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New Mexico Studio Tours

Tuesday, September 27th, 2011 by Santa Fe Red

One of the best things about autumn in New Mexico is the chance to wander to the artists’ studio tours that occur throughout the fall months. Not only is the weather truly superb, one can meet the artists, see their studios AND buy art direct from the artist without gallery fees…a real win-win! The month of October is prime time for weekend art touring and golden aspen viewing both.

Autumn Gold

The arts touring season starts the weekend of October 1-2, in the beautiful New Mexico village of El Rito, easily one of the prettiest spots up north. With 25 years under their belts, this bunch of artisans has it down. From weaving to santeros, painting to pottery, you’ll find much to admire from the 26 participating artists.   Two venues are also stops on the new, state-wide New Mexico Fiber Arts Trail, those of Julie Wagner (#3) and Northern New Mexico Community College (#5), which boasts a fiber arts program. Yes, this pristine little village does have a college….and let’s not forget that El Rito Library promises “Death by Chocolate” desserts!

House Facade: Photo by Larry Sparks, El Rito

El Rito Studio of Michael Hennerty

October 8-10 (since Monday is Columbus Day, this tour has an extra!) welcomes art lovers to the village of Abiquiu, long renowned as Georgia O’Keeffe’s choice for the best New Mexico real estate. With 34 stops along the way, the Abiquiu Studio Tour is always well-attended, not only for the art but also for the natural beauty of the region. One can easily spend hours up north, what with O’Keeffe’s residence and Ghost Ranch both in the area. While reservations must be made in advance to tour the O’Keeffe home, the glories of  Ghost Ranch are evident for all who care to go there.

Mujeres del Campo by Armando Adrian-Lopez, Abiquiu

Ruina del Santuario, Abiquiu: Photo by Armando Adrian-Lopez

The Galisteo Studio Tour claims the following weekend, October 15-16. Just a short drive from downtown Santa Fe, the tour is celebrating its 24th year. 31 stops guarantee a variety of works, and the close-in location means you can ruminate on a piece of sculpture or a painting and then return the next day after you’ve dreamt about how it will look when you bring it home. Four food stops mean snacking is possible. And while the art doyenne of Galisteo, Priscilla Hoback, is not participating in the tour this year (since her studio time this summer was spent instead in a restaurant kitchen, bringing the venerable Pink Adobe back to life), you may see her chatting with visitors from the swing on the front porch of her studio!

The Hoback Studio in Galisteo

Sculpture by Candyce Garrett, Galisteo

The Dixon Studio Tour hunkers down and waits until November 5-6 to have the weekend to itself. If you’re taking a day trip to Taos, stopping in Dixon for a spot of art is definitely worth the short detour. 30 years is a long time to perfect the occasion, and the Dixon artists open their tour with a reception on Friday, November 4 at 7:00p.m. just to get the creative juices flowing. 35 studio stops, roving musicians, food, and believe it or not, there’s even a winery for tastings!

Art and nature…it’s easy to see why the light and the landscape have drawn so many creative souls to northern New Mexico…take time to enjoy an autumn drive and discover for yourself!

Autumn at the Inn: Photograph by Eric Swanson (all rights reserved)

Santa Fe Opera Marathon

Monday, August 15th, 2011 by Santa Fe Red

The Santa Fe OperaHighway US 84/285

For tickets: Box Office 505-986-5900 and 800-280-4654, or by email boxoffice@santafeopera.org

Truth be told, my outing was actually a trifecta, rather than a marathon, but perhaps you’ll get the idea. Over the years, I have wondered what it would be like to attend multiple performances in a single week at our wonderful Santa Fe Opera, so I took finally took the opportunity to learn for myself.

John Crosby's Brilliant Idea

Every year, the opera offers subscription rates that are a good 20% lower than standard prices, and these options include a trio, quartet or quintet of performances. Since the box office is both intelligent and understanding, these performance blocks always take place in August, when the curtain time drops down to 8:30pm for the first two weeks and then to 8:00pm for the last two weeks. If you know you’re up for a full dose of grand music, then this is definitely the way to go!

With my faithful opera companion in tow, I started this opera trifecta with The Last Savage, Gian Carlo Menotti’s forgotten opera buffa, premiered in 1963 at the Opera Comique in Paris. Aided by the able stagecraft of all departments, Director Ned Canty has boldly brought this neglected gem back to life. Simply put, entertainment in spades! Fluffy, yes, but stuffed with characters and ideas that make one think and so beautifully sung. In fact, we loved it so much, we went back again, bringing an 11-year-old for her first SFO experience, as this production is a perfect introduction to the joys of opera.

Let's Look at the Story

I make a point of not reading the program before I see the performance, but even without seeing the credits, as the lights went down and the sprigtly sounds floated up, years of attendance at SFO told me immediately that the talented George Manahan was in the pit for The Last Savage.  Baritone Daniel Okulitch was alternately touching and tough (and buff!) in the role of Abdul, the aforementioned Savage, who learns the difference between the savagery of the jungle and that of the city, discovering that he wants “no more of your false light that so deceived me.” Listening to Anna Christy, the soprano who “tames” this savage, one is simply awed by the big voice coming out of this single-minded little package.  Kevin Burdette gave an amusing performance as Kitty’s father, Mr. Scattergood, evincing both perception and distraction as an American millionaire and over-indulgent father. Jamie Barton and Thomas Hammons made a convincing royal couple as the Maharanee and her Maharajah, while tenor Sean Pannikkar sang ardently as their son, Kodanda, secretly in love with the sweet-voiced Jennifer Zetlan as Sardula. And oh, those hilarious dancing servants; choreographer Sean Curran, we thank you!

Savage Loose in the City!

The Savage and His Mate

Our next outing brought us to Antonio Vivaldi’s Griselda, representing SFO’s commitment over the years to mixing the baroque with the lyric, the early centuries of opera with the more recent past.  With director Peter Sellars, one always knows that there will be a surprise, and indeed, this staging was no exception. Framed with a massive backdrop painted by L.A. artist Gronk, and with the firm hand of Grant Gershon guiding the orchestra (including a theorbo!), a stellar cast brought this challenging and somewhat cruel story to life in a distinctly modern setting.  As the lowly-born but truly loving Queen Griselda, contralto Meredith Arwady kept her innate majesty intact throughout the series of trials and tribulations imposed by her husband King Gualtiero, sung by tenor Paul Groves. Soprano Isabel Leonard was sweetly innocent as their long-lost daughter Costanza, and in her Santa Fe Opera debut and first ever pants-role as Griselda’s would-be lover, Ottone, Amanda Majeski was silken and persuasive. The embarrassment of vocal riches in this baroque piece includes the rarity of two, yes two, counter-tenors, David Daniels and Yuri Minenko, both ably demonstrating their unusual gifts. The story line and libretto offer concepts of love, loyalty and leadership to ruminate upon, with Griselda’s comment that “the wise helmsman knows the proud fury of the waves” seeming quite apt in these highly-charged political times.

The Royal Family

And a Regal Cast

Our opera week came to a denouement with Alban Berg’s powerful and sorrowful Wozzeck. A revival of the 2001 production mounted by SFO, this season’s production felt fresh and fit the story perfectly, with scenic design that was claustrophobic and crazy by turns. With the terrific Richard Paul Fink embodying the title role, it was impossible not to grieve for this tormented character and his seemingly inevitable fate. Nicola Beller Carbone gave an intense performance as his unfaithful lover, who reaps the nasty consequences of her actions, leaving an orphaned son behind. (As an aside, I take this moment to note how terrific all the child actotrs have been this season; as the opera folk say “Toi, Toi, Toi! to all the kiddies.) Supporting characters were well-cast, with the ever-so-slightly menacing Eric Owens as The Doctor, Stuart Skelton as the self-satisfied Drum Major, and Robert Brubaker as the unnervingly hysteric Captain, who expresses the timely sentiment that he’s “scared for the world when I think of eternity.” Indeed!

Good Soldier Wozzeck and His Captain

Say a Prayer for Doomed Marie

Yes, a marathon of performances is doable, I did it and so can you, since there is still time in which to do it. Although the summer is waning, the Santa Fe Opera season runs through August 27, and rumor has it that tickets are still available. Curtain time for these last two weeks is a very reasonable 8:00pm, and that means you can go to sleep to hear beautiful music in your dreams and still wake up early enough to enjoy the great Santa Fe weather. The soaring chorus may tell us in song that “In this world, all things must change…,” but the glorious musical theater that the Santa Fe Opera brings us every year changes only for the better.

Images by Ken Howard, courtesy of the Santa Fe Opera, all rights reserved.

Spanish Market = Timeless Santa Fe Travel

Monday, July 25th, 2011 by Santa Fe Red

Summer in Santa Fe is the time of year when we celebrate the deep Hispanic roots of La Ciudad Diferente. It’s a satisfying experience to encounter a place that honors its traditional arts and, at the same time, celebrates the ingenuity of those artistic descendants who are drawn to more contemporary expressions of the heritage.

Spanish Town, Spanish Names!

Spanish Market means many things to many people. For some, it’s enough to enjoy the festive appearance of the Plaza, dressed up to remind us of the enduring legacy of the conquistadors and settlers who braved the ardors of the New World. For others, it may be the food, rich and spicy, tantalizing the taste buds with the thought of fresh green chile yet to come. For most, however, especially steadfast Santa Fe visitors who return annually at this time, it’s the opportunity to see how the artistic heritage of the past lives on today through the hands and the talents of over 200 artists. Delicate straw applique and colcha embroidery are crafts may have waxed and waned through the years, but thanks to a number of dedicated artisans, one can still encounter these humble traditional art-forms today. Painstakingly painted retablos and hand-carved bultos never go out of style, as befits an aesthetic so thoroughly entwined with its religious roots. And the weavers will be there to remind us that the heat of summer will soon enough be followed by the appeal of soft, warm wool.

Intricate Colcha Embroidery: Museum of New Mexico Collection

Presented by the Spanish Colonial Arts Society, Spanish Market is making its 60th anniversary appearance on the Santa Fe Plaza over the weekend of July 30-31.  Market hours on Saturday are 8:00 a.m. to 5:00 p.m.; on Sunday, the Market runs from 9:30 a.m. to 4:00 p.m. In conjunction with the Arts Market itself, chock-a-block with both familiar and new faces, a special Market Mass will be celebrated at our gorgeously renovated St. Francis Cathedral Basilica at 8:00 a.m. on Sunday morning, July 31, at which time the public is invited to the join in the blessing of the Spanish Market art and its artisans.  After the blessing, a procession begins at the Cathedral and winds around the Plaza, led by a cheerful Mariachi band.

The Beautiful Reredo at St. Francis Cathedral

There are a few informative events celebrating the Spanish heritage that will also take place over the weekend. On Thursday, July 28 at 5:30 p.m., a free “Layman’s Lecture About the Saints” will take place at the historic Santuario de Guadalupe, located at 100 South Guadalupe Street.  Lecturer Marina Ochoa, curator and archivist for the Office of Historic-Artistic Patrimony, Archives, and Museum of the Archdiocese of Santa Fe will discourse on the particularly meaningful saints depicted in many of the retablos and bultos one is likely to encounter at the Market.

Santa Fe’s purveyor of  ”todas cosas Espanolas,” The Spanish Table, located at 109 North Guadalupe Street, complements the weekend with two flavorful themed events to honor the Market. On Friday, July 29 at 12 noon, a Spanish sausage sampling complete with a lecture on how to make and cure your own Spanish-style sausages will be presented by Robert Fettig, with Flamenco guitarist Joaquin Gallegos on hand to provide an appropriate musical background. On Saturday, July 30, also at 12 noon, the staff at the Table will cook a gigantic Paella in front of the store.  This is a great time to learn how to make this signature Spanish dish, and you can receive a recipe, ask questions and enjoy!  Best of all, these events are also free to the public!

Paella? Muy Sabrosa!

Spicy Chorizo!

To enhance this rewarding arts weekend, Santa Fe also welcomes the 25th appearance of the Contemporary Hispanic Market, held adjacent to the Plaza on Lincoln Avenue and mirroring the hours of the Traditional Market. With 134 different booths, each featuring a different twist on the Hispanic arts, this is a multitude of riches in and of itself! Those who are drawn to use their talents in newer art forms appreciate this opportunity to exhibit, and both casual and serious collectors enjoy the chance to converse with some of New Mexico’s well-respected Hispanic artists. This display of contemporary Hispanic works showcases individual expression in the mediums of painting, printmaking, sculpture, photography, furniture, jewelry, ceramics, weaving and much, much more. In other words, this weekend is an artistic two-fer!!

Glorieta: Painting by Robb Rael

As with all of the summer Santa Fe Plaza events, the sun will likely be a constant visitor, so pay attention to our summer weather and dress accordingly. That’s the only caveat though, the rest of the weekend is yours to enjoy…or as we say aqui, bienvenidos y disfrutele mucho!

Santa Fe Opera Here and Now!

Tuesday, July 5th, 2011 by Santa Fe Red

The Santa Fe Opera, Highway US 84/285

For tickets: Box Office 505-986-5900 and 800-280-4654, or by email boxoffice@santafeopera.org

The Santa Fe Opera: Photo by Robert Godwin

It’s a fact that some times of year are just more exciting than others. And for Santa Fe and its myriad of opera-lovers, that time of year is right now! A July 1st opening night found this opera fan (who, it must be noted, is not a music critic) delighted to be in attendance at the Santa Fe Opera‘s first-ever performance of Charles Gounod’s Faust. A devilish tale of life lessons, laced throughout with haunting melodies, Gounod’s grand opera premiered in Paris in 1859 with a libretto by Jules Barbier and Michel Carré. Based on Carré’s play Faust et Marguerite, which was in turn fashioned after Goethe’s Faust, Part 1, this is the story of an aging philosopher, who re-discovers the passion and excitement of youth, just as he is ready to take a suicidal exit from his wearying existence. How to get that new lease on life? Simply forfeit your soul to the devil! A cautionary tale indeed, since the result is “the torment of eternal remorse,” as Faust himself so tellingly puts it.

Energetically conducted by Frederic Chaslin, at the beginning of his first full season as the Opera’s Music Director, Faust came to life with an orchestra that sounded rich and sprightly throughout, and Craig Smith’s loan of an electronic organ was nicely worked into the staging. The production was inventive and exciting, the costumes were appropriately evocative, and the incidental music was choreographically well-served. Mark S. Doss cut an impressively commanding figure as Mephistopheles, and Bryan Hymel’s interpretation of the title role was nuanced and assured. Ailyn Perez sweetly voiced the role of Marguerite and sorrowfully embodied her character’s tragic fate, in the face of repudiation by her brother, Valentin, portrayed with honesty and strength by Matthew Worth. Jennifer Holloway, memorable as Price Charming a few seasons back, sang the role of the young lover, Siebel, with passion and grace (I confess, I do love a pants role). One leaves the theatre with deep satisfaction after such an engaging premiere, especially when the 3.5 hour running time seems to pass so quickly! Bravo!

Yes, The Devil Made Them Do It! Santa Fe Opera Photo: Ken Howard

Dancing Beauties are Dazzling in Faust! Santa Fe Opera Photo: Ken Howard

Founded in 1957 by the late John Crosby, a young conductor and devoted Richard Strauss fan (Strauss’ Arabella returns for the 2012 SFO season) from New York, the Santa Fe Opera was born out of a desire to give American singers an opportunity to learn and perform new roles in a peaceful rural setting with plenty of time to acclimate to the mountain air and rehearse accordingly. While Mr. Crosby himself spent plenty of time in the pit, engaging young conductors have been welcomed by the orchestra and the audience alike. From its humble beginnings, with wooden benches and a roof-less stage, over the course of the last 54 years, the Santa Fe Opera has grown into a powerful cultural and economic engine for the Land of Enchantment. Its reputation for daring new productions and commissions attracts both artists and patrons to the tune of about $200 million annually. That’s not chicken feed, particularly for a state rich in culture if not in cash!

Opening night is always a wonderful event, not only for the performance, but also for tail-gating parties and those who like to observe and learn from them. From a simple pair of TV trays to white linens and crystal flutes, it’s all out there in the parking lot, and we have our beautiful outdoor Crosby Theater to thank for this opportunity to dine al fresco. Bring your own or reserve a picnic, either way, it’s a whole lot of fun. One may conceivably be able to wolf down a sandwich on the fly outside Lincoln Center, but it’s not quite the same as sitting down under a beautiful sunset enjoying fine food, favorite friends and the frisson of excitement generated by the knowledge that the orchestra is tuning up and the lights are about to go down.

Tailgating Deluxe and Delicious

Also making its opening appearance over the weekend was Giacomo Puccini’s perennially popular La Boheme. Premiered in Turin in 1896, with a richly emotional libretto by Luigi Illica and Giuseppe Giacosa, this enduring favorite was based a set of tales by Henri Murger entitled Scènes de la Vie de Bohème. Performed in ten previous seasons at SFO, this lyrical opera never fails to thrill, from the first notes right through to the sad denouement. What’s not to love about a love story? Especially when when it’s an Italian opera conducted with passion and verve by an Italian conductor, Leonardo Vordoni, leading a cast of beautiful voices, headed by tenor, David Lomeli, and soprano, Ana Maria Martinez! Although mine was a dress rehearsal experience, no one held back – Mr. Lomeli sang ardently, and Ms. Martinez’ performance was touching and tender. The role of Musetta was ably sung by Heidi Stober, familiar to Santa Fe audiences from her role in the amusing production of Platee in 2007. Reprising his 2007 Boheme role as her on-again, off-again lover, the artist Marcello, Corey McKern painted his portrayal boldly. This particular tale always resonates in a city like Santa Fe, where artists of all types come to pursue their passions, although with our adobe architecture, we are rather short on garrets.

Vive La Vie Boheme! Santa Fe Opera Photo: Ken Howard

Love Can Bloom, Even in a Garret Santa Fe Opera Photo: Ken Howard

With a total of five operas programmed each summer, there are three other choices in the repertoire, thoughtfully chosen to appeal to the eclectic tastes of opera fans. And with the adventurous spirit that SFO has always demonstrated, two more are premieres for the company! Noted director Peter Sellars returns to Santa Fe to conduct the first U.S. production of Antonio Vivaldi’s Griselda, with Meredith Arwady in the title role, Paul Groves (last year’s Hoffmann) as her husband Gualterio, and as Roberto, the exciting countertenor, David Daniels, returning to the Santa Fe stage for the first time since 2008. The light and lyrical touch of Gian-Carlo Menotti will be on display in a witty new production of his opera buffa, The Last Savage, also a first for the company. The final piece to make an appearance onstage (with only four performances, so reserve tickets soon) will be Alban Berg’s powerful masterpiece, Wozzeck, with Richard Paul Fink making his SFO debut in the demanding title role.

Gronk Making the Set for Griselda, Photo: Santa Fe Opera

One of the consistently remarkable features of the Santa Fe Opera is the stellar apprentice program. At the time the Opera came into being, esteemed founder Mr. Crosby had the foresight to create an environment designed to nurture and cultivate young singers who have in turn blessed the company with their youthful enthusiasm. Many talented singers whose names can be found in the programs of the world’s leading opera houses enhanced their singing careers with a summer in Santa Fe, and well over 1000 aspiring artists have been part of the summer program. Some may continue with professional singing careers, and others might morph into voice teachers or coaches who pass the torch on to others. In 1965, an apprentice program for the technical aspects of theater was added, and it too has developed through the years into fine training tool that complements the performing arts, thus enriching both sides of the stage. You can get a sneak peek at the stars of tomorrow on August 14 or August 21 by attending one of the two apprentice showcases, excellent opportunities to introduce younger family members to the joys of opera without a deep commitment of money or time (you can just leave if the kids get fidgety).

Visit the Cantina for a Preview Buffet Santa Fe Opera photo: Robert Godwin

The Crosby Theatre Santa Fe Opera Photo: Robert Reck

In conjunction with the training programs at the Opera, there is a broad set of informative community outreach programs and amenities aimed at creating future audiences by ensuring that opera is accessible and appealing to a new generation.  The very unique Pueblo Opera Program welcomes Native American youth from the nineteen pueblos and three reservations located throughout New Mexico. Opera attendees also get educated;  rather than distracting super-titles above the stage, the Crosby theater is one of the lucky few with unobtrusive opera titles – in either English or Spanish (translated by the erudite Fernando Mayans, well-known to many local Spanish language students) – on individual screens right in front of each seat, enhancing appreciation of the stage action. And there are other educational benefits for visitors, from daily backstage tours beginning at 9:00 a.m. Monday through Saturday to prelude talks before performances, as well as a series of community events. If you don’t have time for the theater tour, just hop onto the Opera’s new blog for a sneak peek at what’s happening on the back deck!

All Ages and Sizes are Welcome!

Even for those who are not die-hard opera fans, the Santa Fe Opera should be part of a Santa Fe vacation. It is one of the real jewels of the City Different, and like all precious gems, its lustre shines brightest when you see it in person.  As always, tickets are selling fast, so don’t delay! Dress up in your finery (with a warm wrap for changeable high desert weather) or come in your jeans, but don’t miss out. As Mimi sings in La Boheme “I love enchanting things…,” and this is truly one of the most enchanting ways to spend a night in the Land of Enchantment!

Don't Miss Out on an Enchanting Night at the Opera!

Santa Fe Opera Photos courtesy of the Santa Fe Opera, All Rights Reserved

Santa Fe Summer Music

Monday, June 20th, 2011 by Santa Fe Red

Santa Fe Sunsets are Sublime

As the days grow longer, the brilliant blue skies are laced with clouds, and the sunsets grow more dramatic. This means summer is here, and there’s more to do in the City Different! We know that one of the things visitors enjoy most about our unique little city is the relaxed pace of life, the feeling that whatever does not get accomplished today can always wait until manana. Santa Fe embodies a lifestyle that allows one to thrill to glowing skyscapes and enjoy morning strolls in the cool morning weather…..but as summer arrives, so does the diverse musical scene for which the city is known. Here are a few ideas of how to create a aurally awesome vacation!

The Santa Fe Opera

Renowned for good reason, this outdoor theater brings great music and theater to life in Santa Fe from July 1 through August 27 this year. A mixture of classics and premieres guarantees that there will be something from the opera repertoire for everyone to enjoy at the beautiful Crosby Theatre. Chief conductor Fredric Chaslin opens the Santa Fe Opera season on July 1, with a new production of Charles Gounod’s Faust, and Giacomo Puccini’s perennially popular La Bohemeopens on July 2. Renowned director Peter Sellars comes back to Santa Fe to direct the first American staging of Antonio Vivaldi’s Griselda, and audiences will be entertained with a new production of Gian-Carlo Menotti’s grand opera buffa The Last Savage. Completing the schedule will be Alban Berg’s Wozzeck,returning to the Santa Fe Opera stage for the first time since 2001. For guests without a vehicle, the Opera shuttle will pick guests up at the Inn and return them after the performance (reservations required with a credit card). The Opera Guild hosts a buffet dinner before the performances (again, reservations are required), with an entertaining lecture to prepare for the ensuing performance, and those who prefer the casual nature of tailgating can reserve a picnic to pick up right at the Opera grounds. Daily backstage tours take place Monday through Saturday (a mere $5 Monday-Friday and free on Saturday) until August 27 and depart from the Box Office at 9 a.m. And when the Opera brings down its curtain at the end of August, the stage belongs to the one and only Willie Nelson, appearing there in concert for one night only, September 17.

Tailgating at the Opera

The Santa Fe Chamber Music Festival

Now in its 38th season, the Santa Fe Chamber Music presents a roster rich with concerts of depth and intimacy each week from July through August. These are performed in the Lensic Performing Arts Center and the St. Francis Auditorium. The inspired artistic leadership of composer/pianist Marc Neikrug brings both distinguished musicians and emerging young talents to the City Different during the 6-week Santa Fe season. The Composer-in-Residence program, inaugurated in 1976, encourages a free flow of communication among composers, musicians, and audiences through premieres of commissioned works and concert performances of a composer’s other works. In 2010, the Festival also inaugurated an exciting new Artist-in-Residence program to showcase the special talents of specific artists, and this year’s honored guest artist is the fantastic soprano, Dawn Upshaw, a familiar voice from her Santa Fe Opera performances in the past. By offering open rehersals, the Festival provides a wonderful opportunity to see how a particular performance takes shape before it is presented to the concert-going public. Many performers return year after year, and local favorites like the Orion String Quartet and pianist Ceclie Licad will be on the stage again this summer. That Santa Fe music fans truly value the Festival is evidenced by the many committed volunteers who spend their evenings ushering, pouring coffee or handing out tickets.

People + Plaza + Performers = Pleasure!

Summerscene on the Plaza

If a more casual musical scene is appealing, the ever-popular Santa Fe Bandstand concerts offer free mid-day and evening performances from early July through the middle of August, right downtown on the historic Santa Fe Plaza. Concerts take place Monday, Tuesday, Wednesday and Thursday evenings at 6pm, and on Monday and Wednesday afternoons at noon. Local and national performers run the gamut of musical genres from Native American to world music, and you might even see some swing dancers strutting their stuff. You can bring a lawn chair or a blanket, with your own picnic or with food from vendors on and around the Plaza area. Music-loving locals will be out in force, and this is a great time to see the range of residents, young and old, all drawn to the City Different for different reasons.

Music on the Hill at St. John’s College

Yet another popular outdoor musical experience is the St. John’s College Wednesday evening music series, running from early June into July, with a 6pm concert time. Experience suggests an early arrival since parking is minimal, although Santa Fe Rapid Transit will run shuttles from Museum Hill every 15 minutes from 5-9pm. Walter Burke Catering will be selling food, but you can also just bring your own picnic!

The Lensic: One of Santa Fe's Real Gems!

The Lensic Performing Arts Center

And let’s not forget the Lensic! As if we could…Santa Fe is so grateful for the panoply of events that take place in our beautifully restored Performing Arts Center. In between chamber music concerts and readings, individual performers and groups will hold sway throughout the summer, with the New Mexico Jazz Festival and the Santa Fe Desert Chorale appearing in July and the Santa Fe Concert Association celebrating its 75th anniversary season with a gala concert in August.

Music lovers love Santa Fe, and we love to have them enjoy with us the many melodies made here! Feel free to call us here at the Inn for more information about events this summer; it’s our pleasure to help you make sweet music out of a Santa Fe vacation!

Santa Fe History, Living and Thriving

Wednesday, June 8th, 2011 by Santa Fe Red

El Rancho de las Golondrinas, 334 Los Pinos Rd, Santa Fe 505-471-2261

http://golondrinas.org/Museum_Info/Driving_Directions/index.html

El Rancho de las Golondrinas

Just south of the city of Santa Fe, visitors can find a beautiful and unique place that seems almost unchanged by the winds of time. At the same location for over 300 years, El Rancho de las Golondrinas, the “Ranch of the Swallows,” is one of the most historic ranch properties in the entire southwest. An official rest stop on historic El Camino Real, which led from Mexico City through the desert of Chihuahua to the provincial capital of Old Santa Fe, Golondrinas welcomed and comforted many a weary traveler taken with the charms and challenges of the New World. In 1710, the massive ranch was subsequently acquired by Miguel Vega y Coca, and as his daughters intermarried with La Familia Baca, the property was passed down through the years to their descendants.

In its present-day incarnation, El Rancho de las Golondrinas came into being as a vision of the Curtin-Paloheimo family, who acquired the property in the early 1930s. Their dream of bringing the history of New Mexico alive to the descendants of the people who created it led to the renovation of existing historic buildings,  the construction of historically accurate structures  on old foundations, and the transfer of related buildings from other New Mexican sites. On encountering Golondrinas today, visitors will find an 18th century placita house complete with defensive tower, a 19th century home with all of its outbuildings, a morada, a molasses mill, a threshing ground, several primitive water mills, a blacksmith shop, a wheelwright shop, and a winery and vineyard, all combined to create an intriguing and authentic depiction of the many elements essential to a frontier life in early New Mexico.

Penitente Morada at las Golondrinas

At its heart, the mission of Golondrinas is to create a respectful understanding of the language, culture, traditional arts and proud history of Spanish Colonial, Mexican and Territorial New Mexico. In short, la herencia, heritage! Particular emphasis is placed on its use as an educational facility, and teachers and students are welcomed throughout the year for tours, workshops, seminars and unique learning experiences. The many events held at the ranch provide visitors with an unrivaled sense of Santa Fe’s past, along with satisfying the western dreams we all seem to have at one time or another.

The Acequia - NM's Lifeblood

New Mexico Farming, the Acequia Way

This week, the Authentic Guide is delighted to feature an interview with one of Santa Fe’s truly knowledgeable and dedicated museum professionals, John Berkenfield, Executive Director of El Rancho de Las Golondrinas.

John A. Berkenfield, Executive Director of El Rancho de las Golondrinas

How did you find your way to Las Golondrinas, and what keeps you there?

I came here for the first time in 1984. I had spent my whole life vacationing in exotic places, since I worked in the international offices of IBM and was able to combine business trips with pleasure. Based in Paris, I was responsible for the public face of IBM abroad, with responsibility for how the company appeared in 167 different countries. I knew the U.S. on the coasts, but didn’t know anything about the SW. We took a trip to visit my nephew, who was a park ranger at the Grand Canyon, and we hiked down to the bottom of the canyon and camped. He said if you like this, you have to go to Santa Fe, so we came out and just fell in love with it. We came in April 1984, after leaving the cold of the east and we walked onto the Plaza where there were kids on skateboards in light jackets and mountains that still had snow. I said to myself, am I hooked, and from that point on I just plotted how I could get out here permanently. At the time, my last child was finishing college, and IBM offered me a retirement package that I could not refuse. I knew that as of June 1989, we would be free to pursue our Santa Fe dream. But I am a person who has to work! I have to have some purpose, and I love it when people depend on me. Since Mrs. Paloheimo had Colorado roots, the ad that Las Golondrinas placed for a Director of Development appeared in the Aspen Bugle, as well as the Wall Street Journal, the New York Times and the L.A. Times. A friend living in Aspen saw the ad and sent it to me. I’m a lifelong art collector with an advertising and promotional background, and this sounded perfect to me, so I applied and got a call back from Rex Arrowsmith, a noted Indian art dealer who was on the search committee. I came out for an interview, and I wasn’t on the property more than 100 yards before I was hooked. It was February, and yet I came home with a sunburn! Probably 120 people had applied for the job, but I was fortunate in that I didn’t need benefits (which Las Golondrinas could not provide at the time but has rectified now) or the higher salary that the other 119 other people apparently required.

Our Lovely Santa Fe Plaza Turns Visitors into Residents!

I had 10 years to get to know Mrs. Paloheimo, and her views still have enormous weight on how we do things at Las Golondrinas. She always said, “Never make it so expensive that poor people can’t afford to come.” and that still motivates us. We have tried to think on a par with the local museum system, but, with Mrs. Paloheimo’s words of advice in mind, we offer free admission to kids under 13, which makes it easier for whole families to visit.

Las Golondrinas is perfect for me, because I love places where I don’t really understand what is going on, places where the face is not the same as the interior. There are still depths and complexity that I find fabulously interesting.

IBM was like a giant ship. If you equated my job there to that of a helmsman, when the captain said “turn left,” I would take the wheel and after several years, the ship would finally be headed off to the left. I could plant lots of seeds, but they didn’t grow for 3 years or so. At Las Golondrinas, the boat turns immediately to the left at the helm’s action, and the results are immediately known. When an ad runs, we see attendance jump the very next weekend. Lowering entrance fees gives an instant response.  It’s a changing palette every day, and I love that. I’m never bored, and I get to meet an awful lot of nice people.

We’re an event-oriented institution, and I like those extravaganzas. When I first arrived, we had only 3 events per year, now we have 11 annually. We were only open 16 days/year when I came, now we have 7 months to show our stuff, thanks to our tenured staff and dedicated volunteers. The combination of short-term gratification and program-driven events, the ability to make change and see that change quickly have a profound impact on the health and vibrancy of the organization – I like that.

What are some of your favorite annual events at Las Golondrinas?

Asking that is like asking me to choose my favorite child! The latest event generally tends to be my favorite. I enjoy the traditional events, helping to make the event meet the demands of the mission statement, which is basically “Don’t turn Las Golondrinas into a Disneyland.” Even the wine festival has to fit. The wine event is memorable, because grape-growing was one of the earliest agricultural crops brought to New Mexico by the Europeans. Harvest fest I love because we make our own wine, and that time of year is richly steeped in traditions. I love the Renaissance Faire because I love to see the happy children.  But if I had to choose one, I really do love Viva Mexico, because I like Mexico and the brightness and the color and the vibrancy of their arts and culture, and it shows so well up here.

Renaissance Faire Fun

Toasting Golondrinas!

Que Viva Mexico!

What events would you develop at Las Golondrinas if you had unlimited funds?

If  money was not limited, I would not put it into more programs, because I don’t feel we are limited in events, we are limited only by our imagination. What I would like to see which we don’t have now is a “Casa de los Ricos.” We are very good at interpreting how poor people lived in the 1700’s and 1800s, but I’d love to have a way to show how wealthy people lived in the 1800s.  Of course, at today’s prices, it would be very easy to spend half a mil to build the kind of impressive house that would demonstrate how the wealthier people lived.

Home on the Range: Not Exactly the High Life!

In terms of infrastructure, I’d also like to have a better stage for performances! I would also love to pull all the animals into a pasture that is more accessible to our visitors. Of course, we would need to add trees for shade for the animals and the visitors!

Is there a particular talent on exhibit at Golondrinas that you wish you possessed? Blacksmith, weaver, farmer? Or do you have a secret talent of which we are unaware? (We already know that you are the consummate Renaissance man!)

I don’t have any talent whatsoever! My talent is capitalzing on the work of others. I worked for a Swiss guy who told me “You have a unique ability to make things happen.” (Mr. B, you should know that your talent certainly serves El Rancho de las Golondrinas very well!) I so admire the skill of people who make things out of wood, the bulto makers, the furniture-makers, and if I could wave the wand, I’d like to have wood-working skills.

Wood-working Skills Were Required!

What books would you recommend to those who wish to learn more about New Mexico history?

Any of the books written by Marc Simmons! If your context is about learning NM history, I consider Marc to be the state’s historian laureate. When I was hired, he sent me a box of his books (signed copies!), which I treausure. Of late, a single book I would recommend is Hampton Sides’ Blood and Thunder, which paints the territorial era of the Southwest with a wide brush – it’s very readable, almost like fiction. Lots of the fiction writers also make our history come vividly alive, Willa Cather, Rudolfo Anaya, and Tony Hillerman. I enjoyed Pam Christie’s Dead Lizards Dance, about the Anza era.  I enthusiastically recommend Nasario Garcia’s books about the folkways of NM, superstitions and brujas, all portrayed in such an engaging way – he’s a wonderful writer, short and to the point, just captivating.

If you could go back in time, what era of New Mexico history would you choose to experience?

That is easy for me, it would be the time of the explorers. I would have loved to come up with Coronado in 1540 or with Onate in 1598, to have had the adventure of coming up and seeing this place for the first time. I also wouldn’t mind being here in the early settlement era, the Anza-Peralta era.

Not All Survive the Adventure

Is there a historical New Mexico figure whom you wish you had met?

I’m drawn to the artists, not the villains, though it would have been fun to have a whiskey with a New Mexico villain! Meeting Maria Martinez would have been wonderful, and I did meet Allan Houser, and some of the Native potters at the ends of their lives. The painters from the 1920’s and 1930’s were colorful characters, goofy and extremely talented. But the Native American leaders most fascinate me, even those identified with other states.  Geronimo was a figure whom I enormously admire, the Plains chieftains like Sitting Bull and Crazy Horse, I would have loved to known Manuelito.  I can’t imagine how horrendous their lives were following the arrival of the white man, when their existence was shattered in the blink of an eye. As leaders, those men had challenges that were absolutely extraordinary, and I would have liked to be a fly on the wall in their pow-wows.

Do you have a spot on the Golondrinas property that you find especially inspiring?

When I first came to Las Golondrinas, I lived on the ranch, since we had bought a house that wasn’t quite finished. I was alone, since my wife had not moved out here yet. There are some houses outside the historic zone on a hill overlooking the ranch, and I lived up there in Torreon House. I used to walk after work at night, and I would walk down all alone to the mill pond area in back of the big mill and along the paths that go around in back, which now run up to the property that the Santa Fe Botanical Garden leases. That area has wonderful water, and the bird life is fabulous. It was really nice to go down around 7pm with a margarita and sit on a rock overlooking the mill pond watching the fish and the long-legged birds with their long bills. It’s still my favorite place.

The Water-Powered Mill

On the actual historic zone of the ranch, my favorite spot is the Sierra Village I think it’s the loveliest little spot on the ranch. Our historic zone is 200 acres, and we have 400 more contiguous acres, but people don’t get to go see that very often. The watery parts, the marsh and the ponds are among the loveliest parts of the ranch.

Sierra Village Gardening

The New Mexico state question: Red or green, and where?

Whichever is hottest, I’m for hot! I don’t have favorite restaurant, but I love to go to Maria’s. One of the advantages of a small town is that you know lots of people, so you may know the owner or the chef. I never used to think that Santa Fe was a culinary mecca, but now I think there are incredibly good places to eat, and depending on your mood, you can certainly find what you are looking for.

Ready to head south from your comfy Santa Fe hotel for a trip to Las Golondrinas? Easy to find, and so worth a visit! Thank you, Mr. Berkenfield, and we’ll see you this summer!

Santa Fe Travel Leads Home

Thursday, February 17th, 2011 by Santa Fe Red

Santa Fe may be a southwestern paradise, but we locals do leave on occasion, even if the time of year is foreboding…and even when the foreboding is borne out in fact! When the weather delays that froze up 2/3 of the country kept this Santa Fe traveler in the Big Apple with additional time to fill, a business trip bestowed unexpected pleasures that more than made up for the 30-hour return trip (which also yielded renewed appreciation for the stamina and commitment of our guests, who sometimes arrive so tired!).

Snow in the Big Apple

Since I am one of our Santa Fe Opera‘s most ardent fans, extra time meant that a visit to the Metropolitan Opera was inevitable. Waiting through the long months between seasons here in Santa Fe makes having the “opera-tunity” to see a live performance especially delightful. While I have been solaced monthly by the Met simulcasts shown locally at the Lensic Center, nothing really compares to that opening moment when the conductor steps onto the podium and the lights go down. It’s simply thrilling! Thanks to our excellent local Opera company, I had last seen Verdi’s Simon Boccanegra back in the summer of 2004, when Mark Delavan sang the title role and Patricia Racette, a Santa Fe favorite, sang the role of his daughter, Amelia.

Patricia Racette as Amelia and Mark Delavan as Simon; Santa Fe Opera 2004 Production of Simon Boccanegra

Our  rapidly-changing Santa Fe weather always contributes an element of danger (the possibility of wild winds, lightning and thunder) that suits lush historical tales like this one. No fear of weather ensconced safely indoors at the Met, however, where the sense of danger came from the story, full of intrigue and big brassy horns, not to mention Dmitri Hvorostovsky‘s silver mane!  It was a stunning performance, and I came away with the satisfaction of finally seeing James Levine on the podium, a long-held desire. Now that long-held desire has transmuted into patiently waiting for opening night here in Santa Fe, which takes place on Friday, July 1, 2011, with a new production of Charles Gounod’s Faust, led by chief conductor, Frederic Chaslin and director Stephen Lawless. Faust…now that’s a dangerous story!

"Full Court Press" for Simon Boccanegra at the Santa Fe Opera 2004

While waiting for my rescheduled departure, I headed for the other Met, the Metropolitan Museum of Art, where a photography exhibition of works by Stieglitz, Steichen and Strand was on display. Nice alliteration on that title and a very serendipitous Santa Fe sense of familiarity for a visiting New Mexican! While I have seen some of Alfred Stieglitz’s beautiful photos of Georgia O’Keeffe at our wonderful O’Keeffe Museum, in an exhibition of this size, there were naturally some exciting discoveries. Beautiful partial nudes and detailed photos of O’Keeffe’s gorgeous (and talented) hands spoke volumes about the deep connection that bound these two artists together.

Alfred Stieglitz, Georgia O’Keeffe – Hands, 1919 (printed 1920-1930s) ©Georgia O'Keeffe Museum.

It’s no surprise that photographer Paul Strand also spent plenty of time in New Mexico, as have so many artists of all persuasions. Interested parties can peruse the fruits of his labor with a copy of Paul Strand Southwest from our local Photo-Eye Gallery and Bookstore located in Santa Fe on Garcia Street, just a short stroll from the Inn. Even Edward Steichen has a NM connection, with the 1995 book published by the University of New Mexico Press, Picturing an Exhibition: The Family of Man and 1950s America.  In this book, author Eric Sandeen presents a study of Steichen’s historic exhibit and its subsequent global influence, along the way examining the exhibit’s origins, Steichen’s beliefs and background, and the aim of his image selection, all reflected through the lens of the 1950s.  Steichen’s work in the Met exhibit certainly demonstrates his broad array of interests, but there’s always something else to be learned from the back story, especially when the opportunity to learn is found so close to home.

And in a wintery, blustery city with 7-foot high snowbanks, isn’t finding hometown connections one of the comforts of travel? Now if the Big Apple only had our great green chile (an immediate visit to Atrisco ensued upon return), a lonely Santa Fe traveler would never feel far from home!

MMMMM...Green Chile!

Santa Fe Opera Photographs courtesy of the Santa Fe Opera, all rights reserved. Alfred Steiglitz Photograph ©Georgia O’Keeffe Museum

Santa Fe: What is There to Do In Early December?

Tuesday, November 30th, 2010 by Santa Fe Red

The short answer would be LOTS! With the onset of the holiday season, Santa Fe, like so many other wonderful destinations, comes alive! The wind is crisp, the scent of pinon is on the air, and holiday lights are lit. While the most obvious choice is to be here for the Christmas holiday, especially since the Inn is such an ideal location for touring the Canyon Road and Plaza farolitos, there are definitely many local events in which to participate before the full-bore holiday week.

The month opens with the annual Rumi Concert, a Storydancer project encompassing music, poetry, dance and song presented by local and national talents. Although the esteemed Robert Bly is no longer a visitor, the poetry slot will be filled by Coleman Barks, poet and translator of the 13th century mystical poet, Rumi. Grammy-award winning cellist, David Darling, and Glen Velez, world percussionist, bring harmony and rhythm, and Zuleikha, of the Storydancer Project, contributes both dance and humor. This is always an evening collaboration that lingers in the mind!

Friday, December 3rd, offers first Friday gallery openings throughout the city. This will be an excellent night on which you can combine both galleries and museum-going, since the New Mexico Museum of Art is offering “Vintage Music and Homemade Cookies,” from 5:00 to 8:00PM, with holiday music spun on vintage LPs by the museum’s own DJ Prairie Dog and cookies baked by museum staff! And since it’s the first Friday of the month, that means the O’Keeffe Museum is free too!

Holiday season also means children’s theatre, and the Eldorado Children’s Theatre and Teen Players always put on an entertaining show. This year, the troupe presents the Rodgers and Hammerstein classic , The King and I.  Performances takes place at the James A. Little Theatre on Friday, December 3 and Friday, December 10 at 7:00 PM, and at 2:00PM on Saturday, December 4, Sunday December 5, Saturday, December 11, and Sunday, December 12. Tickets can be reserved on line at www.eldoradochildrenstheatre.org, or by calling 466-4656. Great theatre always has to start somewhere, and talent can be found everywhere!

Adult theatre can be found in From Broadway with Love at the Lensic at 7:30PM on Saturday, December 4th.  Kaye Ballard, Liliane Montevecchi, and Donna McKechnie will reunite to star in a one-night-only gala performance to benefit Animal Protection of New Mexico, a non-profit organization that has been challenging historic and widespread animal cruelty in New Mexico for more than 30 years.

Worldy theatre aficionados will thrill to know that there will be an HD simulcast of Shakespeare’s Hamlet, as part of the second season of National Theatre Live (NT LIVE), a successful new initiative to broadcast live performances from the National’s stages to cinemas worldwide. The broadcast takes place at the Lensic Center on Friday, December 17 at 7:00PM.

Of course, there will be music and song aplenty! The Santa Fe Men’s Camerata and Zia Singers Holiday Concert takes place at the wonderful Scottish Rite Temple, a landmark in itself, on Saturday, December 4 at 8:00PM and Sunday, December 5 at 4:00PM. The Camerata and the Zia, both directed by Kenneth Knight will join forces for a concert of holiday music, including works from Mendelssohn and Grieg. The combined chorus, about 55 voices strong, will also perform “The Christmas Story According to St. Luke,” a medley of seven well-known Christmas carols arranged by Roger Wagner. The Santa Fe Concert Association brings The King’s Singers for a performance on Wednesday, December 8 at 7:30PM in the St. Francis Cathedral, the perfect spot for holiday chorale.

Not to be outdone by the men, the Santa Fe Women’s Ensemble celebrates the holiday withtheir 30th consecutive Christmas Offering Concert. The Ensemble will sing seasonal music and a world premiere by internationally known composer Stephen Paulus, who will be present for the opening concert on Saturday, December 11th. There are several opportunities to attend with concerts on Saturday, December 11; Sunday, December 12; Friday, December 17;and Satueday, December 18, all in Loretto Chapel at 7:30PM.

Music made by the youthful talents of Santa Fe will be on parade at the Mozart y Mariachi Concert, taking place at the St. Francis Auditorium on Friday, December 10 at 6:30PM. This will be some fine mariachi music, performed with spirit and passion, regardless of the performers’ ages and early bedtimes! Classically-inclined youth musicians get their chance to shine on stage on Sunday, December 12 with a performance by the Youth  Philharmonia and Youth Symphony Orchestra in concert at 1:00PM also in the St. Francis auditorium.

Could the holidays be complete without the Nutcracker? Aspen Santa Fe Ballet does the honors with four performances of Tchaikovsky’s holiday treat, two on Saturday, December 11 at 2:00PM and 7:30 PM and two on Sunday, at 1:00PM and 5:00PM. This dance company gets better every year, and Santa Fe is very grateful to have them in our midst to sprinkle snowflakes and sugarplums!

The visual arts will not be neglected as fabulous holiday gifts handcrafted by more than 100 traditional and acclaimed Hispanic artists can be found at the Winter Spanish Market taking place Saturday and Sunday, December 4 and 5 from 10:00AM to 5:00PM at the Santa Fe Community Convention Center. And Museum Hill gets into the act on Sunday, December 5th from 10:00AM to 5:00PM with a Winter Festival to celebrate the season, with fun for all ages! There will be  hands-on art making in the Atrium, a performance by the Sangre de Christo Chorale, Creative Writings and Readings from the Santa Fe Community College Creative Writing Program, and a Doña Adelina puppet performance by Los Titiriteros. Now that’s a roster! The 4th Annual Holiday Market at Institute of American Indian Arts takes place on Sunday, December 12 from 9:00AM TO 3:00PM at the Institute, with fun and fantastic creations by IAIA faculty, staff, students, alumni, student clubs and other Native American artists. The school itself is a marvel, surrounded by the glorious New Mexico landscape, where it offers a refuge for young Native artists to discover their roots and culture.

Talk about art is always on tap in Santa Fe, and the Santa Fe Art Institute brings art critic Lucy Lippard as the final lecturer in their program, Elemental: Earth Air Fire Water – Art and Environment. Lippard is the author of over 20 books on contemporary art and has written art criticism for Art in America and The Village Voice.  She has also curated over 50 exhibitions, participated in guerrilla theater, and edited a number of independent publications, including “La Puente de Galisteo” in her home community of Galisteo, New Mexico. The lecture takes place on Thursday, December 9 at 6:00Pm at the Santa Fe Art Institute.

If you won’t be here for Christmas, you can still capture the unique flavor of New Mexico with Las Posadas, an annual re-enactment of the Nativity search for shelter. You can join this tradition on the beautiful Santa Fe Plaza at 5:30PM on Saturday, December 11, as this annual candle-lit procession wends it way around the Plaza, concluding in the courtyard of the  Palace of the Governors’ courtyard with carols, cookies and refreshments.

All this and holiday shopping of the unique brand found in our special destination; the flavor of Christmas and the flavor of Santa Fe combine to make pre-holiday travel a joy, regardless of the weather!

Please feel free to contact our friendly staff to find out more about events that interest you or to make reservations for any Santa Fe December happenings!

Santa Fe Open House at IAIA

Wednesday, November 10th, 2010 by Santa Fe Red

The Institute of American Indian Arts is located at 83 Avan Nu Po Road in Santa Fe, New Mexico

The Institute of American Indian Arts in Santa Fe

While many cities can boast an art school or two, Santa Fe has unusual bragging rights by virtue of having an institute for indigenous artists! Students at the Institute of American Indian Arts (commonly known as IAIA) have  the opportunity to partake in an eclectic learning experience in a distinctive Native-centered environment. Faculty and staff, comprised of both native and non-native individuals, provide nurturing support, professional training and positive role models for native students embarking on new endeavors. By opening its doors to the community recently for an afternoon open house, IAIA gave locals and visitors the time to see how this dedicated educational institution fulfills its mission, as stated  here: “To empower creativity and leadership in Native arts and cultures through higher education, lifelong learning and outreach.”

The Institute of American Indian Arts was funded by the Bureau of Indian Affairs and first opened in October of 1962 on the campus of the Indian School in Santa Fe, New Mexico. Under its first Superintendent, Dr. George A. Boyce, the Institute embodied a bold approach to arts education and has evolved through the decades into a leadership role in the contemporary Native American art world. The Institute was later housed on the College of Santa Fe campus before settling it on its expansive new campus about ten years ago. A total of 80 tribes from 25 states are represented in the student body of this multi-tribal learning center, which provides a bridge between a past rich with tradition and the dynamic American Indian culture of the new millennium.

Sculptural Landscaping

IAIA offers four-year degrees in Studio Arts, Visual Communication, Creative Writing and Museum Studies, and it is uniquely qualified to offer students a foundation from which to build new forms of artistic expression and accomplishment, while guiding them into maturity as proud representatives of their culture and participating citizens of the world. The college promotes Native leadership and offers an ecologically-sound atmosphere that allows students to explore their culture and artistic heritage in a supportive and understanding environment. A place where the spirit and vision of American Indian and Alaska Native people is the number one priority, IAIA honors the traditions of the past, continually being rediscovered and reaffirmed, while giving students the freedom to celebrate their artistic identity in new ways, helped by its affiliation with the Museum of Contemporary Native Arts.

Paying Attention to the Southwest

The curriculum at the Institute is geared towards a comprehensive integration of the arts into a college program of study that graduates Native students prepared to juggle the artist’s life with the more mundane aspects of everyday reality. The Creative Writing Dept. holds a prominent place at the College, and students come from reservations and pueblos, cities large and small, to study with nationally and internationally-known working writers. A Studio Arts Department, divided into five areas of focus (painting, photography, ceramics, jewelry/metals, and sculpture), delivers foundational art classes leading to the College’s AFA and BFA degrees. The newer arts are not neglected, since a comprehensive program is in place to teach digital media students the evolutionary principles of  new media, as they study the history and theory of graphic design, film and the ongoing evolution of story-telling.

In recognition of the role Native arts have played for thousands of years, IAIA is home to the only museum studies program designed from a Native American perspective. Experienced museum professionals lead the College’s hands-on, experiential program with courses addressing the cultural history of exhibition, curation, conservation, collections and museums themselves.

A Re-Imagined Image from the Past

The Indigenous Studies Program prepares students who desire the broad education that the liberal arts provide. Students are taught to master competencies in critical thinking, research and writing, with  courses in culturally-based anthropology, policy, traditional arts, art history and Native American studies. An Essential Studies Program provides a solid undergraduate education in English, math and science, as well as a grounding in the strategies necessary for success in college and life in the wide world beyond the reservation or pueblo. The Native Eyes indigenous studies program offers accredited online courses, and the Center for Lifelong Learning is onsite to coordinate tribal outreach services. To address to the specific health concerns of Native peoples, a Fitness and Wellness Dept. schedules classes to help students develop healthier lifestyles through education and experience.

The open house was held on a Friday afternoon, with the glorious autumn Santa Fe weather offering blue skies, warmth and sunshine even in November. Visitors could take a guided tour or wander at will around the beautiful and state-of-the-art campus located on the southwestern edge of Santa Fe. The feeling was genuinely welcoming, with students and faculty alike proud and eager to demonstrate the worth of the program.

Native Stickball

Native Stickball Equipment

The striking campus buildings were laced with attractive landscaping and sculptures, and on a large circular center lawn, a fierce game of Native stickball, a full contact sport that is the ancestor of lacrosse, was taking place. Student housing comes in the form of dorms and apartment-style homes for students who come with families. An outdoor cooking area promised a tasty potential for adventurous picnicking, although I didn’t notice an horno.

Mark Herndon in the Jewelry Studio

Painting Demonstration by Charlene Teters

Tours of the classrooms offered ongoing demonstrations by faculty, and visitors were free to roam through the halls, which were liberally hung with student works. Equipment in studio art classrooms was up-to-date, and non-arts rooms were outfitted with computers galore. The museum conservation program showed  some serious chops, as Museum Studies Professor Jessie Ryker-Crawford demonstrated art polarizing microscope technology, letting visitors expand their understanding of the conservation concerns involved in maintaining two- and three-dimensional works of art.

Jessie-Ryker Crawford, Museum Studies Chair, in the Conservation Lab

An old-fashioned auditorium hosted a continuous screening of Native films, and the new digital dome, opened in October of this year, was designed to revolutionize the college’s fastest-growing degree program, new media arts. The 24-foot diameter, 12-foot high dome is the only one in the world to rotate from 0° to 90° views at 0°, 30°, 45° and 90°. With an 8,000-pound steel exoskeleton and an immersive environment featuring a surround sound system with six film projectors, it will be used to explore science, Native storytelling and art.

Untitled Painting by Collestopher Chatto, Dine Student

A student-run gallery offered an exhibition of student works for sale at very reasonable prices, but it a definite improvement would be realized by painting the gallery walls white to let the artwork shine! A gentle and friendly librarian encouraged visitors to browse the stacks in the expansive, peaceful and thoughtfully LEED-built library, with intelligent-sensor lighting, recycled carpeting and a treasure trove of books, all enhanced with a terrific Geronimo sculpture by Bob Haozous. And our transit back to the car led us by nose to the student cafeteria where locals can come and feast for breakfast, lunch or dinner.

The IAIA Library with Geronimo Keeping Watch

Yet another distinctive feature of our City Different, the Institute of American Indian Arts lends authenticity and merit to the artistic reputation of Santa Fe, helping Native youth lead the way into this new millenium. We are genuinely grateful to have IAIA in our midst!

Native America Builds for the 21st Century

Sound as a Pound at the Santa Fe Opera!

Sunday, August 1st, 2010 by Santa Fe Red

The Santa Fe Opera presents Benjamin Britten’s Albert Herring with six performances: 7/31 (Premiere); 8/4; 8/13; 8/18; 8/21; and 8/25. For tickets: Call 505-986-5900


“All Hail, Albert!” After last week’s stunning premiere of Lewis Spratlan’s’ Life is a Dream, one might think that the Santa Fe Opera has nothing else up its proverbial sleeve. On the contrary, old chap! The first-ever Santa Fe production of Benjamin Britten’s Albert Herring hit the boards with gusto and is sure to be a hot ticket! A rare comedy by Britten, Albert Herring is a real inversion of the dramatic tension Santa Fe audiences encountered with SFO’s productions of Britten’s  Peter Grimes and Billy Budd in recent years. With its broadly-drawn English stereotypes and exuberant antics, this is a 20th century opera that will be accessible and appealing to anyone familiar with Monty Python or BBC comedies. Despite the obvious humor, however, themes that occupied Britten throughout his life are evident in this entertaining tale of a sensitive soul unconsciously yearning to be free. Community relationships and hierarchies, the dilemma of being on the outside of the in-crowd, and the perils of both innocence and dishonesty are endemic in Britten’s work. Although some might consider Albert Herring a lightweight work compared to Britten’s more hauntingly serious compositions, this opera fan thinks there is nothing wrong with a good laugh embedded in music of such beauty and complexity.

Florence Pike and Lady Billows

In Search of a May Queen

Set in the imaginary village of Loxford, the story involves its characters in the hunt for a Queen of the May, at a time when there seems to be a dearth of worthy young women of high moral character to accommodate the need. With ten major roles to fill, director Paul Curran (responsible for the terrific production of Britten’s Peter Grimes in 2005) came back to Santa Fe able to tap into some magical pool of talent, as the entire cast, and the casting, was top-notch. Not only were the voices superb, so was the acting, and its always such a pleasure when the pleasure is complete. Magnificent soprano Chrstine Brewer, who first appeared in Santa Fe in 1999, embodies Lady Billows, the village doyenne, to perfection. One wouldn’t want to cross this majestic representative of the British ruling classes, and her hovering minions certainly accommodated with appropriate subservience! As Florence Pike, her housekeeper and gossip conduit, Jill Grove combined verve and bawdiness in equal measures for her rich portrayal. The role of Teacher Wordsworth, frantic and fluttering, brought silver-voiced former apprentice Celena Shafer back to the Santa Fe stage. And the surprise casting of first-timer Jonathan Michie in the role of Vicar Gedge was every apprentice’s dream, when Wayne Tigges, formerly cast in the role, had to step into a role in The Tales of Hoffmann at the last minute. Mr. Michie has the voice and the acting chops to take him places beyond Loxford! Robustly rounding out the coterie of Lady Billows’ dogsbodies were Dale Travis as Police Superintendent Budd, suitably officious, and Mark Schowalter as Mayor Upfold, suitably eager to please.

May Day in Loxford

All Hail Albert!

The roles of the village folk also demand high quality singing, and none disappointed. The three village children were comprised of one real child, Richard Schmidt (kudos to this brave lad), and two apprentices, Erin Sanzero and Jamie-Rose Guarrine, all childish glee and high jinks. Joshua Hopkins as the butcher’s assistant Sid, exuded easy charm and a ringing baritone as he courted the light-hearted baker’s girl, Nancy, sung by Kate Lindsey, already receiving deserved acclaim this season for her portrayal of Nicklausse in Hoffmann. It is pure delight to see and hear Judith Christin, a much-loved regular in Santa Fe, return to us with her zesty and entertaining comic turn as Albert’s mother, Mrs. Herring. Welcome home, Ms. Christin, nuestra casa es tu casa! And as Albert Herring himself, pure as milk, timid as a lamb, Alek Schrader, making his Santa Fe Opera debut this season, won not only his 25 sovereigns as King of the May, but also the hearts of his audience as he finally breaks out in the only way he can, “a wild explosion!” This is quite an energetic feat when one considers that he is also appearing as Tamino in The Magic Flute. Such youthful stamina is much appreciated!

Albert Before....

...and After!

The orchestra shone under the baton of Sir Andrew Davis, Music Director of the Lyric Opera of Chicago, making his Santa Fe Opera debut in this production. Trust a proper English gentleman to stroke the funny-bone of the score, which was by turns, lilting, bracing, somber and achingly sweet. Director Curran obviously understood when to make us laugh and when to make us sigh, and there was much of both. The scenic design and costumes of Kevin Knight were entirely appropriate and could have come right out of Galsworthy, with subtle and effective lighting design by Rick Fisher setting the mood on a temperate Santa Fe evening (temperate for those of us who attended the dress rehearsal, that is, since the Saturday premiere featured prominent roles played by lightning, thunder and rain!).

Evening Skies at the Opera

“All Hail, Albert, Long May He Reign!” A satisfying sentiment indeed! All Hail, John Crosby, for the visionary beginnings that brought us to this present moment. And Long May SFO Reign, a lovely likelihood under the able and attentive stewardship of General Director, Charles McKay. Get your tickets quick, only five more performances, and this is a can’t-miss!

All Santa Fe Opera photos by Ken Howard, with all rights reserved.

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