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The Authentic Guide to Santa Fe

Posts Tagged ‘new mexico pueblos’

North to Taos from Santa Fe!

Tuesday, February 1st, 2011 by Santa Fe Red

This week, we are pleased to welcome as a guest blogger, Taos resident Susan Mihalic, who shares her thoughts on our neighbor to the north. Susan is a writer and editor who has lived in Taos since 1995.

Beautiful Taos Mountain

The Inn on the Alameda has a great central location that enables guests to enjoy a variety of day trips, no matter what time of year or weather. Among the most popular: a day in Taos, only 70 miles north of Santa Fe and a true jewel in New Mexico’s crown. Exploring all that Taos has to offer requires more than a day, but even if your time is short, we can suggest an itinerary that will give you a satisfying taste of this high-desert town. Like Santa Fe, Taos is about 7000 feet above sea level, so be sure to drink plenty of water to prevent altitude sickness. Wear comfortable walking shoes, dress in layers, and don’t forget your camera and your sunscreen.

North of Española, you’ll enter Taos Canyon, where State Road 68 takes you alongside the Rio Grande past the communities of Dixon and Pilar. As you climb in altitude, the river veers west, creating the Rio Grande Gorge, which you will see as you leave the canyon and crest the hill that leads you into Taos.

In Ranchos de Taos, at the south end of Taos proper, you’ll find the historic San Francisco de Asis Church, a National Historic Landmark and World Heritage church. Built between 1772 and 1816, the church is open to the public from 9 a.m. to 4 p.m. Monday through Saturday, except for two weeks each spring when the exterior is replastered with mud by parishioners and other volunteers. With its four-foot-thick adobe walls and dramatic buttresses, it is among the most photographed churches in the United States.

The church is located in the Ranchos de Taos Plaza, which is also home to shops and galleries, including Two Graces, an intriguing mix of collectibles and original art. Browsing through items both curated and created by owner Robert Cafazzo is like revisiting childhood. Two Graces is open from 10 a.m. to 5:30 p.m. each day.

Four miles north of Ranchos and in the heart of the historic district is Taos Plaza. While the Plaza has the requisite T-shirt and souvenir shops, one of our favorite galleries is Acuarelas Studio Gallery (125 North Taos Plaza). It is open every day, although hours vary. Gallery owner and featured artist Leandro Martin Rodriguez works primarily in watercolor (which is what acuarelas means), achieving an infinite palette of subtle colors by hand-mixing the primary colors of red, blue, and yellow. His gallery includes a variety of work by other artists as well, from sculptures to pots to jewelry and more.

The Courtyard of the Blumenschein Museum

From the Plaza, you can walk a short distance to Ledoux Street, which is home to several don’t-miss stops for art lovers:

•  The E. L. Blumenschein Home and Museum, a National Historic Landmark, which offers a collection of work by one of the artists who was fundamental in establishing Taos as an art colony. The Blumenschein Home is open from 10 a.m. to 5 p.m. Monday through Saturday and from 12 noon to 5 p.m. on Sunday, although winter hours may vary.

•  R. C. Gorman’s Navajo Gallery, which includes the artist’s original drawings, lithographs, and bronzes. Days and hours of operation vary.

•  The Harwood Museum of Art, open from 10 a.m. to 5 p.m. Tuesday through Sunday, closed on Monday. The Harwood’s impressive collection includes works by Agnes Martin, Andrew Dasburg, Patrociño Barela, and members of the Taos Society of Artists, including Blumenschein, Oscar E. Berninghaus, E. Irving Couse, W. Herbert “Buck” Dunton, Joseph Sharp, and Victor Higgins.

A Colorful Mural on Ledoux Street

Ready for lunch? Near Ledoux Street is Antonio’s (122 Doña Luz, one block west of the Plaza), which offers both traditional and innovative dishes from Old Mexico; we love the guacamole made tableside, the ceviche (fresh fish in lime juice), and the chile relleno en nogada, a twist on the classic relleno. In the mood for crispy fish and chips or a juicy burger? Head to the Alley Cantina (121 Teresina Lane, behind the north side of the Plaza), located in what is reputed to be the oldest building in Taos. Or have a sandwich and a bowl of green chile at Bent St. Café & Deli, which is at the north end of the John Dunn Shops, less than a block north of Taos Plaza.

After lunch, browse the John Dunn Shops (Moby Dickens Bookshop at 124A Bent Street, right across from the Café & Deli, is a must-visit stop for booklovers) and stroll up and down Bent Street, which offers an eclectic assortment of—you guessed it—galleries and shops. Despite a bend in the road, Bent Street is actually named for one-time New Mexico governor Charles Bent; his former home, at 117 Bent Street, is now a museum. More historic trivia: Bent was the brother-in-law of frontiersman Kit Carson, whose own former home, at 228 Kit Carson Road, is also a museum.

Bent Street in Toas

While both the Governor Bent and Kit Carson museums give visitors a glimpse into the past, we recommend that you save them for next time and instead visit Taos Pueblo, a UNESCO World Heritage Site and a National Historic Landmark. Typically, the Pueblo is open from 8 a.m. to 4 p.m. Monday through Saturday and from 8:30 p.m. to 4 p.m. on Sunday, although from late winter to early spring it is closed for about 10 weeks, and occasional tribal ceremonies may necessitate an unscheduled closing.

The adobe structures in the Pueblo village were constructed between 1000 and 1450 C.E. and are the oldest continuously inhabited buildings in the U.S. These buildings comprise not only homes, but also shops exhibiting traditional and contemporary arts and crafts of Pueblo residents. In addition to art and jewelry, you may purchase oven bread, baked in the traditional beehive ovens called hornos, or another Taos Pueblo specialty, prune pies, from one of the village vendors.

The San Geronimo Church, near the visitor’s entrance, was completed in 1850. Near it are the ruins of the original San Geronimo Church, which was built in 1619 and destroyed in the Pueblo Revolt of 1680, when eight of New Mexico’s 19 pueblos rebelled against Spanish colonization. The revolt was temporarily successful, but in 1692, Spain repossessed the land.

Taos Pueblo welcomes visitors, and with some exceptions, photographs are allowed, although you must pay a fee for each camera you bring into the village, no photography is allowed in the church, and you must ask permission to take pictures of tribal members. Note, too, that the river that divides the north and south “houses” of the village is the source of residents’ drinking water, as the village has no running water or electricity. Do not that Taos Pueblo will be closed for Traditional activities starting February 7, 2011 through approximately March 28, 2011; please contact the Tourism Office at the Pueblo if you have any questions.

A short drive north of Taos Pueblo is the Millicent Rogers Museum (1504 Millicent Rogers Road), which has a priceless collection of assembled by Millicent Rogers, heiress to the Standard Oil fortune. With a legendary sense of style and a sharp mind, she amassed Native American jewelry, pottery, and religious iconography; Spanish Colonial folk art; and textiles from both Native American and Spanish Colonial traditions, all on display along with original jewelry designs by Rogers herself. Among Rogers’ many notable achievements was her commitment to the classification of Native American art as “historic,” which conveyed both status and protection. The museum is open seven days a week from 10 a.m. to 5 p.m., although it is closed on Mondays from November through the end of March.

As you pass through Taos’s historic district on the way back to Santa Fe, you may want to stop for drinks and pub fare at the Adobe Bar. Located in the Taos Inn (125 Paseo del Pueblo Norte), the Adobe Bar is known as the living room of Taos and is popular among both locals and visitors. The margaritas are cold, and the nachos are hot and plentiful. The Taos Inn has a fine dining restaurant, too, Doc Martin’s, which, in the late 1800s, was home to Dr. Thomas Paul (Doc) Martin, who discovered the headless body of ruthless land grabber Arthur Manby—but that story will have to wait for your next visit to Taos! See you then!

Thank you, Susan! We’ll look for you when we head up north!

Susan Mihalic, our Taos Expert

Santa Fe Open House at IAIA

Wednesday, November 10th, 2010 by Santa Fe Red

The Institute of American Indian Arts is located at 83 Avan Nu Po Road in Santa Fe, New Mexico

The Institute of American Indian Arts in Santa Fe

While many cities can boast an art school or two, Santa Fe has unusual bragging rights by virtue of having an institute for indigenous artists! Students at the Institute of American Indian Arts (commonly known as IAIA) have  the opportunity to partake in an eclectic learning experience in a distinctive Native-centered environment. Faculty and staff, comprised of both native and non-native individuals, provide nurturing support, professional training and positive role models for native students embarking on new endeavors. By opening its doors to the community recently for an afternoon open house, IAIA gave locals and visitors the time to see how this dedicated educational institution fulfills its mission, as stated  here: “To empower creativity and leadership in Native arts and cultures through higher education, lifelong learning and outreach.”

The Institute of American Indian Arts was funded by the Bureau of Indian Affairs and first opened in October of 1962 on the campus of the Indian School in Santa Fe, New Mexico. Under its first Superintendent, Dr. George A. Boyce, the Institute embodied a bold approach to arts education and has evolved through the decades into a leadership role in the contemporary Native American art world. The Institute was later housed on the College of Santa Fe campus before settling it on its expansive new campus about ten years ago. A total of 80 tribes from 25 states are represented in the student body of this multi-tribal learning center, which provides a bridge between a past rich with tradition and the dynamic American Indian culture of the new millennium.

Sculptural Landscaping

IAIA offers four-year degrees in Studio Arts, Visual Communication, Creative Writing and Museum Studies, and it is uniquely qualified to offer students a foundation from which to build new forms of artistic expression and accomplishment, while guiding them into maturity as proud representatives of their culture and participating citizens of the world. The college promotes Native leadership and offers an ecologically-sound atmosphere that allows students to explore their culture and artistic heritage in a supportive and understanding environment. A place where the spirit and vision of American Indian and Alaska Native people is the number one priority, IAIA honors the traditions of the past, continually being rediscovered and reaffirmed, while giving students the freedom to celebrate their artistic identity in new ways, helped by its affiliation with the Museum of Contemporary Native Arts.

Paying Attention to the Southwest

The curriculum at the Institute is geared towards a comprehensive integration of the arts into a college program of study that graduates Native students prepared to juggle the artist’s life with the more mundane aspects of everyday reality. The Creative Writing Dept. holds a prominent place at the College, and students come from reservations and pueblos, cities large and small, to study with nationally and internationally-known working writers. A Studio Arts Department, divided into five areas of focus (painting, photography, ceramics, jewelry/metals, and sculpture), delivers foundational art classes leading to the College’s AFA and BFA degrees. The newer arts are not neglected, since a comprehensive program is in place to teach digital media students the evolutionary principles of  new media, as they study the history and theory of graphic design, film and the ongoing evolution of story-telling.

In recognition of the role Native arts have played for thousands of years, IAIA is home to the only museum studies program designed from a Native American perspective. Experienced museum professionals lead the College’s hands-on, experiential program with courses addressing the cultural history of exhibition, curation, conservation, collections and museums themselves.

A Re-Imagined Image from the Past

The Indigenous Studies Program prepares students who desire the broad education that the liberal arts provide. Students are taught to master competencies in critical thinking, research and writing, with  courses in culturally-based anthropology, policy, traditional arts, art history and Native American studies. An Essential Studies Program provides a solid undergraduate education in English, math and science, as well as a grounding in the strategies necessary for success in college and life in the wide world beyond the reservation or pueblo. The Native Eyes indigenous studies program offers accredited online courses, and the Center for Lifelong Learning is onsite to coordinate tribal outreach services. To address to the specific health concerns of Native peoples, a Fitness and Wellness Dept. schedules classes to help students develop healthier lifestyles through education and experience.

The open house was held on a Friday afternoon, with the glorious autumn Santa Fe weather offering blue skies, warmth and sunshine even in November. Visitors could take a guided tour or wander at will around the beautiful and state-of-the-art campus located on the southwestern edge of Santa Fe. The feeling was genuinely welcoming, with students and faculty alike proud and eager to demonstrate the worth of the program.

Native Stickball

Native Stickball Equipment

The striking campus buildings were laced with attractive landscaping and sculptures, and on a large circular center lawn, a fierce game of Native stickball, a full contact sport that is the ancestor of lacrosse, was taking place. Student housing comes in the form of dorms and apartment-style homes for students who come with families. An outdoor cooking area promised a tasty potential for adventurous picnicking, although I didn’t notice an horno.

Mark Herndon in the Jewelry Studio

Painting Demonstration by Charlene Teters

Tours of the classrooms offered ongoing demonstrations by faculty, and visitors were free to roam through the halls, which were liberally hung with student works. Equipment in studio art classrooms was up-to-date, and non-arts rooms were outfitted with computers galore. The museum conservation program showed  some serious chops, as Museum Studies Professor Jessie Ryker-Crawford demonstrated art polarizing microscope technology, letting visitors expand their understanding of the conservation concerns involved in maintaining two- and three-dimensional works of art.

Jessie-Ryker Crawford, Museum Studies Chair, in the Conservation Lab

An old-fashioned auditorium hosted a continuous screening of Native films, and the new digital dome, opened in October of this year, was designed to revolutionize the college’s fastest-growing degree program, new media arts. The 24-foot diameter, 12-foot high dome is the only one in the world to rotate from 0° to 90° views at 0°, 30°, 45° and 90°. With an 8,000-pound steel exoskeleton and an immersive environment featuring a surround sound system with six film projectors, it will be used to explore science, Native storytelling and art.

Untitled Painting by Collestopher Chatto, Dine Student

A student-run gallery offered an exhibition of student works for sale at very reasonable prices, but it a definite improvement would be realized by painting the gallery walls white to let the artwork shine! A gentle and friendly librarian encouraged visitors to browse the stacks in the expansive, peaceful and thoughtfully LEED-built library, with intelligent-sensor lighting, recycled carpeting and a treasure trove of books, all enhanced with a terrific Geronimo sculpture by Bob Haozous. And our transit back to the car led us by nose to the student cafeteria where locals can come and feast for breakfast, lunch or dinner.

The IAIA Library with Geronimo Keeping Watch

Yet another distinctive feature of our City Different, the Institute of American Indian Arts lends authenticity and merit to the artistic reputation of Santa Fe, helping Native youth lead the way into this new millenium. We are genuinely grateful to have IAIA in our midst!

Native America Builds for the 21st Century

See Santa Fe like a Local

Friday, April 23rd, 2010 by Santa Fe Red
Sudden Spring Snow in the Sangres

Sudden Spring Snow in the Sangres

If you’ve been traveling through the blogosphere with us over the last month, you’ll note that the quest for free entertainment has been an ongoing process. Travels in the east stimulated a search for some things a traveler can do for free right here in Santa Fe. As with all destinations, ideas for free fun differ, but these are a few suggestions for times when you want to save your cash for the best Santa Fe restaurant experiences, which can easily consume some hard-earned travelers’ checks. That being said, we’ll forgo a corny Top Ten list and just offer ten ideas, in no particular order of preference, for entertainments that won’t break the travel budget and are accessible most times of the year, even in the event of a unexpected springtime snowstorm! (more…)

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