Page Top

The Authentic Guide to Santa Fe

Archive for the ‘Santa Fe’s Museums’ Category

Santa Fe Art This Summer

Tuesday, June 28th, 2011 by Santa Fe Red

Santa Fe richly deserves its artistic reputation, and summer is a season that brings many opportunities to learn why. Free Friday evenings at the museums, First Friday Artwalks at the Railyard and Last Friday Artwalks in the West Palace and GALA Arts District, right off the historic Santa Fe Plaza, may be at the end of the week, but they are just the beginning of an arts experience!

The Santa Fe Plaza: Green Heart of our Town

ART Santa Fe

Now in its eleventh year, ART Santa Fe brings contemporary artists from around the nation and the world to the attractive and welcoming Santa Fe Community Convention Center. At 72,000 square feet, with state-of-the-art amenities, what a change this venue has brought to this particular art scene! Taking place from July 7-10, the broad schedule of events includes a gala opening night Vernissage, as well as the informative and entertaining Art Santa Fe Presents lecture series that features noted art-world critics and cognoscenti.

Art Santa Fe Returns to the City Different

International Folk Art Market

Santa Fe is already renowned for the fantastic collection at the Museum of International Folk Art, and the weekend of July 9-10 brings the International Folk Art Market to the Milner Plaza on Museum Hill. The goals of economic stability and cultural sustainability for global folk arts combine to create a positive inter-cultural exchange that unites artisans and aficianados from around the world. During this festive two-day event, more than 120 select folk artists from more than 45 countries will travel to Santa Fe, where fortunate fans can peruse and purchase unique folk art direct from these diverse artisans.

Santa Fe International Folk Art Market from David Moore on Vimeo.

Spanish Market

No summer in La Ciudad Real de Santa Fe de San Francisco de Asis (Santa Fe’s official moniker) would be complete without this annual celebration of traditional and contemporary Spanish arts. Celebrating its 60th anniversary, the Spanish Market has grown to include far more than the beautiful retablos and straw applique of yester-year; today, collectors can encounter La Guadalupana rendered in computer circuitry or find a pair of far-out bottle-cap earrings. Held on July 30-31, this event is a consistent contributor to the lively Plaza scene.

Santa Fe's Spanish Heritage

SOFA West

Many art-lovers are already aware of the annual SOFA (Scultpure Objects & Functional Art) shows that take place in New York and Chicago, and three years ago, SOFA arrived in Santa Fe seeking western exposure. Taking place from August 4-7, SOFA West brings international, gallery-curated exhibitions of work that present the very best in contemporary fine art and design. This year, the Intuit Show of Folk and Outsider Art will come along for the ride with SOFA West, adding the leading dealers of outsider and non-traditional folk art to this exciting artistic mix.

Indian Market

If you haven’t already made your reservations, attendance at the 89th annual Santa Fe Indian Market will require some timely effort on your part and could even necessitate a stay in Albuquerque, as Santa Fe hotels frequently sell out! There is nothing quite like seeing the diverse Native faces from around the nation, all gathered in one place to celebrate their arts and culture. Silver jewelry flashes, beads jingle, and lots and lots of wampum changes hands in a very short period of time. This year’s market takes place on the weekend of August 20-21, and if you already have all your travel plans in place, include making advance dinner reservations as part of your planning – we can help!

The Many Faces of Indian Market: Photo SWAIA

The Houser Compound

If you have a car, we encourage a visit to the Houser Compound, the home of the noted Apache artist, Allan Houser. Located about 20 minutes south of downtown Santa Fe, this pristine plot showcases a treasure trove of works by the late sculptor in a gorgeous landscape setting. And it can even be reserved for private events, such as weddings and birthdays!

We Sing the Praises of the Houser Compound

Shidoni

For sculpture closer to town, just seven miles north in Tesuque, you’ll find the Shidoni Sculpture Garden, which holds work by many local and national artists, all arrayed in a petite river valley just minutes from the Plaza. The Shidoni Foundry also invites visitors to observe bronze pourings, typically on Saturdays, although the schedule is not always firmed up until the Friday before.

We invite you to enjoy an artistically engaging stay in the City Different!

Santa Fe History, Living and Thriving

Wednesday, June 8th, 2011 by Santa Fe Red

El Rancho de las Golondrinas, 334 Los Pinos Rd, Santa Fe 505-471-2261

http://golondrinas.org/Museum_Info/Driving_Directions/index.html

El Rancho de las Golondrinas

Just south of the city of Santa Fe, visitors can find a beautiful and unique place that seems almost unchanged by the winds of time. At the same location for over 300 years, El Rancho de las Golondrinas, the “Ranch of the Swallows,” is one of the most historic ranch properties in the entire southwest. An official rest stop on historic El Camino Real, which led from Mexico City through the desert of Chihuahua to the provincial capital of Old Santa Fe, Golondrinas welcomed and comforted many a weary traveler taken with the charms and challenges of the New World. In 1710, the massive ranch was subsequently acquired by Miguel Vega y Coca, and as his daughters intermarried with La Familia Baca, the property was passed down through the years to their descendants.

In its present-day incarnation, El Rancho de las Golondrinas came into being as a vision of the Curtin-Paloheimo family, who acquired the property in the early 1930s. Their dream of bringing the history of New Mexico alive to the descendants of the people who created it led to the renovation of existing historic buildings,  the construction of historically accurate structures  on old foundations, and the transfer of related buildings from other New Mexican sites. On encountering Golondrinas today, visitors will find an 18th century placita house complete with defensive tower, a 19th century home with all of its outbuildings, a morada, a molasses mill, a threshing ground, several primitive water mills, a blacksmith shop, a wheelwright shop, and a winery and vineyard, all combined to create an intriguing and authentic depiction of the many elements essential to a frontier life in early New Mexico.

Penitente Morada at las Golondrinas

At its heart, the mission of Golondrinas is to create a respectful understanding of the language, culture, traditional arts and proud history of Spanish Colonial, Mexican and Territorial New Mexico. In short, la herencia, heritage! Particular emphasis is placed on its use as an educational facility, and teachers and students are welcomed throughout the year for tours, workshops, seminars and unique learning experiences. The many events held at the ranch provide visitors with an unrivaled sense of Santa Fe’s past, along with satisfying the western dreams we all seem to have at one time or another.

The Acequia - NM's Lifeblood

New Mexico Farming, the Acequia Way

This week, the Authentic Guide is delighted to feature an interview with one of Santa Fe’s truly knowledgeable and dedicated museum professionals, John Berkenfield, Executive Director of El Rancho de Las Golondrinas.

John A. Berkenfield, Executive Director of El Rancho de las Golondrinas

How did you find your way to Las Golondrinas, and what keeps you there?

I came here for the first time in 1984. I had spent my whole life vacationing in exotic places, since I worked in the international offices of IBM and was able to combine business trips with pleasure. Based in Paris, I was responsible for the public face of IBM abroad, with responsibility for how the company appeared in 167 different countries. I knew the U.S. on the coasts, but didn’t know anything about the SW. We took a trip to visit my nephew, who was a park ranger at the Grand Canyon, and we hiked down to the bottom of the canyon and camped. He said if you like this, you have to go to Santa Fe, so we came out and just fell in love with it. We came in April 1984, after leaving the cold of the east and we walked onto the Plaza where there were kids on skateboards in light jackets and mountains that still had snow. I said to myself, am I hooked, and from that point on I just plotted how I could get out here permanently. At the time, my last child was finishing college, and IBM offered me a retirement package that I could not refuse. I knew that as of June 1989, we would be free to pursue our Santa Fe dream. But I am a person who has to work! I have to have some purpose, and I love it when people depend on me. Since Mrs. Paloheimo had Colorado roots, the ad that Las Golondrinas placed for a Director of Development appeared in the Aspen Bugle, as well as the Wall Street Journal, the New York Times and the L.A. Times. A friend living in Aspen saw the ad and sent it to me. I’m a lifelong art collector with an advertising and promotional background, and this sounded perfect to me, so I applied and got a call back from Rex Arrowsmith, a noted Indian art dealer who was on the search committee. I came out for an interview, and I wasn’t on the property more than 100 yards before I was hooked. It was February, and yet I came home with a sunburn! Probably 120 people had applied for the job, but I was fortunate in that I didn’t need benefits (which Las Golondrinas could not provide at the time but has rectified now) or the higher salary that the other 119 other people apparently required.

Our Lovely Santa Fe Plaza Turns Visitors into Residents!

I had 10 years to get to know Mrs. Paloheimo, and her views still have enormous weight on how we do things at Las Golondrinas. She always said, “Never make it so expensive that poor people can’t afford to come.” and that still motivates us. We have tried to think on a par with the local museum system, but, with Mrs. Paloheimo’s words of advice in mind, we offer free admission to kids under 13, which makes it easier for whole families to visit.

Las Golondrinas is perfect for me, because I love places where I don’t really understand what is going on, places where the face is not the same as the interior. There are still depths and complexity that I find fabulously interesting.

IBM was like a giant ship. If you equated my job there to that of a helmsman, when the captain said “turn left,” I would take the wheel and after several years, the ship would finally be headed off to the left. I could plant lots of seeds, but they didn’t grow for 3 years or so. At Las Golondrinas, the boat turns immediately to the left at the helm’s action, and the results are immediately known. When an ad runs, we see attendance jump the very next weekend. Lowering entrance fees gives an instant response.  It’s a changing palette every day, and I love that. I’m never bored, and I get to meet an awful lot of nice people.

We’re an event-oriented institution, and I like those extravaganzas. When I first arrived, we had only 3 events per year, now we have 11 annually. We were only open 16 days/year when I came, now we have 7 months to show our stuff, thanks to our tenured staff and dedicated volunteers. The combination of short-term gratification and program-driven events, the ability to make change and see that change quickly have a profound impact on the health and vibrancy of the organization – I like that.

What are some of your favorite annual events at Las Golondrinas?

Asking that is like asking me to choose my favorite child! The latest event generally tends to be my favorite. I enjoy the traditional events, helping to make the event meet the demands of the mission statement, which is basically “Don’t turn Las Golondrinas into a Disneyland.” Even the wine festival has to fit. The wine event is memorable, because grape-growing was one of the earliest agricultural crops brought to New Mexico by the Europeans. Harvest fest I love because we make our own wine, and that time of year is richly steeped in traditions. I love the Renaissance Faire because I love to see the happy children.  But if I had to choose one, I really do love Viva Mexico, because I like Mexico and the brightness and the color and the vibrancy of their arts and culture, and it shows so well up here.

Renaissance Faire Fun

Toasting Golondrinas!

Que Viva Mexico!

What events would you develop at Las Golondrinas if you had unlimited funds?

If  money was not limited, I would not put it into more programs, because I don’t feel we are limited in events, we are limited only by our imagination. What I would like to see which we don’t have now is a “Casa de los Ricos.” We are very good at interpreting how poor people lived in the 1700’s and 1800s, but I’d love to have a way to show how wealthy people lived in the 1800s.  Of course, at today’s prices, it would be very easy to spend half a mil to build the kind of impressive house that would demonstrate how the wealthier people lived.

Home on the Range: Not Exactly the High Life!

In terms of infrastructure, I’d also like to have a better stage for performances! I would also love to pull all the animals into a pasture that is more accessible to our visitors. Of course, we would need to add trees for shade for the animals and the visitors!

Is there a particular talent on exhibit at Golondrinas that you wish you possessed? Blacksmith, weaver, farmer? Or do you have a secret talent of which we are unaware? (We already know that you are the consummate Renaissance man!)

I don’t have any talent whatsoever! My talent is capitalzing on the work of others. I worked for a Swiss guy who told me “You have a unique ability to make things happen.” (Mr. B, you should know that your talent certainly serves El Rancho de las Golondrinas very well!) I so admire the skill of people who make things out of wood, the bulto makers, the furniture-makers, and if I could wave the wand, I’d like to have wood-working skills.

Wood-working Skills Were Required!

What books would you recommend to those who wish to learn more about New Mexico history?

Any of the books written by Marc Simmons! If your context is about learning NM history, I consider Marc to be the state’s historian laureate. When I was hired, he sent me a box of his books (signed copies!), which I treausure. Of late, a single book I would recommend is Hampton Sides’ Blood and Thunder, which paints the territorial era of the Southwest with a wide brush – it’s very readable, almost like fiction. Lots of the fiction writers also make our history come vividly alive, Willa Cather, Rudolfo Anaya, and Tony Hillerman. I enjoyed Pam Christie’s Dead Lizards Dance, about the Anza era.  I enthusiastically recommend Nasario Garcia’s books about the folkways of NM, superstitions and brujas, all portrayed in such an engaging way – he’s a wonderful writer, short and to the point, just captivating.

If you could go back in time, what era of New Mexico history would you choose to experience?

That is easy for me, it would be the time of the explorers. I would have loved to come up with Coronado in 1540 or with Onate in 1598, to have had the adventure of coming up and seeing this place for the first time. I also wouldn’t mind being here in the early settlement era, the Anza-Peralta era.

Not All Survive the Adventure

Is there a historical New Mexico figure whom you wish you had met?

I’m drawn to the artists, not the villains, though it would have been fun to have a whiskey with a New Mexico villain! Meeting Maria Martinez would have been wonderful, and I did meet Allan Houser, and some of the Native potters at the ends of their lives. The painters from the 1920’s and 1930’s were colorful characters, goofy and extremely talented. But the Native American leaders most fascinate me, even those identified with other states.  Geronimo was a figure whom I enormously admire, the Plains chieftains like Sitting Bull and Crazy Horse, I would have loved to known Manuelito.  I can’t imagine how horrendous their lives were following the arrival of the white man, when their existence was shattered in the blink of an eye. As leaders, those men had challenges that were absolutely extraordinary, and I would have liked to be a fly on the wall in their pow-wows.

Do you have a spot on the Golondrinas property that you find especially inspiring?

When I first came to Las Golondrinas, I lived on the ranch, since we had bought a house that wasn’t quite finished. I was alone, since my wife had not moved out here yet. There are some houses outside the historic zone on a hill overlooking the ranch, and I lived up there in Torreon House. I used to walk after work at night, and I would walk down all alone to the mill pond area in back of the big mill and along the paths that go around in back, which now run up to the property that the Santa Fe Botanical Garden leases. That area has wonderful water, and the bird life is fabulous. It was really nice to go down around 7pm with a margarita and sit on a rock overlooking the mill pond watching the fish and the long-legged birds with their long bills. It’s still my favorite place.

The Water-Powered Mill

On the actual historic zone of the ranch, my favorite spot is the Sierra Village I think it’s the loveliest little spot on the ranch. Our historic zone is 200 acres, and we have 400 more contiguous acres, but people don’t get to go see that very often. The watery parts, the marsh and the ponds are among the loveliest parts of the ranch.

Sierra Village Gardening

The New Mexico state question: Red or green, and where?

Whichever is hottest, I’m for hot! I don’t have favorite restaurant, but I love to go to Maria’s. One of the advantages of a small town is that you know lots of people, so you may know the owner or the chef. I never used to think that Santa Fe was a culinary mecca, but now I think there are incredibly good places to eat, and depending on your mood, you can certainly find what you are looking for.

Ready to head south from your comfy Santa Fe hotel for a trip to Las Golondrinas? Easy to find, and so worth a visit! Thank you, Mr. Berkenfield, and we’ll see you this summer!

Santa Fe Museum Hop & Shop

Tuesday, January 25th, 2011 by Santa Fe Red

The Wheelwright Museum of the Almerican Indian, International Museum of Folk Art and Museum of Indian Arts and Culture are all located on Museum Hill, Camino Lejo in Santa Fe, NM

New Mexico Museum of Art, 107 West Palace Avenue, Santa Fe

New Mexico History Museum, 113 Lincoln Avenue, Santa Fe

Palace of the Governors is on the north side of the Santa Fe Plaza

Georgia O’Keeffe Museum, 217 Johnson Street in Santa Fe

BRRRR! That’s all we can say about wandering around outdoors right now. While not as challenged by winter as many destinations, Santa Fe can have frigid weather, much to some travelers’ surprise. On those winter days when the sun is not shining, cold weather does negatively impact the desire to wander in and out of Santa Fe’s many unusual shops and boutiques. So we suggest combining your visit to our wonderful museums with a visit to the equally wonderful museum shops!

Wheelwright Museum of the American Indian

Starting on Museum Hill, a favorite has to be the Case Trading Post at the Wheelwright Musemum of the American Indian. The museum itself is unusual in that it operates serarately from the New Mexico Museum group that includes the other major institutions in Santa Fe. Even more unusual is the fact that admission to the Wheelwright is by donation, so while the suggestion is thoughtfully observed, no actual fees are required. Currently on exhibit through April 17, 2011, is a fabulous show of Native American rugs woven by the Toadlena/Two Grey Hills master weavers. The show should not be missed, and a visit with these beautiful works of art can be followed by a walk down the stairs to the intimate Case Trading Post, where a desire to buy a rug can be easily satisfied.

The Case Trading Post

The Case Trading Post has been artistically designed to recreate the flavor of an early 20th century trading post on the Navajo Reservation, right down to the squeakiest floors in Santa Fe. The management of this little gem boasts some sharp eyes, much like the traders of yore, with a beautiful selection of old and new items that reflect the panoply of Native arts, past and present. Particular favorites for me begin at the “pawn” section in the back, where I regularly yearn for beautiful inlays and handsomely worn silver goodies. The pottery and weavings chosen by the Case’s skilled buyer offer a variety of styles and price points. I have bought some lovely little watercolors, very reasonably-priced,  by Hopi painter Peter Sumatzkuku that I never get tired of seeing on the wall. There are plenty of books for adult minds and for children, and enough small affordable collectibles that you can bring the kids in without feeling like your wallet will be seriously depleted when you leave. Serious depletion here is for the adults, but when it occurs, you can be sure you’ll go home with something you love and treasure.

The Museum of International Folk Art is much praised and justly so, and its gift shop gets kudos too. After spending a few hours or a full day in MOIFA’s collection, the yen to take home a little piece of folk art can easily be assuaged in the shop located right by the entrance. Visitors have until January 31 of this year to see the exhibit, “A Century of Masters: The NEA National Heritage Fellows of New Mexico,” comprised of examples of the works of all the Fellows from New Mexico in its collections, from weavings, to pottery, tinwork, straw appliqué, retablos, and woodcarving. National Heritage Fellows must demonstrate artistic excellence and commitment to their art forms through process, technique, and subsequent transmission of the knowledge to strengthen and enrich their communities. This notion has been an ongoing tradition in New Mexico throughout the centuries, and this is an excellent opportunity to see the fruits of this heritage.

I Met 'Em at the MOIFA Gift Shop!

The plethora of objects in the MOIFA tend to stun the mind, but there is always something memorable that stays with one. Even for those who choose to travel to Santa Fe at times other than the International Folk Art Market, desires inevitably arise: Need a calavera for Day of the Dead? Earrings made of bottle caps? Colcha embroidery? Name your fixation, and the friendly staff at the shop will help you find a souvenir or gift that accurately represents the finest in folk art traditions.  And of course, if a visit makes it imperative to return in July for the Market, make your reservations now, because it is always a sell-out!

A Slogan Worth Remembering

A Slogan Worth Remembering

While on Museum Hill, lovers of Native arts will want to stop in at the Museum of Indian Arts and Culture. History and art combine to educate and delight in the painstakingly acquired collection of this institution, and their website offers many resources, such as a Pueblo dance calendar to help you decide when to visit if this is part of your desired itinerary. Currently on display, but soon to leave in February, is an exhibition of Huichol art with the fine yarn paintings for which this indigenous culture is known.  The concept of balance is central to Huichol art and culture, and who doesn’t need that in their life about now?

Inexpensive souvenirs are sometimes necessary for our wallets, but for those who want the real deal, museum shops are the go-to experience. Making a purchase at the Indian Arts and Culture Museum shop guarantees that you’ll be going home with authenticated goods, a certainty not always ensured by shopping at the many tiendas in Santa Fe. Shining silver bracelets, fine pottery and kachinas, tomes on Native art, you’ll find them there. The staff is knowledgeable about the art and the artists, and they’ll take the time to help you receive a better understanding of designs and the culture.

Huichol Yarn Paintings at the Museum of Indian Arts and Culture

If your Santa Fe visit is limited to downtown, you can find plenty to admire in our New Mexico Museum of Fine Art located on the northwest corner of the Plaza. A new exhibit entitled “Cloudscapes” just opened on January 14, comprising a selection of pictures from the museum’s permanent collection of works that by necessity spend much of their life  in storage due to light sensitivity issues. Many of the pieces are from the mid-twenthieth century, along with more recent acquisitions, and works on display are by masters of the medium, including familiar names like Alfred Stieglitz, Laura Gilpin and Edward Weston, with more recent images by Paul Caponigro and William Clift. Following your trip through photographic history, make a stop at this museum store. Though petite in size, it will yield good postcards, always an inexpensive memento, as well as catalogues of past exhibits and a wide assortment of art books. And the art jewelry is always a delight!

The Distinctive New Mexico Museum of Art

Of course, a walk to the Plaza should include a trip to the New Mexico History Museum, where one can garner a comprehensive understanding of how the Southwest grew and changed through the centuries. Running through early April is an interesting exhibit entitled “Wild at Heart,” curated by New Mexico art historian David L. Witt of the Academy for the Love of Learning, home of the Seton Legacy Project in Santa Fe. The exhibit is a fascinating study of Ernest Thompson Seton, conservationist, author, artist, lecturer and co-founder of the Boy Scouts and includes a series of lecture programs that expand one’s understanding of Seton’s legacy and how it lives on in Santa Fe. And lo and behold, there’s more than one gift shop! Beautiful hand-crafted decor items and artistic creations by New Mexicans from all over the state will be found in the shop on the Lincoln Avenue side near the new museum, and a treasure trove of New Mexico books, archival photos and prints from the Museum of New Mexico Press will be found at the Washington Avenue location around the caorner from the Palace of the Governors.

Prints, Photos and Books Galore!

You truly can’t finish a downtown tour without a visit to the Georgia O’Keeffe Museum! Probably the most well-known name associated with the arts in our state, O’Keeffe is well-represented in this small but gorgeous museum, notable not only for the collection but also for the wonderful educational opportunities it offers to the community. The current exhibit, “O’Keefiana; Art and Art Materials” is itself an education experience, with artworks supplemented by the materials the artist used and the objects that inspired her. The exhibit runs through early May, and it is a pleasure to see the detailed notes O’Keefe made for herself regarding colors she used and the art materials she created to use, along with the art works that resulted from both.

The O'Keeffe Museum Gift Shop

The O’Keeffe gift shop is definitely postcard heaven, with the only hard part being to actually let go of the cards and mail them out! Who doesn’t want to keep these on a wall somewhere? And if you want it bigger, get a poster and frame it to have your own O’Keeffe! If you missed the movie version of O’Keeffe’s life, staring Joan Allen and Jeremy Irons, you can get on to enjoy by your own fireplace on a winter evening. The jewelry and clothing items are thoughtful extensions of O’Keeffe’s subject matter, and the books are definitely keepers, destined to be thumbed through repeatedly. The online store is well organized, too, so if you left without it, go online and get it!

Try making your museum hop into the museum shop, and you’ll not only go home with something uniquely Santa Fe, you’ll also know your spent your souvenir dollars to help keep the arts alive in the Land of Enchantment!

Santa Fe: What is There to Do In Early December?

Tuesday, November 30th, 2010 by Santa Fe Red

The short answer would be LOTS! With the onset of the holiday season, Santa Fe, like so many other wonderful destinations, comes alive! The wind is crisp, the scent of pinon is on the air, and holiday lights are lit. While the most obvious choice is to be here for the Christmas holiday, especially since the Inn is such an ideal location for touring the Canyon Road and Plaza farolitos, there are definitely many local events in which to participate before the full-bore holiday week.

The month opens with the annual Rumi Concert, a Storydancer project encompassing music, poetry, dance and song presented by local and national talents. Although the esteemed Robert Bly is no longer a visitor, the poetry slot will be filled by Coleman Barks, poet and translator of the 13th century mystical poet, Rumi. Grammy-award winning cellist, David Darling, and Glen Velez, world percussionist, bring harmony and rhythm, and Zuleikha, of the Storydancer Project, contributes both dance and humor. This is always an evening collaboration that lingers in the mind!

Friday, December 3rd, offers first Friday gallery openings throughout the city. This will be an excellent night on which you can combine both galleries and museum-going, since the New Mexico Museum of Art is offering “Vintage Music and Homemade Cookies,” from 5:00 to 8:00PM, with holiday music spun on vintage LPs by the museum’s own DJ Prairie Dog and cookies baked by museum staff! And since it’s the first Friday of the month, that means the O’Keeffe Museum is free too!

Holiday season also means children’s theatre, and the Eldorado Children’s Theatre and Teen Players always put on an entertaining show. This year, the troupe presents the Rodgers and Hammerstein classic , The King and I.  Performances takes place at the James A. Little Theatre on Friday, December 3 and Friday, December 10 at 7:00 PM, and at 2:00PM on Saturday, December 4, Sunday December 5, Saturday, December 11, and Sunday, December 12. Tickets can be reserved on line at www.eldoradochildrenstheatre.org, or by calling 466-4656. Great theatre always has to start somewhere, and talent can be found everywhere!

Adult theatre can be found in From Broadway with Love at the Lensic at 7:30PM on Saturday, December 4th.  Kaye Ballard, Liliane Montevecchi, and Donna McKechnie will reunite to star in a one-night-only gala performance to benefit Animal Protection of New Mexico, a non-profit organization that has been challenging historic and widespread animal cruelty in New Mexico for more than 30 years.

Worldy theatre aficionados will thrill to know that there will be an HD simulcast of Shakespeare’s Hamlet, as part of the second season of National Theatre Live (NT LIVE), a successful new initiative to broadcast live performances from the National’s stages to cinemas worldwide. The broadcast takes place at the Lensic Center on Friday, December 17 at 7:00PM.

Of course, there will be music and song aplenty! The Santa Fe Men’s Camerata and Zia Singers Holiday Concert takes place at the wonderful Scottish Rite Temple, a landmark in itself, on Saturday, December 4 at 8:00PM and Sunday, December 5 at 4:00PM. The Camerata and the Zia, both directed by Kenneth Knight will join forces for a concert of holiday music, including works from Mendelssohn and Grieg. The combined chorus, about 55 voices strong, will also perform “The Christmas Story According to St. Luke,” a medley of seven well-known Christmas carols arranged by Roger Wagner. The Santa Fe Concert Association brings The King’s Singers for a performance on Wednesday, December 8 at 7:30PM in the St. Francis Cathedral, the perfect spot for holiday chorale.

Not to be outdone by the men, the Santa Fe Women’s Ensemble celebrates the holiday withtheir 30th consecutive Christmas Offering Concert. The Ensemble will sing seasonal music and a world premiere by internationally known composer Stephen Paulus, who will be present for the opening concert on Saturday, December 11th. There are several opportunities to attend with concerts on Saturday, December 11; Sunday, December 12; Friday, December 17;and Satueday, December 18, all in Loretto Chapel at 7:30PM.

Music made by the youthful talents of Santa Fe will be on parade at the Mozart y Mariachi Concert, taking place at the St. Francis Auditorium on Friday, December 10 at 6:30PM. This will be some fine mariachi music, performed with spirit and passion, regardless of the performers’ ages and early bedtimes! Classically-inclined youth musicians get their chance to shine on stage on Sunday, December 12 with a performance by the Youth  Philharmonia and Youth Symphony Orchestra in concert at 1:00PM also in the St. Francis auditorium.

Could the holidays be complete without the Nutcracker? Aspen Santa Fe Ballet does the honors with four performances of Tchaikovsky’s holiday treat, two on Saturday, December 11 at 2:00PM and 7:30 PM and two on Sunday, at 1:00PM and 5:00PM. This dance company gets better every year, and Santa Fe is very grateful to have them in our midst to sprinkle snowflakes and sugarplums!

The visual arts will not be neglected as fabulous holiday gifts handcrafted by more than 100 traditional and acclaimed Hispanic artists can be found at the Winter Spanish Market taking place Saturday and Sunday, December 4 and 5 from 10:00AM to 5:00PM at the Santa Fe Community Convention Center. And Museum Hill gets into the act on Sunday, December 5th from 10:00AM to 5:00PM with a Winter Festival to celebrate the season, with fun for all ages! There will be  hands-on art making in the Atrium, a performance by the Sangre de Christo Chorale, Creative Writings and Readings from the Santa Fe Community College Creative Writing Program, and a Doña Adelina puppet performance by Los Titiriteros. Now that’s a roster! The 4th Annual Holiday Market at Institute of American Indian Arts takes place on Sunday, December 12 from 9:00AM TO 3:00PM at the Institute, with fun and fantastic creations by IAIA faculty, staff, students, alumni, student clubs and other Native American artists. The school itself is a marvel, surrounded by the glorious New Mexico landscape, where it offers a refuge for young Native artists to discover their roots and culture.

Talk about art is always on tap in Santa Fe, and the Santa Fe Art Institute brings art critic Lucy Lippard as the final lecturer in their program, Elemental: Earth Air Fire Water – Art and Environment. Lippard is the author of over 20 books on contemporary art and has written art criticism for Art in America and The Village Voice.  She has also curated over 50 exhibitions, participated in guerrilla theater, and edited a number of independent publications, including “La Puente de Galisteo” in her home community of Galisteo, New Mexico. The lecture takes place on Thursday, December 9 at 6:00Pm at the Santa Fe Art Institute.

If you won’t be here for Christmas, you can still capture the unique flavor of New Mexico with Las Posadas, an annual re-enactment of the Nativity search for shelter. You can join this tradition on the beautiful Santa Fe Plaza at 5:30PM on Saturday, December 11, as this annual candle-lit procession wends it way around the Plaza, concluding in the courtyard of the  Palace of the Governors’ courtyard with carols, cookies and refreshments.

All this and holiday shopping of the unique brand found in our special destination; the flavor of Christmas and the flavor of Santa Fe combine to make pre-holiday travel a joy, regardless of the weather!

Please feel free to contact our friendly staff to find out more about events that interest you or to make reservations for any Santa Fe December happenings!

Georgia O’Keeffe: How Did She Do It?

Wednesday, October 6th, 2010 by Santa Fe Red

O’Keeffiana: Art and Art Materials September 24, 2010 – May 08, 2011

Georgia O’Keeffe Museum: 217 Johnson Street Santa Fe, NM (505)946-1000

One of the most intriguing things about any artist’s oeuvre is the question of how it was accomplished.  By the time work is hung in the hallowed halls of a museum, the creation of the work is subsumed in pure enjoyment of the artifact. From now until May 2011, however,the Georgia O’Keeffe Museum gives viewers the opportunity to encounter the materials and process that led to the end product, as well as see the final fruition of the artist’s idea.

On the River 1965: Georgia O'Keeffe

As an artist myself, when someone asks me “How long did it take you to make that?” I always answer, “All of my life!” The new exhibit at the O’Keeffe, entitled O’Keeffiana: Art and Art Materials provides ample evidence for this same truism. Throughout the museum, one can see the repetition of lines and forms that obviously held O’Keeffe’s intensely pointed interest throughout her very long time on the planet. From bones to buildings, tents to trees, her fascination for and love of nature and natural forms is on display throughout the galleries. With sketches mounted next to finished paintings, one can see just how specific and well considered her compositions and intentions were. She appears to have spent long hours studying from many angles the objects that intrigued her and then reducing them to a deceptively simple and beautifully refined abstraction. Once her conception of the essential form developed, she remained constant to this distillation of form, coming back repeatedly to the things she apparently loved the best. Returning over and over to an idea, she had the clarity of purpose and the will to perfect it to what she considered its visual ideal. And although each finished work is unique, the thread of her devotion to certain shapes and colors is demonstrated throughout this satisfying and thoughtfully curated exhibit.

Horse's Skull: Photo by Malcolm Varon 2001

Horse's Skull White Rose 1931: Georgia O'Keeffe

In addition to a whole raft of works I have not seen in the museum before (where DOES this embarrassment of riches originate?), the exhibit also includes some of the actual objects that O’Keeffe loved, the stones and bones, many in arrangements as she left them. To see them is to have a tiny window into a walk she may have taken on the Pedernal, or a dry riverbed on which she trod; to see them is to see the natural glory of northern New Mexico that brought and then kept Georgia O’Keeffe in the horizontal river valley of Abiquiu rather the the vertical heights of New York, where most “famous” artists ply their trade.

The art materials are also a revelation, with hand-tailored brushes and chunky hand-made pastels, along with a whole box of white flake oil paint that she bought when she knew it would be phased out because of the lead content. Her patient attention to developing just the colors and mood she wanted is evidenced in personal paint swatches with their exact compositions of elements detailed carefully on the back, so that she could use her chosen hues again. This thoughtful display of art materials provides a glimpse into the discipline and dedication that fostered such a long and satisfying career.

O'Keeffe's Painting Materials: Photo by Malcolm Varon 2001

A series of photographs, many by photographers whose names also resonate, show both the playful side of O’Keeffe as well as the perseverance of an artist who would paint while ensconced inside of a car if the weather interfered with a scene before she gathered what she needed from it. From youth to old age, this was an artist who knew what she wanted and went after it with tenacity and determination!

Georgia O'Keeffe after Return from New Mexico, 1929: Alfred Stieglitz

I benefitted from a docent tour of this exhibit and would recommend it, as it helped to flesh out the progression of this significant artist, her work and her career. Without a docent, I would never have known, for example, that at almost 90,  O’Keeffe painted her last large canvas while strapped into a chair mounted on a scaffold!  Docent orientations take place at 10:30 am on the days the museum is open, and a state-of-the-art audio tour is available. The museum is open Saturday through Thursday from 10am to 5pm and Friday from 10am to 8pm; admission is free from 5-8pm on the first Friday of each month. In keeping with the museum’s mission to expand appreciation of the arts, there is an ongoing series of public programs that provides artistic insights and educational opportunities throughout the year.

Just as Georgia O’Keeffe was a unique jewel among American artists, so is the O’Keeffe museum a real gem in the heart of Santa Fe, and we are so lucky and grateful to have it in our midst!

All images courtesy of the Georgia O’Keeffe Museum; all rights are reserved.

A Santa Fe Museum Day

Wednesday, April 28th, 2010 by Santa Fe Red

With Mother’s Day just around the corner, my grand-daughter and I were crafting some beads and charms for her to use in creating a hand-made gift for her mom. As we looked through my high-school-vintage jewelry box for ideas, we came across a pair of Huichol earrings that I bought on a visit to Mexico for her parents’ wedding back in the 1990′s. The seed beads were so tiny and the craftsmanship so precise that it’s downright embarrassing to recall that I paid only $3 for this delicate work! If you admire this sort of exquisite artistry, then it’s time to get over to the Museum of Indian Arts and Culture on Museum Hill to see the Huichol exhibit currently on display there.

Maidu Creation by Harry Fonseca

(more…)

Moving in Place Moves into Santa Fe

Thursday, March 18th, 2010 by Santa Fe Red

The Georgia O’Keeffe Museum once again honors a renowned painter in the third installation of its “Living Artists of Distinction” series with a large show of works by Susan Rothenberg. This continuing artistic exploration has as its goal the exposition of artists whose work shows an extension of modernist principles as exemplified by Georgia O’Keeffe and the members of her circle in the first decades of the 20th century. Although Rothenberg has been a New Mexico resident since 1990, this is the first full-scale exhibition of her work that has been mounted here in the City Different.

The Georgia O'Keeffe Museum in Santa Fe

The Georgia O'Keeffe Museum in Santa Fe

The choice of Ms. Rothenberg as a model of the artistic voyager is an apt one since she had to contend with the same glass ceiling that certainly existed for O’Keeffe. While that ceiling may  have more cracks today,  it is still intact in many ways, so a retrospective such as this one is a welcome demonstration of the Museum’s commitment to women artists. Although the careers of these two artists are separated by many decades, the work of each was a uniquely personal response to her era.  And in addition, both  of these artists reached a point relatively early in their careers when they abandoned the artworld magnet of New York for the pull of New Mexico.

Susan Rothenberg: Chix 2003

Chix 2003

Born in 1945 in Buffalo, NY, Susan Rothenberg is a Cornell graduate who began her rise to artistic prominence in 1975 in the SoHo galleries of New York. Known for large-scale paintings that primarily featured horse images, over the course of her career, her subject matter has expanded to include a variety of other animal forms, as well as figurative paintings, landscape works and a variety of  more abstracted forms.

Rothenberg’s first solo exhibition in New York was heralded for introducing imagery into minimalist abstraction, while bringing new sensitivity to figurative works. When she embarked on her artistic career, awareness of O’Keeffe and her work had undergone a resurgence as a result of a 1970 exhibition organized by the Whitney Museum of American Art, this at a time when O’Keeffe had already reached the age of 83; and in fact, the Whitney Museum’s interest in O’Keeffe has continued, as their recently closed show of her abstract works demonstrated (you can still see it at the Phillips Collection in Washington, DC). In addition, the feminist movement of the 1970′s adopted O’Keeffe as an avatar at a time when the artistic community was beginning to develop an awareness of the reasons for and the depth of exclusion that women were experiencing in the art world. A new clarity proved that whether O’Keeffe’s work was to one’s taste or not, she had earned a real and significant presence in an establishment that was traditionally a bastion of male hegemony. In view of these developments, one can view Rothenberg as a natural heiress to O’Keeffe’s legacy, although their work truly differs, something Ms. Rothenberg certainly believes.

O'Keeffe: Series I From the Plains 1919

O'Keeffe: Series I From the Plains 1919

Rothenber: Black Head 1980-81

Rothenber: Black Head 1980-81

Seeing the work of these two artists highlights the different artistic paths created by their individual inspiration. O’Keeffe’s work is generally more representational and eschews the broad gestural qualities of Rothenberg’s. Much of O’Keeffe’s work is small, intimate and highly focused, where Rothenberg’s is large, abstracted and active, if not downright agitating. The qualities of both artists’ output seem to be an accurate reflection of the times in which their work was created, O’Keeffe’s in a world that moved more slowly, Rothenberg’s in a time when pressures and stress make it hard to relax. O’Keeffe had no trouble taking  everyday objects and examining them in minute detail, where Rothenberg has said “sometimes it seems like there’s nothing to paint, so you make up a game.” O’Keeffe painted at a time when the medium of painting was still king, and Rothenberg began working at a time when painting was declared to be moribund.

ghost-rug-96x96

Ghost Rug 1994

Overall, I found Rothenberg’s work rather disturbing and challenging, although occasionally work that describes ” quiet unproductive days” or “the slowness of yellow” offers a place for one’s eyes to rest. Her painting Ghost Rug (1994), referring to the last days of her mother’s life, was particularly moving. A large white space described the place to which her mother was going, and the red spaces referred to the space where her mother actually was at the time. She speaks in her artist’s notes of her mother’s eyes roving everywhere, a melancholy description of someone perhaps taking a last look at all the things surrounding her. This work resonated, and generated feelings that lingered even after leaving the museum.

rothenberg_red2008_med2

Susan Rothenberg: Red 2008

Based on my own experience of this exhibit, I would suggest that one head directly into the Rothenberg show, by breezing past the O’Keeffes in the first part of the museum and saving them for viewing on the way out. The strength and power of Rothenberg’s work cannot be denied, but since that power cannot be described as comfortable by this viewer, one can relax on the way out with the more peaceful images that O’Keeffe presents. No matter how you view this show, however, do take time to see it, particularly since Rothenberg, like O’Keeffe, is a bona fide New Mexicana now. The O’Keeffe Museum continues to provide us with food for artistic thought while promoting the careers of women artists at a time when women throughout the working world are finally achieving the workplace respect and financial parity with men.

Photo of Georgia O’Keeffe Museum courtesy of Eric Swanson Photography

Brushing Up on the Arts

Thursday, February 4th, 2010 by Santa Fe Red

When I was in New York last week, as prepared as I was for winter weather, Manhattan surprised me with sunshine, kindly providing my daily dose of Vitamin D. We Santa Fesinos are spoiled by the sun, with 300+ days a year. This unseasonal surprise gave me the chance to satisfy a long-held desire, that of walking the renovated High Line near the Hudson.  Thanks to the vision of neighborhood activists, this historic rail line is now a public park  and outdoor performance venue for New Yorkers and visitors alike to enjoy.

The historic High Line in operation

The historic High Line in operation

Planting the new High Line

Planting the new High Line

The sun was low in the sky, there were wooden lounging spots to soak up sun (SPF 30 for this redhead), and a cool Frank Gehry Building along the Hudson. Based on the size of the  Saturday crowd on a  January weekend, I can imagine what a hot spot this will be when it is complete.

In the company of the stereotypical struggling New York artist, I walked off at 20th Street, the perfect spot to head right into Chelsea and see what was new. It seemed as though many galleries were in between shows, but I saw enough to know that Art Santa Fe last year certainly had its share of worthwhile and original work. This estimable organization celebrates its 10th anniversary this year in June, and I will be looking forward to re-capturing some of that “shock of the new” feeling. I remember a Chinese artist last year who created intriguing laser-cut sculpture out of old phone books, no glue! And I still recall some really beautiful and uniquely-crafted landscape work I encountered there.

A Man Ray exhibit at the Jewish Museum was also a treat, especially since this museum is free on Saturdays. There is nothing like a retrospective to flesh out the picture of an artist’s career. I’m still ruminating on how I felt about the work as a whole, but comprehending the distance that photography has traveled makes one think. His gelatin silver prints were in some ways so like much imagery today, i.e. not to be believed, but then again, they were not selling anything, and that’s a big difference. It reinforced the philosophy that the Inn embraces for our imagery; make it as honest as we can and work with a photographer who has the same motive, namely show what is truly there. I wonder if Man Ray had any inkling of the power that photography would have to make the unreal real.

We have an opportunity to learn more about Man Ray right here at home. On February 6, the University of New Mexico Art Museum opened a new show entitled Man Ray, African Art and the Modernist Lens. In conjunction with the exhibition, there is a Tuesday Lecture Series running from 2/9 though 4/6/10.

bronzino_big1

amer-stories_big For art-lovers, it is a rare trip to New York that does not include a visit to the Metropolitan Museum of Art, despite the advance knowledge that one is absolutely guaranteed to be overwhelmed. Although I always have something specific in mind to see, it is almost impossible to walk through the galleries to get anywhere without being stopped in one’s tracks by a marble deity, a carved wooden panel from the 15th century, a Holbein, a seated Buddha. HELP! Dedicated purpose reigned, however, as it was the last day for the American Masters painting exhibit. It included many artists whose work I did not know, but enough Binghams to satisfy my western soul and enough Homer and Eakins to delight my eastern roots. Although that show is down, the panoply of Bronzino drawings will be there for a while, and that is very worth a visit.

Georgia O'Keeffe: Series I - From the Plains, 1919

Georgia O'Keeffe: Series I - From the Plains, 1919

The Georgia O’Keeffe Abstraction show at the Whitney had already closed the week before I arrived, but it has moved on to the Phillips Collection in DC, for those on the Eastern Seaboard with a yen for Georgia. Living in Santa Fe, I am fortunate in being able to satisfy that urge right here at home with the Georgia O’Keeffe Museum being just a lunchtime walk from the Inn. In keeping with the museum’s ongoing commitment to women artists, their newest exhibit, Susan Rothenberg: Moving in Place, just opened on January 22.

Susan Rothenberg: Black Head 1980-81

Susan Rothenberg: Black Head 1980-81

I’ll certainly be checking this exhibition out when I get home, especially since this highly-esteemed artist is a local New Mexican now, her locational trajectory much like O’Keeffe’s.

Pieta: Onassis Cultural Center New York

Pieta: Onassis Cultural Center New York

I managed to cram in a quick stop at the Onasssis Cultural Center on 52nd at 5th Avenue, where a lovely little icon show demonstrated Domenikos Theotokopoulos’ evolution from icon painter into El Greco. This was a VERY interesting learning experience, well-supported by the many other beautiful icons in this exhibit. The space was an oasis, down a winding staircase, getting quieter and quieter by the step. Spiraling away from the noise of Fifth Avenue, one could travel back in time. This spot was a little gem previously unknown to me, and it will be on my agenda for future visits to New York.

Victorious Ones: Jain Imagery at the Rubin Museum

Victorious Ones: Jain Imagery

With an important business function looming, I ventured out on an unexpectedly blustery rainy day to center my mind and soul at the Rubin Museum of Art. Despite being literally soaked to the skin after a wrong turn out of the subway (that always happens, but usually the weather ain’t QUITE so bad!), I wanted to see the exhibit of Jain imagery, since I am still on a learning curve with regard to eastern artistic traditions. What rich and complex detail with such simple materials! I was further educated by a Himalayan Art exhibit Called “What Is It?” on a lower floor that explained the What, When, Why, Where and How of these hardly primitive artisans.

The Red Book of Carl Jung

The Red Book of Carl Jung

And even more to my surprise was encountering Carl Jung’s Red Book on the lowest floor, in its first appearance to the world. Was that ever a trip! The actual book, a number of paintings, reproductions and two copied of the book laid out on desks to explore at one’s leisure. I forgot how wet I was and ruminated instead on what has ensued from that one fertile mind.

With that, it was time to work, and with this, you’ll have to wait until later for Red’s Opera News!

Sights – and Sounds – at SITE Santa Fe

Thursday, December 3rd, 2009 by Santa Fe Red

SITE Santa Fe - art out of the ordinary

SITE Santa Fe - art out of the ordinary

I love SITE Santa Fe! It’s a terrific anchor in our active and growing Railyard, and it makes a great backdrop for the weekend artists’ market and the other galleries in the area.

It’s a wonderful space for viewing art, since the large and open design allows for major installations that require museum-sized dimensions. Its location also nicely complements the annual summer appearance of Art Santa Fe.

What I really love, though, is the work that is shown there. Since Santa Fe is said to be the third-largest art market in the U.S., it is important that the city bulwark its position with an institution that is ready, willing and able to show works that may not fit comfortably into the mold of what generally sells here in the Southwest.

Talking Pictures, the exhibition currently showing through January 10, 2010, is a perfect example of SITE’s mission. SITE’s size is perfect, as there needs to be some space in-between works that “talk at you,” allowing the essence of the work to sink in. We saw the exhibit with our 9-year-old grand-daughter, who having already seen the show with her school (yes!!! art in the schools!!!) was very excited to serve as our gallery guide. She could not have been more enthusiastic, and the gallery guides themselves were happy to engage with her, intelligently cultivating their future audience.

So You Wanna Be an Artist, huh?

So You Wanna Be an Artist, huh?

I particularly enjoyed the 1993 work entitled Soft Sell, by Diller + Scofidio, a thought-provoking commentary that had some funny and slightly discomfiting resonance on Black Friday. So You Wanna Be An Artist, a video by Nic Nicosia, should spark a laugh or two for anyone who has ever experienced a gallery rejection.

Take time to wander through this show on the next trip to the Railyard, and remember that SITE is free on Fridays – even my grand-daughter knew that!

Wheelwright Museum of the American Indian ~ The Little Gem of Santa Fe’s Museum Hill

Thursday, November 19th, 2009 by Santa Fe Red

One of the hidden gems of Santa Fe is the Wheelwright Museum of the American Indian. Perched up on Museum Hill, but not part of the Museum of New Mexico system, this petite treasure house is a great museum visit when you just have a hour or so to fill. Museum admission is by donation, so even impoverished art lovers can easily enjoy it for whatever they can afford.

And the show up right now is definitely worth some time and some money. Through January 2010, you can feast your eyes on a wonderful exhibition entitled Through Their Eyes: Paintings from the Santa Fe Indian School. If you’ve only known Allan Houser as a sculptor, his mastery of a paintbrush will deepen your appreciation of his talent. Pop Chalee is represented here, along with Andrew Tsihnahjinnie, Pablita Velarde and other familiar names.

And when I visit the Wheelwright, I always make a stop at the Case Trading Post on the lowest floor of the museum. It has the squeakiest floors in Santa Fe and also one of the sharpest gift shop buyers. I usually sigh longingly over the pawn jewelry, but I am contented with my $40 watercolor by Hopi artist, Peter Sumatzkuku – what a deal for original art!

Inn on the Alameda | The Authentic Guide to Santa Fe is proudly powered by WordPress
Entries (RSS) and Comments (RSS).

Page Bottom