent on exhibit at Golondrinas that you wish you possessed? Blacksmith, weaver, farmer? Or do you have a secret talent of which we are unaware? (We already know that you are the consummate Renaissance man!)

I don’t have any talent whatsoever! My talent is capitalzing on the work of others. I worked for a Swiss guy who told me “You have a unique ability to make things happen.” (Mr. B, you should know that your talent certainly serves El Rancho de las Golondrinas very well!) I so admire the skill of people who make things out of wood, the bulto makers, the furniture-makers, and if I could wave the wand, I’d like to have wood-working skills.

Wood-working Skills Were Required!

What books would you recommend to those who wish to learn more about New Mexico history?

Any of the books written by Marc Simmons! If your context is about learning NM history, I consider Marc to be the state’s historian laureate. When I was hired, he sent me a box of his books (signed copies!), which I treausure. Of late, a single book I would recommend is Hampton Sides’ Blood and Thunder, which paints the territorial era of the Southwest with a wide brush – it’s very readable, almost like fiction. Lots of the fiction writers also make our history come vividly alive, Willa Cather, Rudolfo Anaya, and Tony Hillerman. I enjoyed Pam Christie’s Dead Lizards Dance, about the Anza era.  I enthusiastically recommend Nasario Garcia’s books about the folkways of NM, superstitions and brujas, all portrayed in such an engaging way – he’s a wonderful writer, short and to the point, just captivating.

If you could go back in time, what era of New Mexico history would you choose to experience?

That is easy for me, it would be the time of the explorers. I would have loved to come up with Coronado in 1540 or with Onate in 1598, to have had the adventure of coming up and seeing this place for the first time. I also wouldn’t mind being here in the early settlement era, the Anza-Peralta era.

Not All Survive the Adventure

Is there a historical New Mexico figure whom you wish you had met?

I’m drawn to the artists, not the villains, though it would have been fun to have a whiskey with a New Mexico villain! Meeting Maria Martinez would have been wonderful, and I did meet Allan Houser, and some of the Native potters at the ends of their lives. The painters from the 1920’s and 1930’s were colorful characters, goofy and extremely talented. But the Native American leaders most fascinate me, even those identified with other states.  Geronimo was a figure whom I enormously admire, the Plains chieftains like Sitting Bull and Crazy Horse, I would have loved to known Manuelito.  I can’t imagine how horrendous their lives were following the arrival of the white man, when their existence was shattered in the blink of an eye. As leaders, those men had challenges that were absolutely extraordinary, and I would have liked to be a fly on the wall in their pow-wows.

Do you have a spot on the Golondrinas property that you find especially inspiring?

When I first came to Las Golondrinas, I lived on the ranch, since we had bought a house that wasn’t quite finished. I was alone, since my wife had not moved out here yet. There are some houses outside the historic zone on a hill overlooking the ranch, and I lived up there in Torreon House. I used to walk after work at night, and I would walk down all alone to the mill pond area in back of the big mill and along the paths that go around in back, which now run up to the property that the Santa Fe Botanical Garden leases. That area has wonderful water, and the bird life is fabulous. It was really nice to go down around 7pm with a margarita and sit on a rock overlooking the mill pond watching the fish and the long-legged birds with their long bills. It’s still my favorite place.

The Water-Powered Mill

On the actual historic zone of the ranch, my favorite spot is the Sierra Village I think it’s the loveliest little spot on the ranch. Our historic zone is 200 acres, and we have 400 more contiguous acres, but people don’t get to go see that very often. The watery parts, the marsh and the ponds are among the loveliest parts of the ranch.

Sierra Village Gardening

The New Mexico state question: Red or green, and where?

Whichever is hottest, I’m for hot! I don’t have favorite restaurant, but I love to go to Maria’s. One of the advantages of a small town is that you know lots of people, so you may know the owner or the chef. I never used to think that Santa Fe was a culinary mecca, but now I think there are incredibly good places to eat, and depending on your mood, you can certainly find what you are looking for.

Ready to head south from your comfy Santa Fe hotel for a trip to Las Golondrinas? Easy to find, and so worth a visit! Thank you, Mr. Berkenfield, and we’ll see you this summer!

Sound as a Pound at the Santa Fe Opera!

Sunday, August 1st, 2010 by Santa Fe Red

The Santa Fe Opera presents Benjamin Britten’s Albert Herring with six performances: 7/31 (Premiere); 8/4; 8/13; 8/18; 8/21; and 8/25. For tickets: Call 505-986-5900


“All Hail, Albert!” After last week’s stunning premiere of Lewis Spratlan’s’ Life is a Dream, one might think that the Santa Fe Opera has nothing else up its proverbial sleeve. On the contrary, old chap! The first-ever Santa Fe production of Benjamin Britten’s Albert Herring hit the boards with gusto and is sure to be a hot ticket! A rare comedy by Britten, Albert Herring is a real inversion of the dramatic tension Santa Fe audiences encountered with SFO’s productions of Britten’s  Peter Grimes and Billy Budd in recent years. With its broadly-drawn English stereotypes and exuberant antics, this is a 20th century opera that will be accessible and appealing to anyone familiar with Monty Python or BBC comedies. Despite the obvious humor, however, themes that occupied Britten throughout his life are evident in this entertaining tale of a sensitive soul unconsciously yearning to be free. Community relationships and hierarchies, the dilemma of being on the outside of the in-crowd, and the perils of both innocence and dishonesty are endemic in Britten’s work. Although some might consider Albert Herring a lightweight work compared to Britten’s more hauntingly serious compositions, this opera fan thinks there is nothing wrong with a good laugh embedded in music of such beauty and complexity.

Florence Pike and Lady Billows

In Search of a May Queen

Set in the imaginary village of Loxford, the story involves its characters in the hunt for a Queen of the May, at a time when there seems to be a dearth of worthy young women of high moral character to accommodate the need. With ten major roles to fill, director Paul Curran (responsible for the terrific production of Britten’s Peter Grimes in 2005) came back to Santa Fe able to tap into some magical pool of talent, as the entire cast, and the casting, was top-notch. Not only were the voices superb, so was the acting, and its always such a pleasure when the pleasure is complete. Magnificent soprano Chrstine Brewer, who first appeared in Santa Fe in 1999, embodies Lady Billows, the village doyenne, to perfection. One wouldn’t want to cross this majestic representative of the British ruling classes, and her hovering minions certainly accommodated with appropriate subservience! As Florence Pike, her housekeeper and gossip conduit, Jill Grove combined verve and bawdiness in equal measures for her rich portrayal. The role of Teacher Wordsworth, frantic and fluttering, brought silver-voiced former apprentice Celena Shafer back to the Santa Fe stage. And the surprise casting of first-timer Jonathan Michie in the role of Vicar Gedge was every apprentice’s dream, when Wayne Tigges, formerly cast in the role, had to step into a role in The Tales of Hoffmann at the last minute. Mr. Michie has the voice and the acting chops to take him places beyond Loxford! Robustly rounding out the coterie of Lady Billows’ dogsbodies were Dale Travis as Police Superintendent Budd, suitably officious, and Mark Schowalter as Mayor Upfold, suitably eager to please.

May Day in Loxford

All Hail Albert!

The roles of the village folk also demand high quality singing, and none disappointed. The three village children were comprised of one real child, Richard Schmidt (kudos to this brave lad), and two apprentices, Erin Sanzero and Jamie-Rose Guarrine, all childish glee and high jinks. Joshua Hopkins as the butcher’s assistant Sid, exuded easy charm and a ringing baritone as he courted the light-hearted baker’s girl, Nancy, sung by Kate Lindsey, already receiving deserved acclaim this season for her portrayal of Nicklausse in Hoffmann. It is pure delight to see and hear Judith Christin, a much-loved regular in Santa Fe, return to us with her zesty and entertaining comic turn as Albert’s mother, Mrs. Herring. Welcome home, Ms. Christin, nuestra casa es tu casa! And as Albert Herring himself, pure as milk, timid as a lamb, Alek Schrader, making his Santa Fe Opera debut this season, won not only his 25 sovereigns as King of the May, but also the hearts of his audience as he finally breaks out in the only way he can, “a wild explosion!” This is quite an energetic feat when one considers that he is also appearing as Tamino in The Magic Flute. Such youthful stamina is much appreciated!

Albert Before....

...and After!

The orchestra shone under the baton of Sir Andrew Davis, Music Director of the Lyric Opera of Chicago, making his Santa Fe Opera debut in this production. Trust a proper English gentleman to stroke the funny-bone of the score, which was by turns, lilting, bracing, somber and achingly sweet. Director Curran obviously understood when to make us laugh and when to make us sigh, and there was much of both. The scenic design and costumes of Kevin Knight were entirely appropriate and could have come right out of Galsworthy, with subtle and effective lighting design by Rick Fisher setting the mood on a temperate Santa Fe evening (temperate for those of us who attended the dress rehearsal, that is, since the Saturday premiere featured prominent roles played by lightning, thunder and rain!).

Evening Skies at the Opera

“All Hail, Albert, Long May He Reign!” A satisfying sentiment indeed! All Hail, John Crosby, for the visionary beginnings that brought us to this present moment. And Long May SFO Reign, a lovely likelihood under the able and attentive stewardship of General Director, Charles McKay. Get your tickets quick, only five more performances, and this is a can’t-miss!

All Santa Fe Opera photos by Ken Howard, with all rights reserved.

Life IS a Dream in Santa Fe

Sunday, July 25th, 2010 by Santa Fe Red

Dream or Reality, Come Hear for Yourself

Life in Santa Fe is certainly dreamy in general, but even we who live in this southwestern dreamscape need the escape from reality that great art provides. Big dreams in the arts can pay off big time but there are no guarantees. What can you say about an opera company that would give up additional performances and guaranteed sell-outs of a production such as Madama Butterfly or The Magic Flute in favor of the challenges of a new production? I am referring, of course, to our own Santa Fe Opera and its continued commitment to new work, which this year has resulted in the world premiere of Lewis Spratlan’s Life is a Dream.

Segismundo Crowned a King: Dream or Reality

Based on a Calderon masterpiece of the Golden Age of Spanish Drama, this new opera by Lewis Spratlan won the 2000 Pulitzer Prize in Music and is finally in production, 35 years after its inception, thanks to the adventurous spirit that has ruled in Santa Fe from the humble beginnings of our beloved opera company. An exploration of provocative questions about the nature of perception and reality, this story in song lets us consider issues that have endured through the ages to this day. Celebrated conductor Leonard Slatkin and director Kevin Newbury have assembled a stellar cast of singers and designers, and the serendipity of Santa Fe’s 400th anniversary adds New World zest to the enjoyment of this dramatic work from Old Spain.

Woman's Compassionate Heart

Beauty Calls Forth Man

So much in this production is timely and demonstrates how certain aspects of civilization remain constant.  Concepts regarding how to rule, fear of the future, injustice, compassion, awareness of the natural world and the notion of Maya (life as an illusion), all these play a part in this grand drama. Both the composer and his librettist, James Maraniss, sought poetry – in fact, Mr. Spratlan says that “Poetry is the gunpowder for a composer” – and the text and the orchestra work seamlessly to bring the power of their poetry to life. Certainly, these are not the melodic strains that an evening of  Mozart might provide, but the wild ups-and-downs of the vocal lines and the eerie sounds emanating from the pit seem so apt for this tale of political intrigue and family drama.

King Basilio

The Nobleman Clotaldo

I found the casting to be appropriate and the acting genuinely convincing. Tenor Roger Honeywell, who debuted here in 2007 with another premiere (Tea: A Mirror of the Soul) returns to Santa Fe as Prince Segismundo, who must find a balance between his early life and his future, reality and the dream world. As his father King Basilio, bass-baritone John Cheek makes his Santa Fe debut as a ruler who wants to preserve the harmony of his kingdom but makes the fraught decision to take an omen as fact. Also back this year as the nobleman Clotaldo is baritone James Maddelena, who has enjoyed success in a number of avant-garde roles (think Nixon in China, as well as last year’s premiere, The Letter, in which he made his Santa Fe debut). Soprano Ellie Dehn makes her first appearance in Santa Fe in the pivotal role of Rosaura (with a simply beautiful aria at the end of the second act).  The shoes of the jester Clarin, who functions as jesters always do, with both humor and incisive insight, are ably filled by Keith Jameson, familiar to Santa Fe audiences from tenor roles past as well as his tenure as an apprentice. And apprentices function critically too, as Carin Gilfry, in her second year in the apprentice program, provides an archly amusing performance, along with baritone apprentice, Craig Verm, suitably scheming and somewhat oily. The chorus, as always, adds depth and vocal color, and Mr. Slatkin keeps the tip-top orchestra at the top of its game. And even though my life would be a dream if I am reborn as an opera singer (anybody listening?), I did not envy these performers the vocal challenges they worked to master in their roles!

Man or Beast?

The Counsel of a Wise Fool

Of course, this being Santa Fe, the summer weather played its part perfectly, with lightning and thunder thoughtfully adding theatrical effect as the house lights went down with the thermometer. Safe and warm in our seats in this beautiful covered outdoor theatre, we were able to engage fully with the dramatic power of this story. The expert lighting and starkly minimal and modernist stage settings provided just the right background and mood and offered a satisfying juxtaposition to the attractive costumes, evoking the Spanish court, but with unusual headresses that echoed the impending industrial age.

Life as a Dream presents the Drama of Sky and Stage: Photo by Paul Horpedahl

So, what do we say about this gutsy troupe turning its back on extra performances of the bankable known for an operatic voyage into the unknown? We say, “Bravo!” No surprise from this compelling company dreamed up in the high mountain desert by John Crosby! And what do we say to those of you who might want to take this voyage with them? We say get your tickets now, because there are only five chances to have this dream yourself. As Segismundo sings “Whether it’s real or not, to act well is what matters,” and the Santa Fe Opera has made it matter!

Santa Fe Opera Photos by Ken Howard (All Rights Reserved)

Disclaimer: Red is an art school graduate with a passing acquaintance of the piano, but is not a music critic! Here is what the real music critic says: http://www.nytimes.com/2010/07/26/arts/music/26dream.html?ref=anthony_tommasini

Santa Fe Spanish Market means La Herencia!

Wednesday, July 21st, 2010 by Santa Fe Red

Santa Fe Plaza: El Corazon de Santa Fe

The 59th Annual Summer Spanish Market takes place from 8am to 5pm on Saturday, July 24 and 9am to 5pm on Sunday, July 25 on the Santa Fe Plaza.

Each year, Santa Fe celebrates 400 years of Spanish heritage with the annual Spanish Market. While this event has both a summer and a winter incarnation, it is the July event that has the largest attendance.  That being said, those who want the culture but not the crowds, should consider returning December 4 and 5 for more leisurely looking, as well as a chance to enjoy the City Different in her holiday attire. Either way, the once-intimate Spanish Market has evolved into the largest exhibition of traditional Hispanic Arts in the United States, and since 2010 celebrates the 400th anniversary of our fair city, the 59th summer market should be muy bueno!

The traditional arts of Spanish New Mexico feature a broad array of materials and methodology, from sweetly simple straw applique to finely-carved and embellished Santos. The artisans of this culturally-rich but economically-poor region have historically used materials that were close at hand, since it was difficult to justify art supplies when resources were so slim. The state’s late entry into the U.S. was a blessing in disguise in terms of retaining the cultural authenticity found in these native crafts.

Traditional Straw Applique

Traditional Micaceous Pottery

Traditional Retablo

Spanish Market is a time for dedicated fans to add new items to their collections and for neophytes to receive a comprehensive introduction to the artistic heritage of the region. It also offers the  opportunity to speak directly with the artists about their creations, to learn if this is a family tradition or a new artistic adventure, to discover the history of an individual  medium, or to simply hear about a local’s favorite place to buy or eat green chile.

Participating artists are required to be of Spanish descent, and many are part of a family tradition that keeps the spark of la herencia alive by teaching the next generation both the artistic process and the respect due to the culture. Young artists have always been a part of Spanish Market, with a section specifically dedicated to emerging artists. The annual judging for Spanish Market includes the choice of one young exhibitor’s work to be used for the Winter Market poster. Buying a piece from one of these eager youngsters is a generous opportunity to support their desire to be part of the heritage with the possible bonus of owning an early work by a future master!

Moonlite by Robb Rael

The pool of both emerging and established artists includes those making contemporary pieces, since the event encompasses a Contemporary Hispanic Market, celebrating its 24th appearance as part of the festival. This exhibition takes place on Lincoln Avenue and is a showcase for Hispanic artists with a contemporary bent, showing painting, sculpture, jewelry and pottery.

In recognition of the religious heritage of New Mexico, there is a special Spanish Market Mass, naturally celebrated in Spanish, at the Cathedral Basilica of St. Francis on Sunday morning at 8:00am. Other unique events include a Friday night members-only preview at the Santa Fe Community Convention Center from 6:00-9:00pm for those who hold membership in the Museum of Spanish Colonial Arts. Other special events include an Emerging Artists Panel Discussion on Tuesday, July 20 from 5:30-6:30pm at the Museum, at which Curator Robin Gavin will talk with young adult artists Rose Leitner, Craig Moya, and Tomas Salazar y Weiler about their lives and their art, concluding with questions from the audience. Also at the Museum, on Wednesday, July 21 from 10:00-11:00am, former Museum Director, William Field, will lead a discussion on how to buy at the market based on his years of experience, useful advice indeed.

Cathedral Basilica de San Francisco de Assis

Reredo de La Conquistadora

If you love art and you love history and you love New Mexico, this weekend will satisfy on all accounts, and of course, as befits any Santa Fe fiesta, there will be food, music and dancing to satisfy those desires too! Hasta la Vista!

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