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The Authentic Guide to Santa Fe

Archive for the ‘New Mexican Culture’ Category

The Santa Fe Show Pulls into the Railyard Santa Fe

Tuesday, August 9th, 2011 by Santa Fe Red

The Santa Fe Show takes place August 12-15 and August 18-21 at El Museo Cultural, 555 Camino de la Familia, Santa Fe, NM, 505-660-4701

Such a simple title for what is surely a much more complex endeavor! Adding another major art show to the summer, in a town already full of art, is a brave and worthy endeavor. We salute producers Kim Martindale and John Morris, the organizers of the The Santa Fe Show, Objects of Art, for mixing up another color on the palette of art oppportunities for Santa Fe art lovers to enjoy! A group of prestigious partners also deserves commendation for their vision and support, especially in times when wallets are so tight. And best of all, for those suffering a bit from a surfeit of visual stimulation over the last few artistic weeks, this show sticks around for two weekends rather than just one, so there’s no need to fret about the possibility of missing the experience!

Abundance, Image courtesy El Museo Cultural

Taking place at El Museo Cultural de Santa Fe, the rambling space that over the years has welcomed a panoply of local and regional arts organizations to the City Different, The Santa Fe Show brings a thoughtfully curated group of more than 60 vendors presenting unique arts and antiques, and in the process, serves as a handsome and informative complement to the City Different’s traditional Ethnographic Art and Indian Market weekends. This is truly an embarrassment of riches for us to enjoy!  By casting a wide net to capture outstanding examples of work in a variety of media and eras, the show highlights the union of aesthetic importance and design significance of the participating galleries, artists and designers. And as befits a two-weekend show, there will be two opening events as well. The first is a preview party, taking place on Friday, August 12 from 6-9pm, and it benefits the Santa Fe Animal Shelter and Humane Society, a cause dear to pet-lovers, be they local or out-of state. A special event for the second weekend will take place on Thursday, August 18, also from 6-9pm, benefitting El Museo Cultural itself, an institution venerated by local patrons for its support of art, theater and community events, all accomplished on a veritable shoestring budget.

Cowboys & Indians Booth

Theodore Casey Gallery Booth

Sissoko Tribal Arts Booth

Exhibitors at The Santa Fe Show have been vetted as specialists in their fields and encompass a broad swath of the USA, ranging from the urban coasts of  New York and Florida to our Texas neighbors and out to the sunny western shores of California. Huber Primitive Art, specialists in pre-Columbian works will be on hand for those who like to look way back to a more primitive era, as will local favorite, Economos Works of Art, one of America’s most noted Native American galleries.  The eyes can feast on museum-quality works from ancient civilizations presented by Cassera Premieres, and respected expert, Robert L. Parsons Fine Art will be showing antiques, textiles and jewelry, and furnishings and decorative arts from around the globe. And those are just a taste of the treats to be savored by or sold to discerning collectors!

Acoma Jar, Westside Trading Post

Bracelet: Antonio Pineda, Maestros de Taxco

Admission to The Santa Fe Show is $12 per person or $16 for the run of the show (a bargain for those who like to ruminate and return), with children under 16 admitted free. Visitors to downtown Santa Fe can ride the free “Santa Fe Pick-Up” shuttle service to The Santa Fe Show, and the New Mexico Rail Runner Express train’s Santa Fe Depot stop is just a block from the venue. Ample parking is available at the Railyard’s nearby underground garage, and refreshments will be available at The Santa Fe Show’s Café. The location of El Museo also offers a choice of many Santa Fe restaurant options scattered throughout the Railyard area for those who want to turn the images they’ve just seen into a lively discussion over a leisurely dinner. Need a hint? Just contact the Inn’s concierge and let us help you decide where to dine!

Riding the Railyard

You Know It by the Water-Tower!

Railyard Walkers

The appreciation of art is not a luxury, not in any economy…it feeds our souls and our imaginations and makes this world a better place. So make your Santa Fe vacation a better memory – and maybe even go home with an actual memento – by taking time to enrich your sensibilities at The Santa Fe Show.

Images courtesy of The Santa Fe Show and the Railyard Corporation, and all usage rights are reserved.

SOFA Santa Fe

Monday, August 1st, 2011 by Santa Fe Red

SOFA West Santa Fe 2010 takes place at the Santa Fe Community Convention Center located on the northeast corner of West Marcy and Grant Avenue from August 4-7.

No, no, not a seating arrangement…it’s an acronym for Sculptural Objects and Functional Art! And this exciting art fair returns this year to Santa Fe in August to add to the rich panoply of art that summer brings to us every year.

SOFA West returns to Santa Fe!

Taking place at our spacious Community Convention Center from August 4 through 7, SOFA West: Santa Fe is an opportunity for westerners and their art-loving visitors to see what other large art markets (read Chicago in November 2011 and New York in April 2012) deem as praise-worthy representations of the new and unusual in three-dimensional art objects. Last year’s outing was obviously a hit, since the show is up in dealer participation from last year’s 28 to this year’s 35 exhibitors.

The exhibit actually opens on the evening of Wednesday, August 3, 2011, with a frisson of exclusivity, an invitation-only “First Look” private preview for supporters of the Museum of New Mexico Foundation from 5-6:30 pm and SOFA VIPs beginning at 6:30 pm. The invite-only reception will be followed by a new Opening Night Public Preview which begins at 7 pm. Tickets are $50 and will be available on sofaexpo.com or at the door, and the Opening Night festivities continue until 9 pm. General admission to the fair begins on Thursday, August 4 and runs through Sunday, August 7, 2011, from 12 noon to 6pm daily. Tickets are $15 for a single day pass and, for those who just can’t get enough of a good thing, die-hard art aficionados can pay only $25 for the four-day run of the show.

Carol Naylor: Te Mata Peak, ZeST Contemporary Gallery

Jimin Kim: Tracks, Charon Kransen Arts

This year, the Art Fair Company also hosts an exciting addition to SOFA West, by welcoming the Intuit Show of Folk and Outsider Art, which partnered with SOFA Chicago last fall. Outsider art continues to grow audiences with each exposure, and in a town like Santa Fe, with a historic folk art tradition, this show is sure to be of interest to viewers and collectors alike. The Museum of International Folk Art had a stunning outside art show several years ago, which included the work of Martin Ramirez and was a big local hit. The presence of  Intuit brings the leading dealers and galleries of self-taught art and outsider art, non-traditional folk art and visionary art to the exciting artistic mix that SOFA visitors already appreciate.

Martin Ramirez: Caballero on Horseback, Carl Hammer Gallery

Deborah Barrett: Stitched Portrait, The Ames Gallery

In conjunction with the exhibit, SOFA continues its tradition of informative lectures and artists’ demonstrations. There are also a number of special public events that sound quite inviting! On Tuesday, August 2, 2011, at an all-day affair from 8:30 am to 6:30 pm, Dr. Bruce Bernstein, the Executive Director of SWAIA (the Southwestern Association for Indian Arts, host organization of the annual Santa Fe Indian Market) will be leading a tour of the gorgeous Acoma Pueblo, 1 and 1/2 hours southwest of Santa Fe. While the $300 per person cost of the day trip may seem a bit pricey, combining the beauty and rich cultural history of Acoma with a erudite guide like Dr. Bernstein makes this a truly one-of-a-kind experience. For more information or to register, contact Recursos/Royal Road Tours at 505.577.9659.

Acoma, the Sky City

On Friday morning, August 5, 2011, a there will be a private  backstage tour of one of Santa Fe’s cultural mainstays, the Santa Fe Opera. You’ll visit the busy costume shop and props shop, and peer into the inner workings of the talented Opera staff first-hand. The tour begins with a 9:15 am coffee klatsch at SOFA West: Santa Fe, in the lobby of the Convention Center, and transportation to the Opera grounds is provided. This private event is limited to just 40 people, and tickets are $25 per person, obtained by contacting Julie Oimoen at  julie@theartfaircompany.com.

The Crosby Theatre, Santa Fe Opera: Photo Robert Reck

Also on Friday, August 5 at 2pm, gallery clients who have been fortunate enough to receive VIP cards can drop in to the VIP Lounge, where SOFA West welcomes Victoria Price, designer and art historian, for a lively talk about the adventures of collecting art. The daughter of actor Vincent Price and long-term resident of Santa Fe, Ms. Price’s past includes a stint appraising and selling art from various estates and collections, so she has a wealth of entertaining information to share.

SO, now that you know…get off your sofa or out of your hotel room and head to the SOFA West Santa Fe Expo, where your mind and your eyes will be treated to some cutting-edge art that can easily hang above your sofa, adorning your home and showing your art cred, when you get back home.

Gallery photos of artists’ works courtesy of the Press Room page of SOFA West: Santa Fe

Spanish Market = Timeless Santa Fe Travel

Monday, July 25th, 2011 by Santa Fe Red

Summer in Santa Fe is the time of year when we celebrate the deep Hispanic roots of La Ciudad Diferente. It’s a satisfying experience to encounter a place that honors its traditional arts and, at the same time, celebrates the ingenuity of those artistic descendants who are drawn to more contemporary expressions of the heritage.

Spanish Town, Spanish Names!

Spanish Market means many things to many people. For some, it’s enough to enjoy the festive appearance of the Plaza, dressed up to remind us of the enduring legacy of the conquistadors and settlers who braved the ardors of the New World. For others, it may be the food, rich and spicy, tantalizing the taste buds with the thought of fresh green chile yet to come. For most, however, especially steadfast Santa Fe visitors who return annually at this time, it’s the opportunity to see how the artistic heritage of the past lives on today through the hands and the talents of over 200 artists. Delicate straw applique and colcha embroidery are crafts may have waxed and waned through the years, but thanks to a number of dedicated artisans, one can still encounter these humble traditional art-forms today. Painstakingly painted retablos and hand-carved bultos never go out of style, as befits an aesthetic so thoroughly entwined with its religious roots. And the weavers will be there to remind us that the heat of summer will soon enough be followed by the appeal of soft, warm wool.

Intricate Colcha Embroidery: Museum of New Mexico Collection

Presented by the Spanish Colonial Arts Society, Spanish Market is making its 60th anniversary appearance on the Santa Fe Plaza over the weekend of July 30-31.  Market hours on Saturday are 8:00 a.m. to 5:00 p.m.; on Sunday, the Market runs from 9:30 a.m. to 4:00 p.m. In conjunction with the Arts Market itself, chock-a-block with both familiar and new faces, a special Market Mass will be celebrated at our gorgeously renovated St. Francis Cathedral Basilica at 8:00 a.m. on Sunday morning, July 31, at which time the public is invited to the join in the blessing of the Spanish Market art and its artisans.  After the blessing, a procession begins at the Cathedral and winds around the Plaza, led by a cheerful Mariachi band.

The Beautiful Reredo at St. Francis Cathedral

There are a few informative events celebrating the Spanish heritage that will also take place over the weekend. On Thursday, July 28 at 5:30 p.m., a free “Layman’s Lecture About the Saints” will take place at the historic Santuario de Guadalupe, located at 100 South Guadalupe Street.  Lecturer Marina Ochoa, curator and archivist for the Office of Historic-Artistic Patrimony, Archives, and Museum of the Archdiocese of Santa Fe will discourse on the particularly meaningful saints depicted in many of the retablos and bultos one is likely to encounter at the Market.

Santa Fe’s purveyor of  ”todas cosas Espanolas,” The Spanish Table, located at 109 North Guadalupe Street, complements the weekend with two flavorful themed events to honor the Market. On Friday, July 29 at 12 noon, a Spanish sausage sampling complete with a lecture on how to make and cure your own Spanish-style sausages will be presented by Robert Fettig, with Flamenco guitarist Joaquin Gallegos on hand to provide an appropriate musical background. On Saturday, July 30, also at 12 noon, the staff at the Table will cook a gigantic Paella in front of the store.  This is a great time to learn how to make this signature Spanish dish, and you can receive a recipe, ask questions and enjoy!  Best of all, these events are also free to the public!

Paella? Muy Sabrosa!

Spicy Chorizo!

To enhance this rewarding arts weekend, Santa Fe also welcomes the 25th appearance of the Contemporary Hispanic Market, held adjacent to the Plaza on Lincoln Avenue and mirroring the hours of the Traditional Market. With 134 different booths, each featuring a different twist on the Hispanic arts, this is a multitude of riches in and of itself! Those who are drawn to use their talents in newer art forms appreciate this opportunity to exhibit, and both casual and serious collectors enjoy the chance to converse with some of New Mexico’s well-respected Hispanic artists. This display of contemporary Hispanic works showcases individual expression in the mediums of painting, printmaking, sculpture, photography, furniture, jewelry, ceramics, weaving and much, much more. In other words, this weekend is an artistic two-fer!!

Glorieta: Painting by Robb Rael

As with all of the summer Santa Fe Plaza events, the sun will likely be a constant visitor, so pay attention to our summer weather and dress accordingly. That’s the only caveat though, the rest of the weekend is yours to enjoy…or as we say aqui, bienvenidos y disfrutele mucho!

Santa Fe Opera Here and Now!

Tuesday, July 5th, 2011 by Santa Fe Red

The Santa Fe Opera, Highway US 84/285

For tickets: Box Office 505-986-5900 and 800-280-4654, or by email boxoffice@santafeopera.org

The Santa Fe Opera: Photo by Robert Godwin

It’s a fact that some times of year are just more exciting than others. And for Santa Fe and its myriad of opera-lovers, that time of year is right now! A July 1st opening night found this opera fan (who, it must be noted, is not a music critic) delighted to be in attendance at the Santa Fe Opera‘s first-ever performance of Charles Gounod’s Faust. A devilish tale of life lessons, laced throughout with haunting melodies, Gounod’s grand opera premiered in Paris in 1859 with a libretto by Jules Barbier and Michel Carré. Based on Carré’s play Faust et Marguerite, which was in turn fashioned after Goethe’s Faust, Part 1, this is the story of an aging philosopher, who re-discovers the passion and excitement of youth, just as he is ready to take a suicidal exit from his wearying existence. How to get that new lease on life? Simply forfeit your soul to the devil! A cautionary tale indeed, since the result is “the torment of eternal remorse,” as Faust himself so tellingly puts it.

Energetically conducted by Frederic Chaslin, at the beginning of his first full season as the Opera’s Music Director, Faust came to life with an orchestra that sounded rich and sprightly throughout, and Craig Smith’s loan of an electronic organ was nicely worked into the staging. The production was inventive and exciting, the costumes were appropriately evocative, and the incidental music was choreographically well-served. Mark S. Doss cut an impressively commanding figure as Mephistopheles, and Bryan Hymel’s interpretation of the title role was nuanced and assured. Ailyn Perez sweetly voiced the role of Marguerite and sorrowfully embodied her character’s tragic fate, in the face of repudiation by her brother, Valentin, portrayed with honesty and strength by Matthew Worth. Jennifer Holloway, memorable as Price Charming a few seasons back, sang the role of the young lover, Siebel, with passion and grace (I confess, I do love a pants role). One leaves the theatre with deep satisfaction after such an engaging premiere, especially when the 3.5 hour running time seems to pass so quickly! Bravo!

Yes, The Devil Made Them Do It! Santa Fe Opera Photo: Ken Howard

Dancing Beauties are Dazzling in Faust! Santa Fe Opera Photo: Ken Howard

Founded in 1957 by the late John Crosby, a young conductor and devoted Richard Strauss fan (Strauss’ Arabella returns for the 2012 SFO season) from New York, the Santa Fe Opera was born out of a desire to give American singers an opportunity to learn and perform new roles in a peaceful rural setting with plenty of time to acclimate to the mountain air and rehearse accordingly. While Mr. Crosby himself spent plenty of time in the pit, engaging young conductors have been welcomed by the orchestra and the audience alike. From its humble beginnings, with wooden benches and a roof-less stage, over the course of the last 54 years, the Santa Fe Opera has grown into a powerful cultural and economic engine for the Land of Enchantment. Its reputation for daring new productions and commissions attracts both artists and patrons to the tune of about $200 million annually. That’s not chicken feed, particularly for a state rich in culture if not in cash!

Opening night is always a wonderful event, not only for the performance, but also for tail-gating parties and those who like to observe and learn from them. From a simple pair of TV trays to white linens and crystal flutes, it’s all out there in the parking lot, and we have our beautiful outdoor Crosby Theater to thank for this opportunity to dine al fresco. Bring your own or reserve a picnic, either way, it’s a whole lot of fun. One may conceivably be able to wolf down a sandwich on the fly outside Lincoln Center, but it’s not quite the same as sitting down under a beautiful sunset enjoying fine food, favorite friends and the frisson of excitement generated by the knowledge that the orchestra is tuning up and the lights are about to go down.

Tailgating Deluxe and Delicious

Also making its opening appearance over the weekend was Giacomo Puccini’s perennially popular La Boheme. Premiered in Turin in 1896, with a richly emotional libretto by Luigi Illica and Giuseppe Giacosa, this enduring favorite was based a set of tales by Henri Murger entitled Scènes de la Vie de Bohème. Performed in ten previous seasons at SFO, this lyrical opera never fails to thrill, from the first notes right through to the sad denouement. What’s not to love about a love story? Especially when when it’s an Italian opera conducted with passion and verve by an Italian conductor, Leonardo Vordoni, leading a cast of beautiful voices, headed by tenor, David Lomeli, and soprano, Ana Maria Martinez! Although mine was a dress rehearsal experience, no one held back – Mr. Lomeli sang ardently, and Ms. Martinez’ performance was touching and tender. The role of Musetta was ably sung by Heidi Stober, familiar to Santa Fe audiences from her role in the amusing production of Platee in 2007. Reprising his 2007 Boheme role as her on-again, off-again lover, the artist Marcello, Corey McKern painted his portrayal boldly. This particular tale always resonates in a city like Santa Fe, where artists of all types come to pursue their passions, although with our adobe architecture, we are rather short on garrets.

Vive La Vie Boheme! Santa Fe Opera Photo: Ken Howard

Love Can Bloom, Even in a Garret Santa Fe Opera Photo: Ken Howard

With a total of five operas programmed each summer, there are three other choices in the repertoire, thoughtfully chosen to appeal to the eclectic tastes of opera fans. And with the adventurous spirit that SFO has always demonstrated, two more are premieres for the company! Noted director Peter Sellars returns to Santa Fe to conduct the first U.S. production of Antonio Vivaldi’s Griselda, with Meredith Arwady in the title role, Paul Groves (last year’s Hoffmann) as her husband Gualterio, and as Roberto, the exciting countertenor, David Daniels, returning to the Santa Fe stage for the first time since 2008. The light and lyrical touch of Gian-Carlo Menotti will be on display in a witty new production of his opera buffa, The Last Savage, also a first for the company. The final piece to make an appearance onstage (with only four performances, so reserve tickets soon) will be Alban Berg’s powerful masterpiece, Wozzeck, with Richard Paul Fink making his SFO debut in the demanding title role.

Gronk Making the Set for Griselda, Photo: Santa Fe Opera

One of the consistently remarkable features of the Santa Fe Opera is the stellar apprentice program. At the time the Opera came into being, esteemed founder Mr. Crosby had the foresight to create an environment designed to nurture and cultivate young singers who have in turn blessed the company with their youthful enthusiasm. Many talented singers whose names can be found in the programs of the world’s leading opera houses enhanced their singing careers with a summer in Santa Fe, and well over 1000 aspiring artists have been part of the summer program. Some may continue with professional singing careers, and others might morph into voice teachers or coaches who pass the torch on to others. In 1965, an apprentice program for the technical aspects of theater was added, and it too has developed through the years into fine training tool that complements the performing arts, thus enriching both sides of the stage. You can get a sneak peek at the stars of tomorrow on August 14 or August 21 by attending one of the two apprentice showcases, excellent opportunities to introduce younger family members to the joys of opera without a deep commitment of money or time (you can just leave if the kids get fidgety).

Visit the Cantina for a Preview Buffet Santa Fe Opera photo: Robert Godwin

The Crosby Theatre Santa Fe Opera Photo: Robert Reck

In conjunction with the training programs at the Opera, there is a broad set of informative community outreach programs and amenities aimed at creating future audiences by ensuring that opera is accessible and appealing to a new generation.  The very unique Pueblo Opera Program welcomes Native American youth from the nineteen pueblos and three reservations located throughout New Mexico. Opera attendees also get educated;  rather than distracting super-titles above the stage, the Crosby theater is one of the lucky few with unobtrusive opera titles – in either English or Spanish (translated by the erudite Fernando Mayans, well-known to many local Spanish language students) – on individual screens right in front of each seat, enhancing appreciation of the stage action. And there are other educational benefits for visitors, from daily backstage tours beginning at 9:00 a.m. Monday through Saturday to prelude talks before performances, as well as a series of community events. If you don’t have time for the theater tour, just hop onto the Opera’s new blog for a sneak peek at what’s happening on the back deck!

All Ages and Sizes are Welcome!

Even for those who are not die-hard opera fans, the Santa Fe Opera should be part of a Santa Fe vacation. It is one of the real jewels of the City Different, and like all precious gems, its lustre shines brightest when you see it in person.  As always, tickets are selling fast, so don’t delay! Dress up in your finery (with a warm wrap for changeable high desert weather) or come in your jeans, but don’t miss out. As Mimi sings in La Boheme “I love enchanting things…,” and this is truly one of the most enchanting ways to spend a night in the Land of Enchantment!

Don't Miss Out on an Enchanting Night at the Opera!

Santa Fe Opera Photos courtesy of the Santa Fe Opera, All Rights Reserved

Santa Fe Art This Summer

Tuesday, June 28th, 2011 by Santa Fe Red

Santa Fe richly deserves its artistic reputation, and summer is a season that brings many opportunities to learn why. Free Friday evenings at the museums, First Friday Artwalks at the Railyard and Last Friday Artwalks in the West Palace and GALA Arts District, right off the historic Santa Fe Plaza, may be at the end of the week, but they are just the beginning of an arts experience!

The Santa Fe Plaza: Green Heart of our Town

ART Santa Fe

Now in its eleventh year, ART Santa Fe brings contemporary artists from around the nation and the world to the attractive and welcoming Santa Fe Community Convention Center. At 72,000 square feet, with state-of-the-art amenities, what a change this venue has brought to this particular art scene! Taking place from July 7-10, the broad schedule of events includes a gala opening night Vernissage, as well as the informative and entertaining Art Santa Fe Presents lecture series that features noted art-world critics and cognoscenti.

Art Santa Fe Returns to the City Different

International Folk Art Market

Santa Fe is already renowned for the fantastic collection at the Museum of International Folk Art, and the weekend of July 9-10 brings the International Folk Art Market to the Milner Plaza on Museum Hill. The goals of economic stability and cultural sustainability for global folk arts combine to create a positive inter-cultural exchange that unites artisans and aficianados from around the world. During this festive two-day event, more than 120 select folk artists from more than 45 countries will travel to Santa Fe, where fortunate fans can peruse and purchase unique folk art direct from these diverse artisans.

Santa Fe International Folk Art Market from David Moore on Vimeo.

Spanish Market

No summer in La Ciudad Real de Santa Fe de San Francisco de Asis (Santa Fe’s official moniker) would be complete without this annual celebration of traditional and contemporary Spanish arts. Celebrating its 60th anniversary, the Spanish Market has grown to include far more than the beautiful retablos and straw applique of yester-year; today, collectors can encounter La Guadalupana rendered in computer circuitry or find a pair of far-out bottle-cap earrings. Held on July 30-31, this event is a consistent contributor to the lively Plaza scene.

Santa Fe's Spanish Heritage

SOFA West

Many art-lovers are already aware of the annual SOFA (Scultpure Objects & Functional Art) shows that take place in New York and Chicago, and three years ago, SOFA arrived in Santa Fe seeking western exposure. Taking place from August 4-7, SOFA West brings international, gallery-curated exhibitions of work that present the very best in contemporary fine art and design. This year, the Intuit Show of Folk and Outsider Art will come along for the ride with SOFA West, adding the leading dealers of outsider and non-traditional folk art to this exciting artistic mix.

Indian Market

If you haven’t already made your reservations, attendance at the 89th annual Santa Fe Indian Market will require some timely effort on your part and could even necessitate a stay in Albuquerque, as Santa Fe hotels frequently sell out! There is nothing quite like seeing the diverse Native faces from around the nation, all gathered in one place to celebrate their arts and culture. Silver jewelry flashes, beads jingle, and lots and lots of wampum changes hands in a very short period of time. This year’s market takes place on the weekend of August 20-21, and if you already have all your travel plans in place, include making advance dinner reservations as part of your planning – we can help!

The Many Faces of Indian Market: Photo SWAIA

The Houser Compound

If you have a car, we encourage a visit to the Houser Compound, the home of the noted Apache artist, Allan Houser. Located about 20 minutes south of downtown Santa Fe, this pristine plot showcases a treasure trove of works by the late sculptor in a gorgeous landscape setting. And it can even be reserved for private events, such as weddings and birthdays!

We Sing the Praises of the Houser Compound

Shidoni

For sculpture closer to town, just seven miles north in Tesuque, you’ll find the Shidoni Sculpture Garden, which holds work by many local and national artists, all arrayed in a petite river valley just minutes from the Plaza. The Shidoni Foundry also invites visitors to observe bronze pourings, typically on Saturdays, although the schedule is not always firmed up until the Friday before.

We invite you to enjoy an artistically engaging stay in the City Different!

Santa Fe History, Living and Thriving

Wednesday, June 8th, 2011 by Santa Fe Red

El Rancho de las Golondrinas, 334 Los Pinos Rd, Santa Fe 505-471-2261

http://golondrinas.org/Museum_Info/Driving_Directions/index.html

El Rancho de las Golondrinas

Just south of the city of Santa Fe, visitors can find a beautiful and unique place that seems almost unchanged by the winds of time. At the same location for over 300 years, El Rancho de las Golondrinas, the “Ranch of the Swallows,” is one of the most historic ranch properties in the entire southwest. An official rest stop on historic El Camino Real, which led from Mexico City through the desert of Chihuahua to the provincial capital of Old Santa Fe, Golondrinas welcomed and comforted many a weary traveler taken with the charms and challenges of the New World. In 1710, the massive ranch was subsequently acquired by Miguel Vega y Coca, and as his daughters intermarried with La Familia Baca, the property was passed down through the years to their descendants.

In its present-day incarnation, El Rancho de las Golondrinas came into being as a vision of the Curtin-Paloheimo family, who acquired the property in the early 1930s. Their dream of bringing the history of New Mexico alive to the descendants of the people who created it led to the renovation of existing historic buildings,  the construction of historically accurate structures  on old foundations, and the transfer of related buildings from other New Mexican sites. On encountering Golondrinas today, visitors will find an 18th century placita house complete with defensive tower, a 19th century home with all of its outbuildings, a morada, a molasses mill, a threshing ground, several primitive water mills, a blacksmith shop, a wheelwright shop, and a winery and vineyard, all combined to create an intriguing and authentic depiction of the many elements essential to a frontier life in early New Mexico.

Penitente Morada at las Golondrinas

At its heart, the mission of Golondrinas is to create a respectful understanding of the language, culture, traditional arts and proud history of Spanish Colonial, Mexican and Territorial New Mexico. In short, la herencia, heritage! Particular emphasis is placed on its use as an educational facility, and teachers and students are welcomed throughout the year for tours, workshops, seminars and unique learning experiences. The many events held at the ranch provide visitors with an unrivaled sense of Santa Fe’s past, along with satisfying the western dreams we all seem to have at one time or another.

The Acequia - NM's Lifeblood

New Mexico Farming, the Acequia Way

This week, the Authentic Guide is delighted to feature an interview with one of Santa Fe’s truly knowledgeable and dedicated museum professionals, John Berkenfield, Executive Director of El Rancho de Las Golondrinas.

John A. Berkenfield, Executive Director of El Rancho de las Golondrinas

How did you find your way to Las Golondrinas, and what keeps you there?

I came here for the first time in 1984. I had spent my whole life vacationing in exotic places, since I worked in the international offices of IBM and was able to combine business trips with pleasure. Based in Paris, I was responsible for the public face of IBM abroad, with responsibility for how the company appeared in 167 different countries. I knew the U.S. on the coasts, but didn’t know anything about the SW. We took a trip to visit my nephew, who was a park ranger at the Grand Canyon, and we hiked down to the bottom of the canyon and camped. He said if you like this, you have to go to Santa Fe, so we came out and just fell in love with it. We came in April 1984, after leaving the cold of the east and we walked onto the Plaza where there were kids on skateboards in light jackets and mountains that still had snow. I said to myself, am I hooked, and from that point on I just plotted how I could get out here permanently. At the time, my last child was finishing college, and IBM offered me a retirement package that I could not refuse. I knew that as of June 1989, we would be free to pursue our Santa Fe dream. But I am a person who has to work! I have to have some purpose, and I love it when people depend on me. Since Mrs. Paloheimo had Colorado roots, the ad that Las Golondrinas placed for a Director of Development appeared in the Aspen Bugle, as well as the Wall Street Journal, the New York Times and the L.A. Times. A friend living in Aspen saw the ad and sent it to me. I’m a lifelong art collector with an advertising and promotional background, and this sounded perfect to me, so I applied and got a call back from Rex Arrowsmith, a noted Indian art dealer who was on the search committee. I came out for an interview, and I wasn’t on the property more than 100 yards before I was hooked. It was February, and yet I came home with a sunburn! Probably 120 people had applied for the job, but I was fortunate in that I didn’t need benefits (which Las Golondrinas could not provide at the time but has rectified now) or the higher salary that the other 119 other people apparently required.

Our Lovely Santa Fe Plaza Turns Visitors into Residents!

I had 10 years to get to know Mrs. Paloheimo, and her views still have enormous weight on how we do things at Las Golondrinas. She always said, “Never make it so expensive that poor people can’t afford to come.” and that still motivates us. We have tried to think on a par with the local museum system, but, with Mrs. Paloheimo’s words of advice in mind, we offer free admission to kids under 13, which makes it easier for whole families to visit.

Las Golondrinas is perfect for me, because I love places where I don’t really understand what is going on, places where the face is not the same as the interior. There are still depths and complexity that I find fabulously interesting.

IBM was like a giant ship. If you equated my job there to that of a helmsman, when the captain said “turn left,” I would take the wheel and after several years, the ship would finally be headed off to the left. I could plant lots of seeds, but they didn’t grow for 3 years or so. At Las Golondrinas, the boat turns immediately to the left at the helm’s action, and the results are immediately known. When an ad runs, we see attendance jump the very next weekend. Lowering entrance fees gives an instant response.  It’s a changing palette every day, and I love that. I’m never bored, and I get to meet an awful lot of nice people.

We’re an event-oriented institution, and I like those extravaganzas. When I first arrived, we had only 3 events per year, now we have 11 annually. We were only open 16 days/year when I came, now we have 7 months to show our stuff, thanks to our tenured staff and dedicated volunteers. The combination of short-term gratification and program-driven events, the ability to make change and see that change quickly have a profound impact on the health and vibrancy of the organization – I like that.

What are some of your favorite annual events at Las Golondrinas?

Asking that is like asking me to choose my favorite child! The latest event generally tends to be my favorite. I enjoy the traditional events, helping to make the event meet the demands of the mission statement, which is basically “Don’t turn Las Golondrinas into a Disneyland.” Even the wine festival has to fit. The wine event is memorable, because grape-growing was one of the earliest agricultural crops brought to New Mexico by the Europeans. Harvest fest I love because we make our own wine, and that time of year is richly steeped in traditions. I love the Renaissance Faire because I love to see the happy children.  But if I had to choose one, I really do love Viva Mexico, because I like Mexico and the brightness and the color and the vibrancy of their arts and culture, and it shows so well up here.

Renaissance Faire Fun

Toasting Golondrinas!

Que Viva Mexico!

What events would you develop at Las Golondrinas if you had unlimited funds?

If  money was not limited, I would not put it into more programs, because I don’t feel we are limited in events, we are limited only by our imagination. What I would like to see which we don’t have now is a “Casa de los Ricos.” We are very good at interpreting how poor people lived in the 1700’s and 1800s, but I’d love to have a way to show how wealthy people lived in the 1800s.  Of course, at today’s prices, it would be very easy to spend half a mil to build the kind of impressive house that would demonstrate how the wealthier people lived.

Home on the Range: Not Exactly the High Life!

In terms of infrastructure, I’d also like to have a better stage for performances! I would also love to pull all the animals into a pasture that is more accessible to our visitors. Of course, we would need to add trees for shade for the animals and the visitors!

Is there a particular talent on exhibit at Golondrinas that you wish you possessed? Blacksmith, weaver, farmer? Or do you have a secret talent of which we are unaware? (We already know that you are the consummate Renaissance man!)

I don’t have any talent whatsoever! My talent is capitalzing on the work of others. I worked for a Swiss guy who told me “You have a unique ability to make things happen.” (Mr. B, you should know that your talent certainly serves El Rancho de las Golondrinas very well!) I so admire the skill of people who make things out of wood, the bulto makers, the furniture-makers, and if I could wave the wand, I’d like to have wood-working skills.

Wood-working Skills Were Required!

What books would you recommend to those who wish to learn more about New Mexico history?

Any of the books written by Marc Simmons! If your context is about learning NM history, I consider Marc to be the state’s historian laureate. When I was hired, he sent me a box of his books (signed copies!), which I treausure. Of late, a single book I would recommend is Hampton Sides’ Blood and Thunder, which paints the territorial era of the Southwest with a wide brush – it’s very readable, almost like fiction. Lots of the fiction writers also make our history come vividly alive, Willa Cather, Rudolfo Anaya, and Tony Hillerman. I enjoyed Pam Christie’s Dead Lizards Dance, about the Anza era.  I enthusiastically recommend Nasario Garcia’s books about the folkways of NM, superstitions and brujas, all portrayed in such an engaging way – he’s a wonderful writer, short and to the point, just captivating.

If you could go back in time, what era of New Mexico history would you choose to experience?

That is easy for me, it would be the time of the explorers. I would have loved to come up with Coronado in 1540 or with Onate in 1598, to have had the adventure of coming up and seeing this place for the first time. I also wouldn’t mind being here in the early settlement era, the Anza-Peralta era.

Not All Survive the Adventure

Is there a historical New Mexico figure whom you wish you had met?

I’m drawn to the artists, not the villains, though it would have been fun to have a whiskey with a New Mexico villain! Meeting Maria Martinez would have been wonderful, and I did meet Allan Houser, and some of the Native potters at the ends of their lives. The painters from the 1920’s and 1930’s were colorful characters, goofy and extremely talented. But the Native American leaders most fascinate me, even those identified with other states.  Geronimo was a figure whom I enormously admire, the Plains chieftains like Sitting Bull and Crazy Horse, I would have loved to known Manuelito.  I can’t imagine how horrendous their lives were following the arrival of the white man, when their existence was shattered in the blink of an eye. As leaders, those men had challenges that were absolutely extraordinary, and I would have liked to be a fly on the wall in their pow-wows.

Do you have a spot on the Golondrinas property that you find especially inspiring?

When I first came to Las Golondrinas, I lived on the ranch, since we had bought a house that wasn’t quite finished. I was alone, since my wife had not moved out here yet. There are some houses outside the historic zone on a hill overlooking the ranch, and I lived up there in Torreon House. I used to walk after work at night, and I would walk down all alone to the mill pond area in back of the big mill and along the paths that go around in back, which now run up to the property that the Santa Fe Botanical Garden leases. That area has wonderful water, and the bird life is fabulous. It was really nice to go down around 7pm with a margarita and sit on a rock overlooking the mill pond watching the fish and the long-legged birds with their long bills. It’s still my favorite place.

The Water-Powered Mill

On the actual historic zone of the ranch, my favorite spot is the Sierra Village I think it’s the loveliest little spot on the ranch. Our historic zone is 200 acres, and we have 400 more contiguous acres, but people don’t get to go see that very often. The watery parts, the marsh and the ponds are among the loveliest parts of the ranch.

Sierra Village Gardening

The New Mexico state question: Red or green, and where?

Whichever is hottest, I’m for hot! I don’t have favorite restaurant, but I love to go to Maria’s. One of the advantages of a small town is that you know lots of people, so you may know the owner or the chef. I never used to think that Santa Fe was a culinary mecca, but now I think there are incredibly good places to eat, and depending on your mood, you can certainly find what you are looking for.

Ready to head south from your comfy Santa Fe hotel for a trip to Las Golondrinas? Easy to find, and so worth a visit! Thank you, Mr. Berkenfield, and we’ll see you this summer!

Cooking Up Santa Fe Flavor

Thursday, May 19th, 2011 by Santa Fe Red

The Santa Fe School of Cooking is located at 116 West San Francisco Street , Santa Fe, NM  1-800-982-4688 or 505-983-4511 On Facebook at http://www.facebook.com/SantaFeSchoolofCooking?sk=wall

When people think of Santa Fe, frequently the first thing they think of is the food. And with good reason! While both chile and beans may be ingredients in regional food around the world, our New Mexico cuisine is definitely like no other. Once you’ve tasted it, you’re hooked, and the next logical step is learning how to bring it all back home with you. And no one in Santa Fe has done more to help foodies bring the taste of Santa Fe to the home kitchen than Susan Curtis, founder of the Santa Fe School of Cooking and her daughters, Nicole Curtis Ammerman, currently managing the school, and Kristen Curtis Krell, who runs the team-building unit, Cookin’ Up Change. The Authentic Guide took some time this week to speak with Susan and Nicole about the school’s 20 years of sharing the flavor of Santa Fe.

Nicole Curtis Ammerman

Susan Curtis

How did the Santa Fe School of Cooking come into being, and what were the early years like?

Susan Curtis: The birth of the cooking school was the result of a SERIOUS midlife crisis. My last child was going off to college and what was I to do with the rest of my life? The early years were terrifying, but determination carried me through.

Since 1989, the Santa Fe School of Cooking has been whipping up a delicious experience for travelers in search of spicy tastes. Ever wanted to take a relleno and replace that gooey cheese filling with something new? You can learn! Perhaps the sustainable cooking traditions of the Native American culture intrigue you; if so, time in the kitchen with Lois Ellen Frank should be on your agenda. With classes that range from tasty home-made tortillas all the way to a lime-marinated salmon, the schedule has something to offer to both novices and experienced home chefs.

What are some of the most popular recipes the school has prepared through the years?

Nicole Ammerman: Our most popular recipes are the really authentic traditional New Mexican ones, such as our carne adovada, chiles rellenos and our red and green chile sauces. We also do a smoked pork tenderloin with an apple pinon chutney that is fantastic!

MMMMM...Chicken Enchiladas!

Were you surprised that both your daughters have kept the cooking flame (pun intended) burning in their lives?

Susan: No, I would have been surprised if they did not make food an important part of their lives.  I grew up on a ranch where we raised and aged our meats (pork, beef, sheep), raised chickens, had a dairy farm, and planted a huge garden. I knew where food came. As a result, good food has always been important to our family both at home an in our travels.

After you “put on the apron” to lead the school, Nicole, what new ideas excited you the most?

Nicole: I have had a really fantastic time in the last 5 years implementing some fun new programs. I started running the Restaurant Walking Tours five years ago. The concept is that one of our chefs leads a tour on foot through downtown Santa Fe to visit four different restaurants where you meet the chef and taste some of the food that is made especially for our group. Our guests spend the afternoon eating, drinking and meeting some of Santa Fe’s top chefs….how can you beat that? We now have four different routes, so we are working with 16 of Santa Fe’s top restaurants!

Walking - and Eating - Your Way Through Santa Fe

As a veteran of the walking tour, I have to say that this is an excellent way to encounter some of the best Santa Fe restaurants without having to dine at each one individually, especially if your schedule only permits a short Santa Fe getaway. The tour literally gives you fodder for dining choices on your inevitable return visit to Santa Fe. For those with three nights to stay, the Inn’s Taste the City Different package combines the walking tour and a demonstration class into a culinary double-header. If a two-day hop is all you have time for, our Muy Sabrosa Cooking Experience can give you a taste of what’s cooking in Santa Fe.

Can you describe an event at SFSoC that was even more perfect than you hoped? Or one that simply did not go as planned?

Susan: I really can’t think of one event. I am so deeply grateful that the school has been so popular and made so many people enjoy our  local food and culture. On a funny note, one of the most memorable experiences was when somehow salt got placed in the sugar container, and our dessert was made with salt rather than sugar. The reaction by our guests was as you might expect.

A Chile Amor Class at the School

What are the hottest- (again, pun intended) selling items in the market store?

Nicole: We pride ourselves on selling the finest quality chiles and herbs. They are the same ones we use in the classes….so they are great and a lot of interesting varieties. We also really promote local New Mexican farms and products, so we sell lots of posole, blue corn meal and specialty food products. Also, the black clay cookware is so beautiful and functional, and we can’t keep those in stock!

The  Santa Fe School of Cooking has always included supporting local, New Mexican businesses at the core of its mission. From the wild-crafted herbs available at the School’s Market to the sell-out Santa Fe Farmers Market classes, visitors will always find new paths to discovering New Mexico’s unique culinary traditions. The beautiful black cookware is oven to table – no surprise that it is often out of stock!

What adult beverages complement our spicy cuisine?

Susan: I like margaritas and wine that is not too dry with spicy food.

One of the school’s good friends is Dan Murray of Southern Wines and Spirits. For white wine lovers, he recommends a German Riesling such as J.J. Prum or Urban-Ohff or an Oregon Pinot Gris such as Bethel Heights.  Red wine fans should simply seek out a Beaujolais. For those who have a margarita in their sights, Dan suggests Chamucos Blanco for a smoother taste or the Reposado for more tequila flavor and bite.

As a working mother, what’s your go-to menu for the kids after a work-day already spent in the kitchen, so to speak?

Nicole: I will admit that I am not very creative  with my dinners at home, but my kids don’t really like their food “mixed’ with any other ingredients. So lots of roasted chicken, broccoli, rice and pasta. I do really pride myself on how healthy my family eats.  My kids have never had fast food. No matter how tired I am, I always get a healthy dinner on the table for us!

If you could meet one famous chef, living or dead, who would it be why?

Susan: Julia Child, however, I did meet her at an IACP conference. I was speechless I was so intimidated.

If you could eat at one fabulous five-star restaurant, anywhere in the world, which would it be and why?

Nicole: The Thomas Keller restaurant,  French Laundry in Yountville, CA – wine country! I think I must be the only person I know in the food biz that hasn’t eaten there….and I have heard people I know say it was the best meal of their lives!

Private Dining at the French Laundry, Yountville, CA

The New Mexico state question: Red or green, and where?

Nicole: Christmas, of course!  I like the green chile at The Guadalupe Café and the red chile at Atrisco!

Susan: I love both red and green. I ALWAYS stick with red at the Shed and green — there is a little road side take out place in Embudo called Sugars. They have the best green chile burrito that I have ever had.

Both the Shed and the Guadalupe Cafe are withing walking distance of the Inn, and our Front Desk can give easy directions to Atrisco and the village of Embudo, in northern New Mexico.

Red Chile - We Love it!

Green Chile - Hotter than It Looks!

Drooling yet? We are! Food talk always gets the juices going, so if you’re intrigued, check the Inn’s website for more information about either of our two cooking school adventures. And be sure to say “buen provecho” to our friends at the one and only Santa Fe School of Cooking!

Photos from the Santa Fe School of Cooking by Eric Swanson, all rights reserved.

Photo of the French Laundry, courtesy of Thomas Keller Restaurant Group, all rights reserved.

Simply Santa Fe South of Town

Tuesday, May 3rd, 2011 by Santa Fe Red

The Allan C. Houser Compound is located at 26 Haozous Road, 22  miles south of Santa Fe on Highway 14

“Simplicity appeals to me in a land where the simple things are respected and appreciated – simplicity is a way of life.” Allan Houser

Simplicity IS appealing, especially in our increasingly complicated, task-filled lives. Sometimes we become so habituated to our routine and our surroundings that we neglect to simply visit our neighbors. A good illustration of ignoring what’s in your own backyard? The Allan Houser Compound and Sculpture Garden! Fortunately, my neglectful behavior has recently been rectified by a morning spent exploring this stunning piece of land, enriched in every direction by the sculpture of the late Apache artist, Allan C. Houser, whose hours of painstaking work were distilled into deceptively simple forms.

Mr. Allan C. Houser, Always on the Property

Born as Allan Haozous in 1914, this renowned New Mexican (whose name change came courtesy of the US government) was a member of the Warm Springs band of Chiricahua Apache, originally based in the area near Truth or Consequences, NM. Led by Geronimo himself, the Warm Springs tribe, driven south to Mexico, eventually surrendered to the US Army in 1886 and was speedily transported acroos the country to a prison in Florida as retribution for their recalcitrant refusal to acknowledge superior firepower. The Haozous family itself  is descended from the great Mangas Coloradas, a leader of the eastern Chiricahua in the late 1800′s. The Chiricahua were scattered in locations around the southern states; Allan’s father was among those jailed in Florida, and his mother was born in a prison camp in Alabama where surviving members of the tribe were sent in 1887. The remainder of the Chircahua were sent to Fort Sill, Oklahoma where they remained as captives for what have been 23 very long years. Finally freed in 1914, members of the tribe returned west to join with the Mescalero Apache, for whom a reservation had been carved out of public lands in south-central New Mexico. Allan’s parents, however, were among a small group that elected to remain in Oklahoma, and Allan was their first child born out of captivity. From these roots of struggle and privation arose a talent that continues to inspire generations of artists, Native and non-Native alike.

Warm Springs Apache Man: Allan C. Houser

Although he was raised in an agricultural lifestyle, Mr. Houser became interested in imagery at an early age and soon tried his own hand at creative endeavors. His artistic fire was further fueled by a 1934 notice for an art school located on the campus of the Santa Fe Indian School. Thanks to his talent and the hard-working ethic of his forebears, Allan became the most notable graduate of the Dorothy Dunn School, and by 1939, his artwork was being exhibited around the country.

Mr. Houser was a Painter First!

Mr. Houser and his wife, Anna Marie Gallegos, moved to Los Angeles in 1941 with three young sons, where Allan found work as a ship-builder during the busy years of the Second World War. This was a fortuitous decision, since it was here that he honed 3-dimensional skills that would later serve the sculptural forms of his work, and at the same time, encountered museums rich with the work of European modernists that satisfied his desire for a greater knowledge of art and art history.

Horse: Allan C. Houser

In 1951, the Houser family moved from L.A. to Utah, where Allan taught art at the Inter-Mountain Indian School for the next eleven years, all the while continuing his own work on canvas and in wood. In 1962, his family heritage came full circle with a move to New Mexico, when he agreed to join the Santa Fe faculty of the newly created Institute of American Indian Arts (IAIA), currently the only four-year institution with a fine arts degree dedicated to Native arts. Mr. Houser created a sculpture department from the bottom up and in the process, turned his own artistic focus toward three-dimensional work. By the late 1960′s, exhibitions of his sculpture became a regular occurrence, and both national and international recognition grew along with his output. In 1975, after having influenced several generations of Native artists, Mr. Houser finally had the opportunity to retire and devote himself to his own work, producing close to 1,000 sculptures through the next two decades. His dedicated work ethic never left him, as he continued to create right up until his death at age 80 in 1994.

Wood Ceilings and a Welded Circular Staircase Inside the Houser Home

The compound itself is perched between the villages of Cerrillos and Galisteo on 109 acres of pinon- and juniper-studded land 22 miles south of downtown Santa Fe off Highway 14, the Turquoise Trail National Scenic Byway. The property was originally discovered in 1976 by Allan Houser’s son, Phillip Haozous, who invited his father to settle there and who faithfully and respectfully maintains his father’s work and legacy. Phillip, a quiet, modest and self-effacing gentleman, deserves much credit for planting the seed that grew into this beautiful artistic environment, as well as being responsible for the handsome landscape design. Father and son collaborated on the layout and construction of a group of studios and residences, slowly adding the sculpture gardens, as well as dance grounds and outdoor amphitheaters.

The Dance Grounds at the Houser Compound

In addition to the ten acres of sculpture gardens and gallery, in 1995 the compound was expanded to include the Allan Houser Foundry, a traditional lost wax process operation, begun to help the Houser family complete Allan’s lifetime work. By casting works of select artists since 2002, the foundry has grown to be  a welcome presence in the Santa Fe art world.

This is Where It All Happens: The Foundry

Although the Allan Houser Compound is a private facility, owned and maintained by the family and staff, throughout the year, tours can be arranged by appointment only, weather permitting. In addition, the grounds and select buildings are made available for those who want to create a special event that will be both unique and memorable. For more information or to treat yourself to a spot where the spirit of art flows with the breeze through the rocks and trees, call (505) 471-1528; you will leave feeling richer in spirit than when you came.

Navajo National Monument and a hike to Betatakin

Sunday, April 17th, 2011 by The Santa Fe Naturalist

The Betatakin cliff dwellings, tucked under a monumental arch

Santa Fe, New Mexico, occupies a unique position in the spacious geography of the American Southwest. We bask in the invigorating climate of the Southern Rockies, which mount up to our north and east. The great rift valley of the upper Rio Grande opens south of us, into the classic Basin and Range country so characteristic of the more arid parts of the West. Further east: the High Low Country of the Great Plains, stretching off seemingly forever like an ocean, treeless and lonely. And to our west, a short drive brings you into a landscape unique on the planet, hauntingly familiar to all Americans – the warm glowing mesas, buttes, and spires of the Colorado Plateau.

Blessed with this address – and not to mention the unique cultural charms of Northern New Mexico – Santa Fe makes the perfect base for a visit to the Southwestern States. Short day trips will take you to wonderful examples of each of the landscapes I’ve mentioned. But a longer trip has to include a tour of the Colorado Plateau and the Four Corners with all its scenic splendors. Many of these are well known: The Grand Canyon, Zion, Bryce Canyon, Monument Valley, Canyon de Chelly come immediately to mind. Some treasures, however are far less visited, and can offer the creative traveler access to landscapes and archeological sites of amazing power. One of these treasures is Navajo National Monument, in Northern Arizona.

Tsegi Canyon in the heart of Navajo National Monument

I made this trip in mid-September, the perfect time to explore the Four Corners country, and my notes remind me that a mid-morning departure from Santa Fe left time to set up camp with plenty of light. In the picture above, you can see the sunset lighting Tsegi Canyon, a short walk from the campsite after a cup of tea.

Navajo National Monument is on the Navajo people’s ancestral land, and as such, requires you to arrange guides or backcountry permits – supplied by the National Park Service – to explore its canyons and cliff dwellings. The walk down and back to Betatakin, one of the great cliff dwellings of the Americas, must be made with a guide, but the walk is free, and I think I learned more from our Navajo guide, Cassandra, than I have from any other ranger I’ve ever had.

The morning of the hike to Betatakin

Cassandra’s great-grandfather was a Navajo shaman – or doctor – and she seems to have inherited much of his knowledge and intuition. The walk down the steep setback walls of the canyon was transformed into journey through a natural healing cornucopia of herbs, lovingly described. One aspect of their use particularly struck me: the gatherer of medicine asks the healing plant for its help, and then harvests one just like it, after leaving a small offering. Any partially used herbs are put back, with a thank you. Contrast that with Western pharmacological medicine!

The hike down Tsegi Canyon is beautiful.

A monumental wall of Navajo Sandstone

Natural sculptures abound:

An oddly shaped outcropping. What do you see?

Trees take on special significance simply by virtue of their shape and setting:

An ancient pinyon pine

Soon you reach the staggering sandstone arch that embraces the village of Betatakin, as Cassandra would refer to it.

The great arch over Betatakin

No cliff dwelling I’ve ever seen has a setting like this. Cassandra explained that ‘BeTAT’ ‘a kin’ meant ‘tucked in’ ’4-sided home’. She was also quick to explain that ‘Ah NA suhzi’ – Anasazi – referred to ‘ancient other people’, rather than ‘ancient enemy’, as one often hears translated further east.

Ruined dwellings in Betatakin

The sandstone walls near the village are covered in petroglyphs:

Rock art near Betatkin village

The glyph on the left is the symbol of the Deer Clan. (Cassandra is a member of the Bitterwater Clan) The handprints could mean ‘life – we are here!’, or they may simply mean ‘water here’. In this country, that’s about one and the same thing. You can see some loom holes just to the right of the deer symbol. In those times, men wove. There are many circular designs like the one you see on the right. They are frequently divided into four quadrants, representing the four seasons, the four directions, or perhaps the four worlds. Even now in matrilineal culture of the Navajo People there are four clans, although these families came long after the Anasazi had mysteriously departed.

Approaching Betatakin

The ground around the cliff dwellings is littered with broken fragments of pottery. There are entire aprons of rubble covered in large painted shards. For those of us who grew up back east and might have found an arrowhead once, this abundance of artifacts is almost overwhelming. In fact, another cliff dwelling, much further back in the canyon, is called Keet Seel, which means ‘broken pottery’.

There is no lodging immediately near the Monument, but you can find good motels in Kayenta, Arizona, which makes a perfect stop for a next-morning drive through Monument Valley in any case. Navajo National Monument has an excellent campground aptly named Sunset Campground, and I highly encourage you to try and make such an arrangement – either tenting or in a travel trailer – if you can. The most magical times in the plateau country come at sunrise and sunset. Or – as in this evening, Palm Sunday, linked to the lunar cycle in an ancient resonance – a full moon rise:

Moonrise at Navajo National Monument

A Santa Fe Guy, A Santa Fe Gala

Monday, April 11th, 2011 by Santa Fe Red

The Lensic Performing Arts Center at 211 West San Francisco Street  celebrates a 10th Anniversary Gala on April 16, 2011

The Lensic We Love

The admiring glances seen every time we attend a performance event at the Lensic Performing Arts Center are a reminder that this jewel in the heart of town is not only still alive and active but is also celebrating its tenth anniversary this year! So often, great local gems slip quietly and inexorably into disrepair before we realize what is being lost. What good fortune for the city of Santa Fe that a dedicated group of local folk put their minds, money and muscle to ensuring a future for this architectural and historical treasure. And as the renovation was about to begin, one of the excellent decisions that ensued was the hiring of Robert Martin as the Director of the Lensic.

Bob Martin, Executive Director of the Lensic Performing Arts Center

With this gala year and the upcoming celebration, we asked Bob Martin for a bit of his time to help our guests become acquainted with all that the Lensic brings to the City Different. Despite the many demands involved in creating this anniversary party, Bob graciously complied with the questions we posed.

  • How long have you been with the Lensic, and how did you find your way there?

I have been at the Lensic 11 years. I came two months before the renovation begin in April 2000. Sue Weil, who I knew in Los Angeles, connected me up with Merrill Brockway who was helping Nancy Zeckendorf find a director.

For those who need more history on the contributions of Ms. Zeckendorf et al, there’s more about the history of the Lensic in this earlier post http://innonthealameda.com/the-authentic-guide-to-santa-fe/2011/01/santa-fe-lucky-to-have-the-lensic/

  • In lieu of the usual “Top Ten” list, can you please name some favorite events performed at the Lensic on your watch?

The Los Alamos Project reading; The Laramie Project:10 Years Later; Sonny Rollins at the New Mexico Jazz Festival;  Terry Allen, David Byrne and Emmylou Harris in a benefit concert for Landmine Free World; Eddie Izzard; and Children of Uganda.

For a city of less than 100K residents, this is an impressive and varied list of visiting artists, which should prove enticing for those who have not yet enjoyed a concert, reading or dance performance at the Lensic!

Eddie Izzard, Works in Progress

  • Can you name a community outreach event at the Lensic that has been personally meaningful for you?

That’s hard to pick. I really believe in the importance of all of them.

Guess that this question was akin to asking a parent to name a favorite child; sorry, Bob!

  • What one performer have you always wanted to see at the Lensic, but who has eluded you?

Bob Dylan

Mr. Martin should not feel alone; the movie that tells a similar elusive tale is entitled I’m Not There http://www.imdb.com/title/tt0368794/

  • What performer, living or deceased, would you like to meet and why?

Zero Mostel and Bert Lahr, because I just thought of them.

Zero Mostel as The Fiddler on the Roof

The One and Only Bert Lahr

  • Is there a staff member at the Lensic whose job you secretly envy?

Not really.

Job satisfaction is a great quality in a community leader!

  • What would you like to see happen for the Lensic over the next ten years?

To maintain excellence in programming, to continue taking chances and commitment to community. To be recognized nationally as a model for performing arts centers.

Under Bob Martin’s stewardship, the Lensic is definitely on its way towards these goals, especially with the launch of its $3 Million Fund the Future Campaign to ensure the legacy of performance, education and community events for generations to come.

  • As befits all New Mexicans, the state question, red or green? And where?

Green at Tia Sophias.

Everyone has a Favorite Place - and Color - for Chile!

The 10th Anniversary Gala Celebration commemorating the creation of the nonprofit Lensic Performing Arts Center, along with the 80th birthday of the historic Lensic Theater itself, begins on Saturday, April 16 at 5pm. A champagne reception taking place in the Lensic Lobby will precede the performance. This memorable occasion will also honor Santa Feans Nancy and Bill Zeckendorf, who spearheaded the effort to create the performing arts center that has become so integral to the arts community of Santa Fe. Performances by members of the Santa Fe Concert Association, Santa Fe Pro Musica and Santa Fe Symphony will be enhanced when the directors of each group conduct pieces played by this specially organized “Lensic Ensemble.” The Gala will also feature students from the Santa Fe Indian School and Aspen Santa Fe Ballet, and a film retrospective of the Lensic and its history will be screened.

We extend our sincere thanks to Bob Martin, for sharing some of his time and thoughts with us and for his energy and devotion to ensuring that the Lensic Performing Arts Center endures as a vital part of the cultural life of our city!

If you would like to be part of  this important Santa Fe celebration, please call the Lensic Box Office at 505-988-1234 or visit their website at http://www.lensic.org/content/lensic_anniversary.

Lensic Center photos courtesy of the Lensic; all rights reserved.

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