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The Authentic Guide to Santa Fe

Posts Tagged ‘Music in Santa Fe’

Santa Fe: Lucky to have the Lensic

Thursday, January 13th, 2011 by Santa Fe Red

The Lensic Performing Arts Center
211 West San Francisco Street in Santa Fe, NM
Phone: 505.988.7050    Box Office: 505.988.1234
E-News at http://www.lensic.org/content/lensic_enews

The Distinctive Lensic Performing Arts Center

Total opera fan that I am, the time between summer seasons of the Santa Fe Opera seems particularly long right about now. That’s why the live HD simlucasts from the Metropolitan Opera are so welcome. Santa Fe screenings are held on the appointed Saturdays at the Lensic Performing Arts Center, so I headed there last Saturday for my opera fix, in this case La Fanciulla del West by Puccini, whose La Boheme comes back to Santa Fe this summer. As we settled into our seats for a few hours of glorious music, I was struck yet again at the glories of this landmark theatre and all the wonderful things it has made possible in Santa Fe.

A versatile performing arts center located right off the Santa Fe Plaza, the Lensic originated as a movie and vaudeville theater, with a 69-year run before closing, a passing that was deeply mourned by Santa Fesinos for whom memories of a movie and dinner downtown live on in their minds as the perfect date.  The Lensic was built by Nathan Salmon, an immigrant from Syria, who chose to make Santa Fe his home in the late 1800′s, after being stranded here by a snowstorm. An enterprising individual with an immigrant’s belief in the real value of property, Mr. Salmon bought land parcels throughout the Santa Fe and Albuquerque area. In 1930, despite the devastating pressures of the Great Depression, Mr. Salmon and his son-in-law, E. John Greer, made plans to build what they called a ‘Spanish style’ theater, with up-to-date projection and sound equipment  that could offer both live performances and the new ‘talking’ pictures to the then-11,000 residents of Santa Fe.

A 'Spanish Style' Theater for Santa Fe

The Salmon-Greer partnership broke ground for the theatre in September 1930, and its uniquely memorable name originated when Mr. Salmon sponsored a competition, including a $25 prize, to name the new theater, using either a Spanish title or an amalgam of his grandchildren’s initials. Mrs. P.J. Smithwick claimed the prize (a tidy sum in Depression years) by creating an acronym using the required initials (for Lila, Elias John, Nathan, Sara, Mary Irene and Charles), while at the same time cleverly implying the “lens” of a movie projector. Built swiftly, the Lensic Theater had its grand opening in June of 1931 and soon became the center of Santa Fe social life, since movies served as a respite from the sorrows of the Depression and the war years that ensued.

As Santa Fe grew, the Lensic thrived. Over the years, other options for entertainment in Santa Fe became available, and the Lensic’s technical facilities began to lag behind the demands of modern performance. As this mismatch of requirements expanded, the theater stopped hosting live events and by 1999, it had closed its doors altogether. Fortunately for Santa Fe, the next act was about to begin!

London Assurance Simulcast in HD

Bill and Nancy Zeckendorf, recognized as real estate royalty in New York City, arrived in Santa Fe in the 1980s and quickly grasped the Lensic’s potential as a performing arts showcase. Determined to save this classic venue, they pursued Mr. Salmon’s original vision of a dramatic showplace for the city, a destination historically imbued with talent galore. Working with a panoply of performing arts groups, city officials, interested individuals and committed business leaders, they recruited a hard-working board of directors (including the Inn’s owner, Joe Schepps), incorporated the theater as a nonprofit, and embarked on a twelve month rehabilitation. Funded through a $9M capital campaign raised by a coterie of Santa Fe’s movers and shakers, the Lensic rose again like the mythical phoenix and was unveiled as a non-profit performing arts venue in April 2001. To the delight of locals and visitors alike, the thoughtful and restrained renovation restored the theater’s decoratively stylized architecture, and improvements to the technical capabilities made it possible to bring an eclectic variety of performances to the City Different. Thanks to the dedication and insight of all involved, the 821-seat theater has become an integral part of the city’s reputation as a mecca for the arts.  An ideal example of how community collaboration and commitment can create a whole greater than the sum of the parts, the Lensic is now a vibrant cultural resource for the city of Santa Fe, as well as the state and surrounding region. As its mission statement says, “The nonprofit Lensic Performing Arts Center enriches lives by bringing diverse art and people together in the historic Lensic Theater, a cornerstone of downtown Santa Fe since 1931.” How true!

Perfomers of All Sizes

What can one see at the Lensic? Well, just about anything! From the HD simulcasts of the Met to traveling circuses, from chamber ensembles to Native American roots music, Polish folk dancers to classical ballet, bluesmen to children’s mariachi groups, writers’ readings to memorable big-screen classics (yes, you CAN still see a movie at the theater!), the Lensic welcomes all who have something to share with the arts-loving denizens of the City Different.  The Lensic was recognized by the National Trust for Historic Preservation as an official project of Save America’s Treasures in 2000. And 2011 is indeed a gala year, with the Lensic Performing Arts Center celebrating its 10th anniversary, and the original Lensic Theater turning 80 in April 2011.

The Whole World is Welcome at the Lensic

When our guests come to the Front Desk at any time of year to ask what there is to do in Santa Fe, it is always a pleasure to respond by saying, “Let’s see what’s at the Lensic!”

All images are courtesy of the Lensic, and all rights are reserved.

Santa Fe: What is There to Do In Early December?

Tuesday, November 30th, 2010 by Santa Fe Red

The short answer would be LOTS! With the onset of the holiday season, Santa Fe, like so many other wonderful destinations, comes alive! The wind is crisp, the scent of pinon is on the air, and holiday lights are lit. While the most obvious choice is to be here for the Christmas holiday, especially since the Inn is such an ideal location for touring the Canyon Road and Plaza farolitos, there are definitely many local events in which to participate before the full-bore holiday week.

The month opens with the annual Rumi Concert, a Storydancer project encompassing music, poetry, dance and song presented by local and national talents. Although the esteemed Robert Bly is no longer a visitor, the poetry slot will be filled by Coleman Barks, poet and translator of the 13th century mystical poet, Rumi. Grammy-award winning cellist, David Darling, and Glen Velez, world percussionist, bring harmony and rhythm, and Zuleikha, of the Storydancer Project, contributes both dance and humor. This is always an evening collaboration that lingers in the mind!

Friday, December 3rd, offers first Friday gallery openings throughout the city. This will be an excellent night on which you can combine both galleries and museum-going, since the New Mexico Museum of Art is offering “Vintage Music and Homemade Cookies,” from 5:00 to 8:00PM, with holiday music spun on vintage LPs by the museum’s own DJ Prairie Dog and cookies baked by museum staff! And since it’s the first Friday of the month, that means the O’Keeffe Museum is free too!

Holiday season also means children’s theatre, and the Eldorado Children’s Theatre and Teen Players always put on an entertaining show. This year, the troupe presents the Rodgers and Hammerstein classic , The King and I.  Performances takes place at the James A. Little Theatre on Friday, December 3 and Friday, December 10 at 7:00 PM, and at 2:00PM on Saturday, December 4, Sunday December 5, Saturday, December 11, and Sunday, December 12. Tickets can be reserved on line at www.eldoradochildrenstheatre.org, or by calling 466-4656. Great theatre always has to start somewhere, and talent can be found everywhere!

Adult theatre can be found in From Broadway with Love at the Lensic at 7:30PM on Saturday, December 4th.  Kaye Ballard, Liliane Montevecchi, and Donna McKechnie will reunite to star in a one-night-only gala performance to benefit Animal Protection of New Mexico, a non-profit organization that has been challenging historic and widespread animal cruelty in New Mexico for more than 30 years.

Worldy theatre aficionados will thrill to know that there will be an HD simulcast of Shakespeare’s Hamlet, as part of the second season of National Theatre Live (NT LIVE), a successful new initiative to broadcast live performances from the National’s stages to cinemas worldwide. The broadcast takes place at the Lensic Center on Friday, December 17 at 7:00PM.

Of course, there will be music and song aplenty! The Santa Fe Men’s Camerata and Zia Singers Holiday Concert takes place at the wonderful Scottish Rite Temple, a landmark in itself, on Saturday, December 4 at 8:00PM and Sunday, December 5 at 4:00PM. The Camerata and the Zia, both directed by Kenneth Knight will join forces for a concert of holiday music, including works from Mendelssohn and Grieg. The combined chorus, about 55 voices strong, will also perform “The Christmas Story According to St. Luke,” a medley of seven well-known Christmas carols arranged by Roger Wagner. The Santa Fe Concert Association brings The King’s Singers for a performance on Wednesday, December 8 at 7:30PM in the St. Francis Cathedral, the perfect spot for holiday chorale.

Not to be outdone by the men, the Santa Fe Women’s Ensemble celebrates the holiday withtheir 30th consecutive Christmas Offering Concert. The Ensemble will sing seasonal music and a world premiere by internationally known composer Stephen Paulus, who will be present for the opening concert on Saturday, December 11th. There are several opportunities to attend with concerts on Saturday, December 11; Sunday, December 12; Friday, December 17;and Satueday, December 18, all in Loretto Chapel at 7:30PM.

Music made by the youthful talents of Santa Fe will be on parade at the Mozart y Mariachi Concert, taking place at the St. Francis Auditorium on Friday, December 10 at 6:30PM. This will be some fine mariachi music, performed with spirit and passion, regardless of the performers’ ages and early bedtimes! Classically-inclined youth musicians get their chance to shine on stage on Sunday, December 12 with a performance by the Youth  Philharmonia and Youth Symphony Orchestra in concert at 1:00PM also in the St. Francis auditorium.

Could the holidays be complete without the Nutcracker? Aspen Santa Fe Ballet does the honors with four performances of Tchaikovsky’s holiday treat, two on Saturday, December 11 at 2:00PM and 7:30 PM and two on Sunday, at 1:00PM and 5:00PM. This dance company gets better every year, and Santa Fe is very grateful to have them in our midst to sprinkle snowflakes and sugarplums!

The visual arts will not be neglected as fabulous holiday gifts handcrafted by more than 100 traditional and acclaimed Hispanic artists can be found at the Winter Spanish Market taking place Saturday and Sunday, December 4 and 5 from 10:00AM to 5:00PM at the Santa Fe Community Convention Center. And Museum Hill gets into the act on Sunday, December 5th from 10:00AM to 5:00PM with a Winter Festival to celebrate the season, with fun for all ages! There will be  hands-on art making in the Atrium, a performance by the Sangre de Christo Chorale, Creative Writings and Readings from the Santa Fe Community College Creative Writing Program, and a Doña Adelina puppet performance by Los Titiriteros. Now that’s a roster! The 4th Annual Holiday Market at Institute of American Indian Arts takes place on Sunday, December 12 from 9:00AM TO 3:00PM at the Institute, with fun and fantastic creations by IAIA faculty, staff, students, alumni, student clubs and other Native American artists. The school itself is a marvel, surrounded by the glorious New Mexico landscape, where it offers a refuge for young Native artists to discover their roots and culture.

Talk about art is always on tap in Santa Fe, and the Santa Fe Art Institute brings art critic Lucy Lippard as the final lecturer in their program, Elemental: Earth Air Fire Water – Art and Environment. Lippard is the author of over 20 books on contemporary art and has written art criticism for Art in America and The Village Voice.  She has also curated over 50 exhibitions, participated in guerrilla theater, and edited a number of independent publications, including “La Puente de Galisteo” in her home community of Galisteo, New Mexico. The lecture takes place on Thursday, December 9 at 6:00Pm at the Santa Fe Art Institute.

If you won’t be here for Christmas, you can still capture the unique flavor of New Mexico with Las Posadas, an annual re-enactment of the Nativity search for shelter. You can join this tradition on the beautiful Santa Fe Plaza at 5:30PM on Saturday, December 11, as this annual candle-lit procession wends it way around the Plaza, concluding in the courtyard of the  Palace of the Governors’ courtyard with carols, cookies and refreshments.

All this and holiday shopping of the unique brand found in our special destination; the flavor of Christmas and the flavor of Santa Fe combine to make pre-holiday travel a joy, regardless of the weather!

Please feel free to contact our friendly staff to find out more about events that interest you or to make reservations for any Santa Fe December happenings!

Sound as a Pound at the Santa Fe Opera!

Sunday, August 1st, 2010 by Santa Fe Red

The Santa Fe Opera presents Benjamin Britten’s Albert Herring with six performances: 7/31 (Premiere); 8/4; 8/13; 8/18; 8/21; and 8/25. For tickets: Call 505-986-5900


“All Hail, Albert!” After last week’s stunning premiere of Lewis Spratlan’s’ Life is a Dream, one might think that the Santa Fe Opera has nothing else up its proverbial sleeve. On the contrary, old chap! The first-ever Santa Fe production of Benjamin Britten’s Albert Herring hit the boards with gusto and is sure to be a hot ticket! A rare comedy by Britten, Albert Herring is a real inversion of the dramatic tension Santa Fe audiences encountered with SFO’s productions of Britten’s  Peter Grimes and Billy Budd in recent years. With its broadly-drawn English stereotypes and exuberant antics, this is a 20th century opera that will be accessible and appealing to anyone familiar with Monty Python or BBC comedies. Despite the obvious humor, however, themes that occupied Britten throughout his life are evident in this entertaining tale of a sensitive soul unconsciously yearning to be free. Community relationships and hierarchies, the dilemma of being on the outside of the in-crowd, and the perils of both innocence and dishonesty are endemic in Britten’s work. Although some might consider Albert Herring a lightweight work compared to Britten’s more hauntingly serious compositions, this opera fan thinks there is nothing wrong with a good laugh embedded in music of such beauty and complexity.

Florence Pike and Lady Billows

In Search of a May Queen

Set in the imaginary village of Loxford, the story involves its characters in the hunt for a Queen of the May, at a time when there seems to be a dearth of worthy young women of high moral character to accommodate the need. With ten major roles to fill, director Paul Curran (responsible for the terrific production of Britten’s Peter Grimes in 2005) came back to Santa Fe able to tap into some magical pool of talent, as the entire cast, and the casting, was top-notch. Not only were the voices superb, so was the acting, and its always such a pleasure when the pleasure is complete. Magnificent soprano Chrstine Brewer, who first appeared in Santa Fe in 1999, embodies Lady Billows, the village doyenne, to perfection. One wouldn’t want to cross this majestic representative of the British ruling classes, and her hovering minions certainly accommodated with appropriate subservience! As Florence Pike, her housekeeper and gossip conduit, Jill Grove combined verve and bawdiness in equal measures for her rich portrayal. The role of Teacher Wordsworth, frantic and fluttering, brought silver-voiced former apprentice Celena Shafer back to the Santa Fe stage. And the surprise casting of first-timer Jonathan Michie in the role of Vicar Gedge was every apprentice’s dream, when Wayne Tigges, formerly cast in the role, had to step into a role in The Tales of Hoffmann at the last minute. Mr. Michie has the voice and the acting chops to take him places beyond Loxford! Robustly rounding out the coterie of Lady Billows’ dogsbodies were Dale Travis as Police Superintendent Budd, suitably officious, and Mark Schowalter as Mayor Upfold, suitably eager to please.

May Day in Loxford

All Hail Albert!

The roles of the village folk also demand high quality singing, and none disappointed. The three village children were comprised of one real child, Richard Schmidt (kudos to this brave lad), and two apprentices, Erin Sanzero and Jamie-Rose Guarrine, all childish glee and high jinks. Joshua Hopkins as the butcher’s assistant Sid, exuded easy charm and a ringing baritone as he courted the light-hearted baker’s girl, Nancy, sung by Kate Lindsey, already receiving deserved acclaim this season for her portrayal of Nicklausse in Hoffmann. It is pure delight to see and hear Judith Christin, a much-loved regular in Santa Fe, return to us with her zesty and entertaining comic turn as Albert’s mother, Mrs. Herring. Welcome home, Ms. Christin, nuestra casa es tu casa! And as Albert Herring himself, pure as milk, timid as a lamb, Alek Schrader, making his Santa Fe Opera debut this season, won not only his 25 sovereigns as King of the May, but also the hearts of his audience as he finally breaks out in the only way he can, “a wild explosion!” This is quite an energetic feat when one considers that he is also appearing as Tamino in The Magic Flute. Such youthful stamina is much appreciated!

Albert Before....

...and After!

The orchestra shone under the baton of Sir Andrew Davis, Music Director of the Lyric Opera of Chicago, making his Santa Fe Opera debut in this production. Trust a proper English gentleman to stroke the funny-bone of the score, which was by turns, lilting, bracing, somber and achingly sweet. Director Curran obviously understood when to make us laugh and when to make us sigh, and there was much of both. The scenic design and costumes of Kevin Knight were entirely appropriate and could have come right out of Galsworthy, with subtle and effective lighting design by Rick Fisher setting the mood on a temperate Santa Fe evening (temperate for those of us who attended the dress rehearsal, that is, since the Saturday premiere featured prominent roles played by lightning, thunder and rain!).

Evening Skies at the Opera

“All Hail, Albert, Long May He Reign!” A satisfying sentiment indeed! All Hail, John Crosby, for the visionary beginnings that brought us to this present moment. And Long May SFO Reign, a lovely likelihood under the able and attentive stewardship of General Director, Charles McKay. Get your tickets quick, only five more performances, and this is a can’t-miss!

All Santa Fe Opera photos by Ken Howard, with all rights reserved.

Life IS a Dream in Santa Fe

Sunday, July 25th, 2010 by Santa Fe Red

Dream or Reality, Come Hear for Yourself

Life in Santa Fe is certainly dreamy in general, but even we who live in this southwestern dreamscape need the escape from reality that great art provides. Big dreams in the arts can pay off big time but there are no guarantees. What can you say about an opera company that would give up additional performances and guaranteed sell-outs of a production such as Madama Butterfly or The Magic Flute in favor of the challenges of a new production? I am referring, of course, to our own Santa Fe Opera and its continued commitment to new work, which this year has resulted in the world premiere of Lewis Spratlan’s Life is a Dream.

Segismundo Crowned a King: Dream or Reality

Based on a Calderon masterpiece of the Golden Age of Spanish Drama, this new opera by Lewis Spratlan won the 2000 Pulitzer Prize in Music and is finally in production, 35 years after its inception, thanks to the adventurous spirit that has ruled in Santa Fe from the humble beginnings of our beloved opera company. An exploration of provocative questions about the nature of perception and reality, this story in song lets us consider issues that have endured through the ages to this day. Celebrated conductor Leonard Slatkin and director Kevin Newbury have assembled a stellar cast of singers and designers, and the serendipity of Santa Fe’s 400th anniversary adds New World zest to the enjoyment of this dramatic work from Old Spain.

Woman's Compassionate Heart

Beauty Calls Forth Man

So much in this production is timely and demonstrates how certain aspects of civilization remain constant.  Concepts regarding how to rule, fear of the future, injustice, compassion, awareness of the natural world and the notion of Maya (life as an illusion), all these play a part in this grand drama. Both the composer and his librettist, James Maraniss, sought poetry – in fact, Mr. Spratlan says that “Poetry is the gunpowder for a composer” – and the text and the orchestra work seamlessly to bring the power of their poetry to life. Certainly, these are not the melodic strains that an evening of  Mozart might provide, but the wild ups-and-downs of the vocal lines and the eerie sounds emanating from the pit seem so apt for this tale of political intrigue and family drama.

King Basilio

The Nobleman Clotaldo

I found the casting to be appropriate and the acting genuinely convincing. Tenor Roger Honeywell, who debuted here in 2007 with another premiere (Tea: A Mirror of the Soul) returns to Santa Fe as Prince Segismundo, who must find a balance between his early life and his future, reality and the dream world. As his father King Basilio, bass-baritone John Cheek makes his Santa Fe debut as a ruler who wants to preserve the harmony of his kingdom but makes the fraught decision to take an omen as fact. Also back this year as the nobleman Clotaldo is baritone James Maddelena, who has enjoyed success in a number of avant-garde roles (think Nixon in China, as well as last year’s premiere, The Letter, in which he made his Santa Fe debut). Soprano Ellie Dehn makes her first appearance in Santa Fe in the pivotal role of Rosaura (with a simply beautiful aria at the end of the second act).  The shoes of the jester Clarin, who functions as jesters always do, with both humor and incisive insight, are ably filled by Keith Jameson, familiar to Santa Fe audiences from tenor roles past as well as his tenure as an apprentice. And apprentices function critically too, as Carin Gilfry, in her second year in the apprentice program, provides an archly amusing performance, along with baritone apprentice, Craig Verm, suitably scheming and somewhat oily. The chorus, as always, adds depth and vocal color, and Mr. Slatkin keeps the tip-top orchestra at the top of its game. And even though my life would be a dream if I am reborn as an opera singer (anybody listening?), I did not envy these performers the vocal challenges they worked to master in their roles!

Man or Beast?

The Counsel of a Wise Fool

Of course, this being Santa Fe, the summer weather played its part perfectly, with lightning and thunder thoughtfully adding theatrical effect as the house lights went down with the thermometer. Safe and warm in our seats in this beautiful covered outdoor theatre, we were able to engage fully with the dramatic power of this story. The expert lighting and starkly minimal and modernist stage settings provided just the right background and mood and offered a satisfying juxtaposition to the attractive costumes, evoking the Spanish court, but with unusual headresses that echoed the impending industrial age.

Life as a Dream presents the Drama of Sky and Stage: Photo by Paul Horpedahl

So, what do we say about this gutsy troupe turning its back on extra performances of the bankable known for an operatic voyage into the unknown? We say, “Bravo!” No surprise from this compelling company dreamed up in the high mountain desert by John Crosby! And what do we say to those of you who might want to take this voyage with them? We say get your tickets now, because there are only five chances to have this dream yourself. As Segismundo sings “Whether it’s real or not, to act well is what matters,” and the Santa Fe Opera has made it matter!

Santa Fe Opera Photos by Ken Howard (All Rights Reserved)

Disclaimer: Red is an art school graduate with a passing acquaintance of the piano, but is not a music critic! Here is what the real music critic says: http://www.nytimes.com/2010/07/26/arts/music/26dream.html?ref=anthony_tommasini

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