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The Authentic Guide to Santa Fe

Archive for the ‘art travel’ Category

The Galisteo Studio Tour

Sunday, October 16th, 2011 by The Santa Fe Naturalist

The spirt of Georgia O'Keeffe in Galisteo, New Mexico

One of the great joys of the autumn season in Northern New Mexico is the annual round of village studio tours. Artists open their homes and studios to wandering aficionados of the arts in many of the picturesque small towns around Santa Fe over the weekend, beginning in late summer, with the first hint of fall in the high country, and ending in mid-November, when winter is starting to show on the peaks of the Sangre de Cristo Mountains. Over the years these events have become remarkably well organized, with flyers and websites, welcoming stations with friendly folks passing out maps (surrounded by the inevitable bake sale), large and colorful signs guiding you along the obscure calles, and groups selling traditional meals and snacks  somewhere in a village gathering spot.

The village of Galisteo hosts one of my favorite tours. This old town, about half an hour’s drive southeast of Santa Fe, always picks a mid-October weekend to host, basking in autumn light and the golden glow of the cottonwoods along Galisteo Creek.

Crossing little Galisteo Creek on the village bridge

As always, the local Catholic Church is a good place to stop and plot your afternoon.

The church in Galisteo

The gnarled old roots of old New Mexico poke up from the earth here, as they do in every village:

A crumbling adobe, returning to the land

If you really want to see how an artist works, and find out what inspires him or her, a visit to the studio will go far to satisfy your curiosity.

Catherine Ferguson's sign hanging outside her house and studio

Everyone seems to be happy to talk to you, and to show you the tools of their trade. You’ll probably be offered a snack from the kitchen and the privilege of wandering around the house and yard – and if you see a work you can’t live without, you’ll very likely be able to purchase it on the spot.

A yard full of art

Well over half the fun of making a studio tour is peeking into people’s normally private homes and gardens, seeing how they arrange their creative lives, and enjoying the rich intermingling of art, landscape, and livelihood that might well cause a twinge of envy as well as admiration.

An illuminated wall

Behind adobe walls. Paintings were hung all along this box of light.

A questionable invitation

So if you’re planning a visit out our way next year around this time – and what could be more delightful than the Southern Rockies in September and October? – take a moment to look into the local studio tours and make some time for a day trip. I think you’ll discover then, for yourself, why the arts and New Mexico are so firmly joined.

Looking toward Galisteo from the house of the chocolate artist

New Mexico Studio Tours

Tuesday, September 27th, 2011 by Santa Fe Red

One of the best things about autumn in New Mexico is the chance to wander to the artists’ studio tours that occur throughout the fall months. Not only is the weather truly superb, one can meet the artists, see their studios AND buy art direct from the artist without gallery fees…a real win-win! The month of October is prime time for weekend art touring and golden aspen viewing both.

Autumn Gold

The arts touring season starts the weekend of October 1-2, in the beautiful New Mexico village of El Rito, easily one of the prettiest spots up north. With 25 years under their belts, this bunch of artisans has it down. From weaving to santeros, painting to pottery, you’ll find much to admire from the 26 participating artists.   Two venues are also stops on the new, state-wide New Mexico Fiber Arts Trail, those of Julie Wagner (#3) and Northern New Mexico Community College (#5), which boasts a fiber arts program. Yes, this pristine little village does have a college….and let’s not forget that El Rito Library promises “Death by Chocolate” desserts!

House Facade: Photo by Larry Sparks, El Rito

El Rito Studio of Michael Hennerty

October 8-10 (since Monday is Columbus Day, this tour has an extra!) welcomes art lovers to the village of Abiquiu, long renowned as Georgia O’Keeffe’s choice for the best New Mexico real estate. With 34 stops along the way, the Abiquiu Studio Tour is always well-attended, not only for the art but also for the natural beauty of the region. One can easily spend hours up north, what with O’Keeffe’s residence and Ghost Ranch both in the area. While reservations must be made in advance to tour the O’Keeffe home, the glories of  Ghost Ranch are evident for all who care to go there.

Mujeres del Campo by Armando Adrian-Lopez, Abiquiu

Ruina del Santuario, Abiquiu: Photo by Armando Adrian-Lopez

The Galisteo Studio Tour claims the following weekend, October 15-16. Just a short drive from downtown Santa Fe, the tour is celebrating its 24th year. 31 stops guarantee a variety of works, and the close-in location means you can ruminate on a piece of sculpture or a painting and then return the next day after you’ve dreamt about how it will look when you bring it home. Four food stops mean snacking is possible. And while the art doyenne of Galisteo, Priscilla Hoback, is not participating in the tour this year (since her studio time this summer was spent instead in a restaurant kitchen, bringing the venerable Pink Adobe back to life), you may see her chatting with visitors from the swing on the front porch of her studio!

The Hoback Studio in Galisteo

Sculpture by Candyce Garrett, Galisteo

The Dixon Studio Tour hunkers down and waits until November 5-6 to have the weekend to itself. If you’re taking a day trip to Taos, stopping in Dixon for a spot of art is definitely worth the short detour. 30 years is a long time to perfect the occasion, and the Dixon artists open their tour with a reception on Friday, November 4 at 7:00p.m. just to get the creative juices flowing. 35 studio stops, roving musicians, food, and believe it or not, there’s even a winery for tastings!

Art and nature…it’s easy to see why the light and the landscape have drawn so many creative souls to northern New Mexico…take time to enjoy an autumn drive and discover for yourself!

Autumn at the Inn: Photograph by Eric Swanson (all rights reserved)

The Santa Fe Show Pulls into the Railyard Santa Fe

Tuesday, August 9th, 2011 by Santa Fe Red

The Santa Fe Show takes place August 12-15 and August 18-21 at El Museo Cultural, 555 Camino de la Familia, Santa Fe, NM, 505-660-4701

Such a simple title for what is surely a much more complex endeavor! Adding another major art show to the summer, in a town already full of art, is a brave and worthy endeavor. We salute producers Kim Martindale and John Morris, the organizers of the The Santa Fe Show, Objects of Art, for mixing up another color on the palette of art oppportunities for Santa Fe art lovers to enjoy! A group of prestigious partners also deserves commendation for their vision and support, especially in times when wallets are so tight. And best of all, for those suffering a bit from a surfeit of visual stimulation over the last few artistic weeks, this show sticks around for two weekends rather than just one, so there’s no need to fret about the possibility of missing the experience!

Abundance, Image courtesy El Museo Cultural

Taking place at El Museo Cultural de Santa Fe, the rambling space that over the years has welcomed a panoply of local and regional arts organizations to the City Different, The Santa Fe Show brings a thoughtfully curated group of more than 60 vendors presenting unique arts and antiques, and in the process, serves as a handsome and informative complement to the City Different’s traditional Ethnographic Art and Indian Market weekends. This is truly an embarrassment of riches for us to enjoy!  By casting a wide net to capture outstanding examples of work in a variety of media and eras, the show highlights the union of aesthetic importance and design significance of the participating galleries, artists and designers. And as befits a two-weekend show, there will be two opening events as well. The first is a preview party, taking place on Friday, August 12 from 6-9pm, and it benefits the Santa Fe Animal Shelter and Humane Society, a cause dear to pet-lovers, be they local or out-of state. A special event for the second weekend will take place on Thursday, August 18, also from 6-9pm, benefitting El Museo Cultural itself, an institution venerated by local patrons for its support of art, theater and community events, all accomplished on a veritable shoestring budget.

Cowboys & Indians Booth

Theodore Casey Gallery Booth

Sissoko Tribal Arts Booth

Exhibitors at The Santa Fe Show have been vetted as specialists in their fields and encompass a broad swath of the USA, ranging from the urban coasts of  New York and Florida to our Texas neighbors and out to the sunny western shores of California. Huber Primitive Art, specialists in pre-Columbian works will be on hand for those who like to look way back to a more primitive era, as will local favorite, Economos Works of Art, one of America’s most noted Native American galleries.  The eyes can feast on museum-quality works from ancient civilizations presented by Cassera Premieres, and respected expert, Robert L. Parsons Fine Art will be showing antiques, textiles and jewelry, and furnishings and decorative arts from around the globe. And those are just a taste of the treats to be savored by or sold to discerning collectors!

Acoma Jar, Westside Trading Post

Bracelet: Antonio Pineda, Maestros de Taxco

Admission to The Santa Fe Show is $12 per person or $16 for the run of the show (a bargain for those who like to ruminate and return), with children under 16 admitted free. Visitors to downtown Santa Fe can ride the free “Santa Fe Pick-Up” shuttle service to The Santa Fe Show, and the New Mexico Rail Runner Express train’s Santa Fe Depot stop is just a block from the venue. Ample parking is available at the Railyard’s nearby underground garage, and refreshments will be available at The Santa Fe Show’s Café. The location of El Museo also offers a choice of many Santa Fe restaurant options scattered throughout the Railyard area for those who want to turn the images they’ve just seen into a lively discussion over a leisurely dinner. Need a hint? Just contact the Inn’s concierge and let us help you decide where to dine!

Riding the Railyard

You Know It by the Water-Tower!

Railyard Walkers

The appreciation of art is not a luxury, not in any economy…it feeds our souls and our imaginations and makes this world a better place. So make your Santa Fe vacation a better memory – and maybe even go home with an actual memento – by taking time to enrich your sensibilities at The Santa Fe Show.

Images courtesy of The Santa Fe Show and the Railyard Corporation, and all usage rights are reserved.

SOFA Santa Fe

Monday, August 1st, 2011 by Santa Fe Red

SOFA West Santa Fe 2010 takes place at the Santa Fe Community Convention Center located on the northeast corner of West Marcy and Grant Avenue from August 4-7.

No, no, not a seating arrangement…it’s an acronym for Sculptural Objects and Functional Art! And this exciting art fair returns this year to Santa Fe in August to add to the rich panoply of art that summer brings to us every year.

SOFA West returns to Santa Fe!

Taking place at our spacious Community Convention Center from August 4 through 7, SOFA West: Santa Fe is an opportunity for westerners and their art-loving visitors to see what other large art markets (read Chicago in November 2011 and New York in April 2012) deem as praise-worthy representations of the new and unusual in three-dimensional art objects. Last year’s outing was obviously a hit, since the show is up in dealer participation from last year’s 28 to this year’s 35 exhibitors.

The exhibit actually opens on the evening of Wednesday, August 3, 2011, with a frisson of exclusivity, an invitation-only “First Look” private preview for supporters of the Museum of New Mexico Foundation from 5-6:30 pm and SOFA VIPs beginning at 6:30 pm. The invite-only reception will be followed by a new Opening Night Public Preview which begins at 7 pm. Tickets are $50 and will be available on sofaexpo.com or at the door, and the Opening Night festivities continue until 9 pm. General admission to the fair begins on Thursday, August 4 and runs through Sunday, August 7, 2011, from 12 noon to 6pm daily. Tickets are $15 for a single day pass and, for those who just can’t get enough of a good thing, die-hard art aficionados can pay only $25 for the four-day run of the show.

Carol Naylor: Te Mata Peak, ZeST Contemporary Gallery

Jimin Kim: Tracks, Charon Kransen Arts

This year, the Art Fair Company also hosts an exciting addition to SOFA West, by welcoming the Intuit Show of Folk and Outsider Art, which partnered with SOFA Chicago last fall. Outsider art continues to grow audiences with each exposure, and in a town like Santa Fe, with a historic folk art tradition, this show is sure to be of interest to viewers and collectors alike. The Museum of International Folk Art had a stunning outside art show several years ago, which included the work of Martin Ramirez and was a big local hit. The presence of  Intuit brings the leading dealers and galleries of self-taught art and outsider art, non-traditional folk art and visionary art to the exciting artistic mix that SOFA visitors already appreciate.

Martin Ramirez: Caballero on Horseback, Carl Hammer Gallery

Deborah Barrett: Stitched Portrait, The Ames Gallery

In conjunction with the exhibit, SOFA continues its tradition of informative lectures and artists’ demonstrations. There are also a number of special public events that sound quite inviting! On Tuesday, August 2, 2011, at an all-day affair from 8:30 am to 6:30 pm, Dr. Bruce Bernstein, the Executive Director of SWAIA (the Southwestern Association for Indian Arts, host organization of the annual Santa Fe Indian Market) will be leading a tour of the gorgeous Acoma Pueblo, 1 and 1/2 hours southwest of Santa Fe. While the $300 per person cost of the day trip may seem a bit pricey, combining the beauty and rich cultural history of Acoma with a erudite guide like Dr. Bernstein makes this a truly one-of-a-kind experience. For more information or to register, contact Recursos/Royal Road Tours at 505.577.9659.

Acoma, the Sky City

On Friday morning, August 5, 2011, a there will be a private  backstage tour of one of Santa Fe’s cultural mainstays, the Santa Fe Opera. You’ll visit the busy costume shop and props shop, and peer into the inner workings of the talented Opera staff first-hand. The tour begins with a 9:15 am coffee klatsch at SOFA West: Santa Fe, in the lobby of the Convention Center, and transportation to the Opera grounds is provided. This private event is limited to just 40 people, and tickets are $25 per person, obtained by contacting Julie Oimoen at  julie@theartfaircompany.com.

The Crosby Theatre, Santa Fe Opera: Photo Robert Reck

Also on Friday, August 5 at 2pm, gallery clients who have been fortunate enough to receive VIP cards can drop in to the VIP Lounge, where SOFA West welcomes Victoria Price, designer and art historian, for a lively talk about the adventures of collecting art. The daughter of actor Vincent Price and long-term resident of Santa Fe, Ms. Price’s past includes a stint appraising and selling art from various estates and collections, so she has a wealth of entertaining information to share.

SO, now that you know…get off your sofa or out of your hotel room and head to the SOFA West Santa Fe Expo, where your mind and your eyes will be treated to some cutting-edge art that can easily hang above your sofa, adorning your home and showing your art cred, when you get back home.

Gallery photos of artists’ works courtesy of the Press Room page of SOFA West: Santa Fe

Spanish Market = Timeless Santa Fe Travel

Monday, July 25th, 2011 by Santa Fe Red

Summer in Santa Fe is the time of year when we celebrate the deep Hispanic roots of La Ciudad Diferente. It’s a satisfying experience to encounter a place that honors its traditional arts and, at the same time, celebrates the ingenuity of those artistic descendants who are drawn to more contemporary expressions of the heritage.

Spanish Town, Spanish Names!

Spanish Market means many things to many people. For some, it’s enough to enjoy the festive appearance of the Plaza, dressed up to remind us of the enduring legacy of the conquistadors and settlers who braved the ardors of the New World. For others, it may be the food, rich and spicy, tantalizing the taste buds with the thought of fresh green chile yet to come. For most, however, especially steadfast Santa Fe visitors who return annually at this time, it’s the opportunity to see how the artistic heritage of the past lives on today through the hands and the talents of over 200 artists. Delicate straw applique and colcha embroidery are crafts may have waxed and waned through the years, but thanks to a number of dedicated artisans, one can still encounter these humble traditional art-forms today. Painstakingly painted retablos and hand-carved bultos never go out of style, as befits an aesthetic so thoroughly entwined with its religious roots. And the weavers will be there to remind us that the heat of summer will soon enough be followed by the appeal of soft, warm wool.

Intricate Colcha Embroidery: Museum of New Mexico Collection

Presented by the Spanish Colonial Arts Society, Spanish Market is making its 60th anniversary appearance on the Santa Fe Plaza over the weekend of July 30-31.  Market hours on Saturday are 8:00 a.m. to 5:00 p.m.; on Sunday, the Market runs from 9:30 a.m. to 4:00 p.m. In conjunction with the Arts Market itself, chock-a-block with both familiar and new faces, a special Market Mass will be celebrated at our gorgeously renovated St. Francis Cathedral Basilica at 8:00 a.m. on Sunday morning, July 31, at which time the public is invited to the join in the blessing of the Spanish Market art and its artisans.  After the blessing, a procession begins at the Cathedral and winds around the Plaza, led by a cheerful Mariachi band.

The Beautiful Reredo at St. Francis Cathedral

There are a few informative events celebrating the Spanish heritage that will also take place over the weekend. On Thursday, July 28 at 5:30 p.m., a free “Layman’s Lecture About the Saints” will take place at the historic Santuario de Guadalupe, located at 100 South Guadalupe Street.  Lecturer Marina Ochoa, curator and archivist for the Office of Historic-Artistic Patrimony, Archives, and Museum of the Archdiocese of Santa Fe will discourse on the particularly meaningful saints depicted in many of the retablos and bultos one is likely to encounter at the Market.

Santa Fe’s purveyor of  ”todas cosas Espanolas,” The Spanish Table, located at 109 North Guadalupe Street, complements the weekend with two flavorful themed events to honor the Market. On Friday, July 29 at 12 noon, a Spanish sausage sampling complete with a lecture on how to make and cure your own Spanish-style sausages will be presented by Robert Fettig, with Flamenco guitarist Joaquin Gallegos on hand to provide an appropriate musical background. On Saturday, July 30, also at 12 noon, the staff at the Table will cook a gigantic Paella in front of the store.  This is a great time to learn how to make this signature Spanish dish, and you can receive a recipe, ask questions and enjoy!  Best of all, these events are also free to the public!

Paella? Muy Sabrosa!

Spicy Chorizo!

To enhance this rewarding arts weekend, Santa Fe also welcomes the 25th appearance of the Contemporary Hispanic Market, held adjacent to the Plaza on Lincoln Avenue and mirroring the hours of the Traditional Market. With 134 different booths, each featuring a different twist on the Hispanic arts, this is a multitude of riches in and of itself! Those who are drawn to use their talents in newer art forms appreciate this opportunity to exhibit, and both casual and serious collectors enjoy the chance to converse with some of New Mexico’s well-respected Hispanic artists. This display of contemporary Hispanic works showcases individual expression in the mediums of painting, printmaking, sculpture, photography, furniture, jewelry, ceramics, weaving and much, much more. In other words, this weekend is an artistic two-fer!!

Glorieta: Painting by Robb Rael

As with all of the summer Santa Fe Plaza events, the sun will likely be a constant visitor, so pay attention to our summer weather and dress accordingly. That’s the only caveat though, the rest of the weekend is yours to enjoy…or as we say aqui, bienvenidos y disfrutele mucho!

Santa Fe Art This Summer

Tuesday, June 28th, 2011 by Santa Fe Red

Santa Fe richly deserves its artistic reputation, and summer is a season that brings many opportunities to learn why. Free Friday evenings at the museums, First Friday Artwalks at the Railyard and Last Friday Artwalks in the West Palace and GALA Arts District, right off the historic Santa Fe Plaza, may be at the end of the week, but they are just the beginning of an arts experience!

The Santa Fe Plaza: Green Heart of our Town

ART Santa Fe

Now in its eleventh year, ART Santa Fe brings contemporary artists from around the nation and the world to the attractive and welcoming Santa Fe Community Convention Center. At 72,000 square feet, with state-of-the-art amenities, what a change this venue has brought to this particular art scene! Taking place from July 7-10, the broad schedule of events includes a gala opening night Vernissage, as well as the informative and entertaining Art Santa Fe Presents lecture series that features noted art-world critics and cognoscenti.

Art Santa Fe Returns to the City Different

International Folk Art Market

Santa Fe is already renowned for the fantastic collection at the Museum of International Folk Art, and the weekend of July 9-10 brings the International Folk Art Market to the Milner Plaza on Museum Hill. The goals of economic stability and cultural sustainability for global folk arts combine to create a positive inter-cultural exchange that unites artisans and aficianados from around the world. During this festive two-day event, more than 120 select folk artists from more than 45 countries will travel to Santa Fe, where fortunate fans can peruse and purchase unique folk art direct from these diverse artisans.

Santa Fe International Folk Art Market from David Moore on Vimeo.

Spanish Market

No summer in La Ciudad Real de Santa Fe de San Francisco de Asis (Santa Fe’s official moniker) would be complete without this annual celebration of traditional and contemporary Spanish arts. Celebrating its 60th anniversary, the Spanish Market has grown to include far more than the beautiful retablos and straw applique of yester-year; today, collectors can encounter La Guadalupana rendered in computer circuitry or find a pair of far-out bottle-cap earrings. Held on July 30-31, this event is a consistent contributor to the lively Plaza scene.

Santa Fe's Spanish Heritage

SOFA West

Many art-lovers are already aware of the annual SOFA (Scultpure Objects & Functional Art) shows that take place in New York and Chicago, and three years ago, SOFA arrived in Santa Fe seeking western exposure. Taking place from August 4-7, SOFA West brings international, gallery-curated exhibitions of work that present the very best in contemporary fine art and design. This year, the Intuit Show of Folk and Outsider Art will come along for the ride with SOFA West, adding the leading dealers of outsider and non-traditional folk art to this exciting artistic mix.

Indian Market

If you haven’t already made your reservations, attendance at the 89th annual Santa Fe Indian Market will require some timely effort on your part and could even necessitate a stay in Albuquerque, as Santa Fe hotels frequently sell out! There is nothing quite like seeing the diverse Native faces from around the nation, all gathered in one place to celebrate their arts and culture. Silver jewelry flashes, beads jingle, and lots and lots of wampum changes hands in a very short period of time. This year’s market takes place on the weekend of August 20-21, and if you already have all your travel plans in place, include making advance dinner reservations as part of your planning – we can help!

The Many Faces of Indian Market: Photo SWAIA

The Houser Compound

If you have a car, we encourage a visit to the Houser Compound, the home of the noted Apache artist, Allan Houser. Located about 20 minutes south of downtown Santa Fe, this pristine plot showcases a treasure trove of works by the late sculptor in a gorgeous landscape setting. And it can even be reserved for private events, such as weddings and birthdays!

We Sing the Praises of the Houser Compound

Shidoni

For sculpture closer to town, just seven miles north in Tesuque, you’ll find the Shidoni Sculpture Garden, which holds work by many local and national artists, all arrayed in a petite river valley just minutes from the Plaza. The Shidoni Foundry also invites visitors to observe bronze pourings, typically on Saturdays, although the schedule is not always firmed up until the Friday before.

We invite you to enjoy an artistically engaging stay in the City Different!

Simply Santa Fe South of Town

Tuesday, May 3rd, 2011 by Santa Fe Red

The Allan C. Houser Compound is located at 26 Haozous Road, 22  miles south of Santa Fe on Highway 14

“Simplicity appeals to me in a land where the simple things are respected and appreciated – simplicity is a way of life.” Allan Houser

Simplicity IS appealing, especially in our increasingly complicated, task-filled lives. Sometimes we become so habituated to our routine and our surroundings that we neglect to simply visit our neighbors. A good illustration of ignoring what’s in your own backyard? The Allan Houser Compound and Sculpture Garden! Fortunately, my neglectful behavior has recently been rectified by a morning spent exploring this stunning piece of land, enriched in every direction by the sculpture of the late Apache artist, Allan C. Houser, whose hours of painstaking work were distilled into deceptively simple forms.

Mr. Allan C. Houser, Always on the Property

Born as Allan Haozous in 1914, this renowned New Mexican (whose name change came courtesy of the US government) was a member of the Warm Springs band of Chiricahua Apache, originally based in the area near Truth or Consequences, NM. Led by Geronimo himself, the Warm Springs tribe, driven south to Mexico, eventually surrendered to the US Army in 1886 and was speedily transported acroos the country to a prison in Florida as retribution for their recalcitrant refusal to acknowledge superior firepower. The Haozous family itself  is descended from the great Mangas Coloradas, a leader of the eastern Chiricahua in the late 1800′s. The Chiricahua were scattered in locations around the southern states; Allan’s father was among those jailed in Florida, and his mother was born in a prison camp in Alabama where surviving members of the tribe were sent in 1887. The remainder of the Chircahua were sent to Fort Sill, Oklahoma where they remained as captives for what have been 23 very long years. Finally freed in 1914, members of the tribe returned west to join with the Mescalero Apache, for whom a reservation had been carved out of public lands in south-central New Mexico. Allan’s parents, however, were among a small group that elected to remain in Oklahoma, and Allan was their first child born out of captivity. From these roots of struggle and privation arose a talent that continues to inspire generations of artists, Native and non-Native alike.

Warm Springs Apache Man: Allan C. Houser

Although he was raised in an agricultural lifestyle, Mr. Houser became interested in imagery at an early age and soon tried his own hand at creative endeavors. His artistic fire was further fueled by a 1934 notice for an art school located on the campus of the Santa Fe Indian School. Thanks to his talent and the hard-working ethic of his forebears, Allan became the most notable graduate of the Dorothy Dunn School, and by 1939, his artwork was being exhibited around the country.

Mr. Houser was a Painter First!

Mr. Houser and his wife, Anna Marie Gallegos, moved to Los Angeles in 1941 with three young sons, where Allan found work as a ship-builder during the busy years of the Second World War. This was a fortuitous decision, since it was here that he honed 3-dimensional skills that would later serve the sculptural forms of his work, and at the same time, encountered museums rich with the work of European modernists that satisfied his desire for a greater knowledge of art and art history.

Horse: Allan C. Houser

In 1951, the Houser family moved from L.A. to Utah, where Allan taught art at the Inter-Mountain Indian School for the next eleven years, all the while continuing his own work on canvas and in wood. In 1962, his family heritage came full circle with a move to New Mexico, when he agreed to join the Santa Fe faculty of the newly created Institute of American Indian Arts (IAIA), currently the only four-year institution with a fine arts degree dedicated to Native arts. Mr. Houser created a sculpture department from the bottom up and in the process, turned his own artistic focus toward three-dimensional work. By the late 1960′s, exhibitions of his sculpture became a regular occurrence, and both national and international recognition grew along with his output. In 1975, after having influenced several generations of Native artists, Mr. Houser finally had the opportunity to retire and devote himself to his own work, producing close to 1,000 sculptures through the next two decades. His dedicated work ethic never left him, as he continued to create right up until his death at age 80 in 1994.

Wood Ceilings and a Welded Circular Staircase Inside the Houser Home

The compound itself is perched between the villages of Cerrillos and Galisteo on 109 acres of pinon- and juniper-studded land 22 miles south of downtown Santa Fe off Highway 14, the Turquoise Trail National Scenic Byway. The property was originally discovered in 1976 by Allan Houser’s son, Phillip Haozous, who invited his father to settle there and who faithfully and respectfully maintains his father’s work and legacy. Phillip, a quiet, modest and self-effacing gentleman, deserves much credit for planting the seed that grew into this beautiful artistic environment, as well as being responsible for the handsome landscape design. Father and son collaborated on the layout and construction of a group of studios and residences, slowly adding the sculpture gardens, as well as dance grounds and outdoor amphitheaters.

The Dance Grounds at the Houser Compound

In addition to the ten acres of sculpture gardens and gallery, in 1995 the compound was expanded to include the Allan Houser Foundry, a traditional lost wax process operation, begun to help the Houser family complete Allan’s lifetime work. By casting works of select artists since 2002, the foundry has grown to be  a welcome presence in the Santa Fe art world.

This is Where It All Happens: The Foundry

Although the Allan Houser Compound is a private facility, owned and maintained by the family and staff, throughout the year, tours can be arranged by appointment only, weather permitting. In addition, the grounds and select buildings are made available for those who want to create a special event that will be both unique and memorable. For more information or to treat yourself to a spot where the spirit of art flows with the breeze through the rocks and trees, call (505) 471-1528; you will leave feeling richer in spirit than when you came.

The Nature Journal

Saturday, March 19th, 2011 by The Santa Fe Naturalist

Above Ghost Ranch, New Mexico, journaling

Although I’ve kept a written journal for many years, after I moved to Santa Fe, a friend introduced me to what is usually called nature journaling. A nature journal is a kind of sketchbook and written journal. It’s a place for you to record observations made during your outings, or your travels, with drawings and sketches, and hand-written notes. Generally the drawings dominate; some people love hasty sketches made spontaneously in the field, in a cheap notebook, while others make lavish, multi-media illustrations that run over the pages of their hand-bound books, and make the entire journal a work of art. No two nature journals are, or ever will be, the same. If you begin to keep one, you will be creating something utterly and uniquely yours.

I have to say this has been one of the most enriching and rewarding activities I’ve ever undertaken. And I admit I was resistant at first, for the same reason you’re probably feeling right now: I didn’t like the way I drew. Quite a few early attempts were discarded, journal and all, in a childish dissatisfaction. I even tried adding drawings to my written journal, where they lost themselves in the verbiage. But as it says in “Drawing on the Right Side of the Brain“, if you can sign your name, you can draw. It’s true. You have to learn to draw what you see and not what you think you see. You have to learn what to exclude, as well. With just a little perseverance you’ll be on your way.

The materials you’ll need are few and inexpensive, and easily tucked into a day pack: a plain bound notebook, a pen with ink that doesn’t smear, and a tin of 12 colored pencils and a sharpener are all I ever carry.

All you need

My journal is a blend of nature observations, travel notes, sketches, including hand-drawn maps, and some feeble attempts at “artful” page compositions, geared to my trips and outings. My friend’s journal includes these elements, but with a seasonal continuity and a strong sense of composition. It’s all good.

The opening pages of "Summer" in Scott J's journal

Many of Scott’s pages are devoted to “traditional” nature journal subjects, ranging from things seen on nearby hikes to the changes occurring right outside the window:

Even a bird’s nest, tossed into the driveway by the wind, can become a work of art:

A vacation becomes an excuse for pages of drawings:

We both love to draw what are often called “event maps”. These annotated, hand-drawn maps are an attractive way to telescope a day’s activities and observation all in one multidimensional place. It’s interesting to notice how one’s observations overlap – or don’t –  with another’s. Following are two event maps of the same area, made during the same visit, at Chaco Canyon, New Mexico:

Scott J's Chaco event map

Scott R's Chaco event map

Many of my recent event maps have taken on a look like this:

A day's hike to Puerto Nambe, all captured on a page

The need to figure out just what that attractive flower or odd lizard is named, which means poring through guidebooks later, has led to a vast improvement in my knowledge of local natural history. (This need has also filled shelves with natural history guides) I’ve about worn out Robert Ivey’s comprehensive “Flowering Plants of New Mexico”. My rock identification skills, submerged under years of corporate uselessness, have resurfaced as well. I love to include cross-sections of the local geology, drawn from various sources; these help me put the regional natural history in context:

Everyone has their own particular interests, of course. But no matter what catches your eyes, you’ll discover that you are starting to see in a different way than you did before. You will start seeing like an artist. And you’ll be creating a record of your life’s experiences that is much more satisfying than a simple photo album or written journal, as important as those things can be. I have a stack of written journals 4 feet high that I never open  - they might as well be sediment accumulating on a dark sea floor. There are no guideposts in that mass of scrawls. But I look through my nature journals with pleasure all the time. They quickly answer every question like “when did we go there?” or “when did the peaches ripen?” with visual cues to guide you.  And as the years go by, these colorful records will be there to remind you of all the wonderful things you really have been doing in your life.

Scott J. sketching on Raven's Ridge, far above Santa Fe

There are many websites devoted to nature journaling. Here are a few to get you on your way:

http://www.cathyjohnson.info/natural.html

http://ireneehret.com/nature_journals.php

http://margaretherrick.com/

Santa Fe Travel Leads Home

Thursday, February 17th, 2011 by Santa Fe Red

Santa Fe may be a southwestern paradise, but we locals do leave on occasion, even if the time of year is foreboding…and even when the foreboding is borne out in fact! When the weather delays that froze up 2/3 of the country kept this Santa Fe traveler in the Big Apple with additional time to fill, a business trip bestowed unexpected pleasures that more than made up for the 30-hour return trip (which also yielded renewed appreciation for the stamina and commitment of our guests, who sometimes arrive so tired!).

Snow in the Big Apple

Since I am one of our Santa Fe Opera‘s most ardent fans, extra time meant that a visit to the Metropolitan Opera was inevitable. Waiting through the long months between seasons here in Santa Fe makes having the “opera-tunity” to see a live performance especially delightful. While I have been solaced monthly by the Met simulcasts shown locally at the Lensic Center, nothing really compares to that opening moment when the conductor steps onto the podium and the lights go down. It’s simply thrilling! Thanks to our excellent local Opera company, I had last seen Verdi’s Simon Boccanegra back in the summer of 2004, when Mark Delavan sang the title role and Patricia Racette, a Santa Fe favorite, sang the role of his daughter, Amelia.

Patricia Racette as Amelia and Mark Delavan as Simon; Santa Fe Opera 2004 Production of Simon Boccanegra

Our  rapidly-changing Santa Fe weather always contributes an element of danger (the possibility of wild winds, lightning and thunder) that suits lush historical tales like this one. No fear of weather ensconced safely indoors at the Met, however, where the sense of danger came from the story, full of intrigue and big brassy horns, not to mention Dmitri Hvorostovsky‘s silver mane!  It was a stunning performance, and I came away with the satisfaction of finally seeing James Levine on the podium, a long-held desire. Now that long-held desire has transmuted into patiently waiting for opening night here in Santa Fe, which takes place on Friday, July 1, 2011, with a new production of Charles Gounod’s Faust, led by chief conductor, Frederic Chaslin and director Stephen Lawless. Faust…now that’s a dangerous story!

"Full Court Press" for Simon Boccanegra at the Santa Fe Opera 2004

While waiting for my rescheduled departure, I headed for the other Met, the Metropolitan Museum of Art, where a photography exhibition of works by Stieglitz, Steichen and Strand was on display. Nice alliteration on that title and a very serendipitous Santa Fe sense of familiarity for a visiting New Mexican! While I have seen some of Alfred Stieglitz’s beautiful photos of Georgia O’Keeffe at our wonderful O’Keeffe Museum, in an exhibition of this size, there were naturally some exciting discoveries. Beautiful partial nudes and detailed photos of O’Keeffe’s gorgeous (and talented) hands spoke volumes about the deep connection that bound these two artists together.

Alfred Stieglitz, Georgia O’Keeffe – Hands, 1919 (printed 1920-1930s) ©Georgia O'Keeffe Museum.

It’s no surprise that photographer Paul Strand also spent plenty of time in New Mexico, as have so many artists of all persuasions. Interested parties can peruse the fruits of his labor with a copy of Paul Strand Southwest from our local Photo-Eye Gallery and Bookstore located in Santa Fe on Garcia Street, just a short stroll from the Inn. Even Edward Steichen has a NM connection, with the 1995 book published by the University of New Mexico Press, Picturing an Exhibition: The Family of Man and 1950s America.  In this book, author Eric Sandeen presents a study of Steichen’s historic exhibit and its subsequent global influence, along the way examining the exhibit’s origins, Steichen’s beliefs and background, and the aim of his image selection, all reflected through the lens of the 1950s.  Steichen’s work in the Met exhibit certainly demonstrates his broad array of interests, but there’s always something else to be learned from the back story, especially when the opportunity to learn is found so close to home.

And in a wintery, blustery city with 7-foot high snowbanks, isn’t finding hometown connections one of the comforts of travel? Now if the Big Apple only had our great green chile (an immediate visit to Atrisco ensued upon return), a lonely Santa Fe traveler would never feel far from home!

MMMMM...Green Chile!

Santa Fe Opera Photographs courtesy of the Santa Fe Opera, all rights reserved. Alfred Steiglitz Photograph ©Georgia O’Keeffe Museum

North to Taos from Santa Fe!

Tuesday, February 1st, 2011 by Santa Fe Red

This week, we are pleased to welcome as a guest blogger, Taos resident Susan Mihalic, who shares her thoughts on our neighbor to the north. Susan is a writer and editor who has lived in Taos since 1995.

Beautiful Taos Mountain

The Inn on the Alameda has a great central location that enables guests to enjoy a variety of day trips, no matter what time of year or weather. Among the most popular: a day in Taos, only 70 miles north of Santa Fe and a true jewel in New Mexico’s crown. Exploring all that Taos has to offer requires more than a day, but even if your time is short, we can suggest an itinerary that will give you a satisfying taste of this high-desert town. Like Santa Fe, Taos is about 7000 feet above sea level, so be sure to drink plenty of water to prevent altitude sickness. Wear comfortable walking shoes, dress in layers, and don’t forget your camera and your sunscreen.

North of Española, you’ll enter Taos Canyon, where State Road 68 takes you alongside the Rio Grande past the communities of Dixon and Pilar. As you climb in altitude, the river veers west, creating the Rio Grande Gorge, which you will see as you leave the canyon and crest the hill that leads you into Taos.

In Ranchos de Taos, at the south end of Taos proper, you’ll find the historic San Francisco de Asis Church, a National Historic Landmark and World Heritage church. Built between 1772 and 1816, the church is open to the public from 9 a.m. to 4 p.m. Monday through Saturday, except for two weeks each spring when the exterior is replastered with mud by parishioners and other volunteers. With its four-foot-thick adobe walls and dramatic buttresses, it is among the most photographed churches in the United States.

The church is located in the Ranchos de Taos Plaza, which is also home to shops and galleries, including Two Graces, an intriguing mix of collectibles and original art. Browsing through items both curated and created by owner Robert Cafazzo is like revisiting childhood. Two Graces is open from 10 a.m. to 5:30 p.m. each day.

Four miles north of Ranchos and in the heart of the historic district is Taos Plaza. While the Plaza has the requisite T-shirt and souvenir shops, one of our favorite galleries is Acuarelas Studio Gallery (125 North Taos Plaza). It is open every day, although hours vary. Gallery owner and featured artist Leandro Martin Rodriguez works primarily in watercolor (which is what acuarelas means), achieving an infinite palette of subtle colors by hand-mixing the primary colors of red, blue, and yellow. His gallery includes a variety of work by other artists as well, from sculptures to pots to jewelry and more.

The Courtyard of the Blumenschein Museum

From the Plaza, you can walk a short distance to Ledoux Street, which is home to several don’t-miss stops for art lovers:

•  The E. L. Blumenschein Home and Museum, a National Historic Landmark, which offers a collection of work by one of the artists who was fundamental in establishing Taos as an art colony. The Blumenschein Home is open from 10 a.m. to 5 p.m. Monday through Saturday and from 12 noon to 5 p.m. on Sunday, although winter hours may vary.

•  R. C. Gorman’s Navajo Gallery, which includes the artist’s original drawings, lithographs, and bronzes. Days and hours of operation vary.

•  The Harwood Museum of Art, open from 10 a.m. to 5 p.m. Tuesday through Sunday, closed on Monday. The Harwood’s impressive collection includes works by Agnes Martin, Andrew Dasburg, Patrociño Barela, and members of the Taos Society of Artists, including Blumenschein, Oscar E. Berninghaus, E. Irving Couse, W. Herbert “Buck” Dunton, Joseph Sharp, and Victor Higgins.

A Colorful Mural on Ledoux Street

Ready for lunch? Near Ledoux Street is Antonio’s (122 Doña Luz, one block west of the Plaza), which offers both traditional and innovative dishes from Old Mexico; we love the guacamole made tableside, the ceviche (fresh fish in lime juice), and the chile relleno en nogada, a twist on the classic relleno. In the mood for crispy fish and chips or a juicy burger? Head to the Alley Cantina (121 Teresina Lane, behind the north side of the Plaza), located in what is reputed to be the oldest building in Taos. Or have a sandwich and a bowl of green chile at Bent St. Café & Deli, which is at the north end of the John Dunn Shops, less than a block north of Taos Plaza.

After lunch, browse the John Dunn Shops (Moby Dickens Bookshop at 124A Bent Street, right across from the Café & Deli, is a must-visit stop for booklovers) and stroll up and down Bent Street, which offers an eclectic assortment of—you guessed it—galleries and shops. Despite a bend in the road, Bent Street is actually named for one-time New Mexico governor Charles Bent; his former home, at 117 Bent Street, is now a museum. More historic trivia: Bent was the brother-in-law of frontiersman Kit Carson, whose own former home, at 228 Kit Carson Road, is also a museum.

Bent Street in Toas

While both the Governor Bent and Kit Carson museums give visitors a glimpse into the past, we recommend that you save them for next time and instead visit Taos Pueblo, a UNESCO World Heritage Site and a National Historic Landmark. Typically, the Pueblo is open from 8 a.m. to 4 p.m. Monday through Saturday and from 8:30 p.m. to 4 p.m. on Sunday, although from late winter to early spring it is closed for about 10 weeks, and occasional tribal ceremonies may necessitate an unscheduled closing.

The adobe structures in the Pueblo village were constructed between 1000 and 1450 C.E. and are the oldest continuously inhabited buildings in the U.S. These buildings comprise not only homes, but also shops exhibiting traditional and contemporary arts and crafts of Pueblo residents. In addition to art and jewelry, you may purchase oven bread, baked in the traditional beehive ovens called hornos, or another Taos Pueblo specialty, prune pies, from one of the village vendors.

The San Geronimo Church, near the visitor’s entrance, was completed in 1850. Near it are the ruins of the original San Geronimo Church, which was built in 1619 and destroyed in the Pueblo Revolt of 1680, when eight of New Mexico’s 19 pueblos rebelled against Spanish colonization. The revolt was temporarily successful, but in 1692, Spain repossessed the land.

Taos Pueblo welcomes visitors, and with some exceptions, photographs are allowed, although you must pay a fee for each camera you bring into the village, no photography is allowed in the church, and you must ask permission to take pictures of tribal members. Note, too, that the river that divides the north and south “houses” of the village is the source of residents’ drinking water, as the village has no running water or electricity. Do not that Taos Pueblo will be closed for Traditional activities starting February 7, 2011 through approximately March 28, 2011; please contact the Tourism Office at the Pueblo if you have any questions.

A short drive north of Taos Pueblo is the Millicent Rogers Museum (1504 Millicent Rogers Road), which has a priceless collection of assembled by Millicent Rogers, heiress to the Standard Oil fortune. With a legendary sense of style and a sharp mind, she amassed Native American jewelry, pottery, and religious iconography; Spanish Colonial folk art; and textiles from both Native American and Spanish Colonial traditions, all on display along with original jewelry designs by Rogers herself. Among Rogers’ many notable achievements was her commitment to the classification of Native American art as “historic,” which conveyed both status and protection. The museum is open seven days a week from 10 a.m. to 5 p.m., although it is closed on Mondays from November through the end of March.

As you pass through Taos’s historic district on the way back to Santa Fe, you may want to stop for drinks and pub fare at the Adobe Bar. Located in the Taos Inn (125 Paseo del Pueblo Norte), the Adobe Bar is known as the living room of Taos and is popular among both locals and visitors. The margaritas are cold, and the nachos are hot and plentiful. The Taos Inn has a fine dining restaurant, too, Doc Martin’s, which, in the late 1800s, was home to Dr. Thomas Paul (Doc) Martin, who discovered the headless body of ruthless land grabber Arthur Manby—but that story will have to wait for your next visit to Taos! See you then!

Thank you, Susan! We’ll look for you when we head up north!

Susan Mihalic, our Taos Expert

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